Measuring the socio-economic impacts of selected regenerated heritage sites in Europe (original) (raw)
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Effect Magazine. Volume 6. Issue 2. Autumn 2012., 2012
After Effects 38 recent publications on the cover… This photo by Frederic Lezmi is part of the inaugural year of the European Photo Exhibition Award project, which aims to present the perspectives of talented young European photographers on socially-relevant issues and to encourage dialogue within and about Europe. In these times of uncertainty, this year's theme of "European Identities" allowed the photographers to explore what constitutes Europe at heart by glimpsing the lives of individuals and the diverse ways in which they are shaped by Europe. The project is a joint initiative of Fondazione Banca del Monte di Lucca, the Fritt Ord Foundation, Fundação Calouste Gulbenkian, and Körber-Stiftung. For more on this project, see page 35. For upcoming exhibition dates in Paris, Lucca and Oslo, go to: www.epeaphoto.org photo © Frederic Lezmi
European Cultural Capital Report Volume 4 (October 2012)
""The ECOC remains one of the most desirable prizes for cities across Europe. As more and more cities are involved in competing for the ECOC title, there is also a growing need for information about and evaluation of the event and the host cities. Now in its fourth edition, The European Cultural Capital Report aims to update the wealth of information contained in the original Palmer Report (2004) produced for the European Commission. The report, provides an independent analysis of the ECOC, covering the many different cultural, economic, organisational, political and social aspects of the event; identifying trends, best practice and essential information for those organising, implementing and evaluating the ECOC Besides news, trends and development, by cross-referencing a number of ECOCs, the report highlights , critical success factors such as volunteer schemes, entrepreneurship and education strategies, branding of national airlines and new funding models (such as crowdfunding initiatives). The report also looks at the growing need for more transparency (noting problems encountered in Poland and Spain following the selection process) and the future of the ECOCs – 2020 and beyond. It reviews the current European Commission proposals on the future of the ECOC programme and assesses what implications these might have for future ECOC cities. Media attention for ECOC cities as tourist destinations is highlighted within a wider review of tourism impacts in different cities. The report discusses ECOC legacies, evaluation reports and the longer-term view of ECOC effects, as discussed at the conference Bruges: The Decade After held in May 2012. The ECOC focuses on Tallinn 2011 as it provides an excellent case study of the challenges for low-budget ECOCs. With the unabating economic crisis, Tallinn’s emphasis on developing strong grass-roots support will be interesting for other cities working with low budgets and is a useful example of the kinds of initiatives that can be developed with the involvement of local citizens. The report lists cultural capitals from around the world from now until 2033 and it also reports on the new World Capital of Culture initiative. The bibliography lists more than 100 publications since the previous report. ""
Editorial: initiating cultural heritage research to increase Europe's competitiveness
2011
Purpose -The purpose of this paper is to present and discuss the contribution of European Commission (EC) initiatives to stimulate cultural heritage research over the last 20 years and the contribution of the research results to cultural heritage management and sustainable development. Design/methodology/approach -From a brief introduction to the EC initiatives related to cultural heritage, the paper continues with an overview of the research projects so far funded by EC Framework Programmes. It includes the main conclusions and recommendations reached during the NET-HERITAGE conference last March, in support to the debate on the existing gaps, and to suggest ways forward, which can be useful to research institutes as well as other funding organizations.
Cultural Heritage and Creative Resources in the CENTRAL EUROPE Programme (2014)
In the course of the last decades, strategies and projects related to cultural heritage and "creative industries", originally not in the focus of European Union activities, gained recognition, including for their role in fostering economic growth, employment opportunities and socio-cultural cohesion in Europe. Other key contributions of culture to European agendas are seen, inter alia, in intercultural dialogue, creativity and innovation as well as in external relations (Agenda for Culture, 2007). CENTRAL EUROPE – a programme within the EU's European Territorial Cooperation financed by the European Regional Development Fund (ERDF), that intends to strengthen territorial cohesion, promote internal integration and enhance the competitiveness of central European regions - includes an important share of culture-related projects. This study, conducted in 2013/14, analyses project goals and outcomes as well as the overall context of EU 'structural funding' in the wider domain of culture/heritage and presents conclusions for future territoral cooperation programmes.
The political and economic crises of the recent decades as well as the new changes brought on by globalization and digitalization have contributed to exacerbate social inequalities and injustice and revealed different social realities in Europe. The EU increasingly deals with social issues in its cultural and heritage policy. In this article, we explore the construction of this social dimension and advance the concept of 'social Europe' by exploring its cultural aspect based on our analysis of a recent EU heritage action, the European Heritage Label. In this action, the narrations of the European past and the attempts to foster common cultural heritage in Europe function as building blocks to create Europe as an intertwined cultural and social entity and to socialize a new generation of European citizens. We scrutinize the European Heritage Label and its notion of heritage from two perspectives. First, we analyse how the selection reports of these heritage sites construct a notion of social Europe. Second, we examine how visitors to these sites construct social Europe in their qualitative interviews. Key elements in this construction are narratives related to various values, mobility, and diversity.