The Image of Phoenicia in Roman Poetry (original) (raw)
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This study follows neither the paradigm of pro-or anti-Augustan nor the strict belief that the intention of the poet, like other poets of the time, is one of ambiguity open to multiple interpretations. Virgil’s Aeneid is an epic poem with a clearly woven thesis that the hospitality relationships that its hero enters both transcend and address the difficulties he faces in founding Rome. The Rome that Aeneas founds is, like Augustan Rome’s mythology, built on labors and toils. Aeneas’ labors are moral, they are intellectual, and they are searching for the relationship between the human and the divine that is true, accurate, and lasting. Rather than a support for the creation of the Roman state as such, the poem uses the environment and changes that occur in both the contemporary Roman environment and the city’s mytho-historical story to lay forth a realistic optimism that not only incites the people to believe in the potentiality of a peaceful age, but to comprehend through the ideal ...
Virgil's Aeneid and the Time of Empire
I will begin with the simple observation that almost all the texts discussed in the talks given at this conference ---and there have indeed been such an extraordinary range ---have been modern if not contemporary, involving the wars that formed and are still forming the world as we know it, the world that we know might end, and that still concern us intimately. This makes perfect sense. With the advent of total war, systematic genocide, and new technologies of destruction, the questions raised in this conference gain a new moral and political urgency.
The Clashing Island of Humanity: Virgil's Aeneid as Heroic Threnody
2019
Galinsky writes that "it is the toil necessary for the achievement, and not the achievement itself, that is the stuff of the Aeneid." (1996, 246) 13 R.K. Gibson, 1999, argues that the reader must decide for his or herself whether or not Aeneas makes a return to Dido. In Ovid's work, it is Dido who is angry at Aeneas for never providing a return. For this reading it is merely provocative in that it is the emotional states of the characters that determine the need for a resolution of the relationship.
No Arms and the Man? Virgil’s Aeneid in Modern Popular Culture
2020
Perhaps more than any other text, Virgil‟s Aeneid has had an impact on Western literature and society. The reasons for this popularity seem obvious, for it contains all the elements one would want in an enduring tale: a brave hero, an arduous yet eventually successful journey and quest, a tragic love plot, a people searching for a homeland. Taken on such a level, it would appear to be perfect material for a Hollywood blockbuster and multiple spin-offs. Yet to date, there have been remarkably few receptions of the work in modern popular culture, although Troy and the Trojan War continue to thrive, with receptions multiplying across genres and for all age groups. If Greece was, until recently, in the words of Gideon Nesbit, the neglected „dog in the nighttime‟ in terms of classical reception and popular culture, Aeneas is the invisible hero, rarely glimpsed at all. This paper provides a brief overview of the reception of Virgil‟s Aeneid in modern popular culture, considering popular f...
2011
The Other Virgil is introduced as a contribution to the debate within classical scholarship over the historicity of "pessimistic" readings of Virgil's Aeneid. This debate might at first appear to be a minor intradisciplinary quarrel, but in fact it has important implications for reception study more broadly, raising questions about the historicity of reception (and reading in general) and about the validity of various contemporary methodological approaches to reception and allusion.
CELEBRATION OF EMPIRE OR A CRITIQUE ---THE AENID by VIRGIL.docx
CELEBRATION OF EMPIRE OR A CRITIQUE ---THE AENID by VIRGIL.docx, 2018
The Aeneid is a compelling founding myth or national epic that tied Rome to the legends of Troy, tried to explain the Punic Wars, glorified traditional Roman virtues, and legitimized the Julio-Claudian dynasty as descendants of the founders, heroes, and gods of Rome and Troy. THIS PAPER IS A MAGNIFICENT EXERCISE IN APOLOGETICS AND ANALYSES WHICH IN TURN WILL SERVE AS A PERFECT INTRODUCTION TO THE SUBJECT MATTER OF COMPARING THE ILIAD AND THE AENEID AND THEIR RELEVANCE TO MODERN SOCIAL SCIENCE. https://www.newyorker.com/magazine/2018/10/15/is-the-aeneid-a-celebration-of-empire-or-a-critique https://www.newyorker.com/contributors/daniel-mendelsohn CONDE NAST © 2019 Condé Nast. All rights reserved. Use of and/or registration on any portion of this site constitutes acceptance of our User Agreement (updated 5/25/18) and Privacy Policy and Cookie Statement (updated 5/25/18). Your California Privacy Rights. The material on this site may not be reproduced, distributed, transmitted, cached or otherwise used, except with the prior written permission of Condé Nast. The New Yorker may earn a portion of sales from products and services that are purchased through links on our site as part of our affiliate partnerships with retailers.