Reign-Focus: Theology, Film, and the Aesthetics of Liberation (original) (raw)

Facing Forward, Looking Back: Religion and Film Studies in the Last Decade

On November 17, 2012, at the American Academy of Religion’s National Meeting, the Religion, Film, and Visual Culture Group sponsored a session entitled, “Facing Forward, Looking Back: Religion and Film Studies in the Last Decade.” The session focused on four recent books in the field of Religion and Film: John Lyden’s Film as Religion: Myths, Morals and Rituals (NYU, 2003); S. Brent Plate’s Religion and Film: Cinema and the Re-Creation of the World (Wallflower Press, 2009); Antonio Sison’s World Cinema, Theology, and the Human: Humanity in Deep Focus (Routledge, 2012); and Sheila Nayar’s The Sacred and the Cinema: Reconfiguring the ‘Genuinely’ Religious Film (Continuum, 2012). Each author was present to make remarks on his or her book, and then three respondents made remarks on each of the books as well. The respondents were Stefanie Knauss, Rachel Wagner, and Jolyon Thomas. Joe Kickasola introduced the session, and moderated the discussion that followed. This session represented a rare opportunity for scholars of the field of Religion and Film to reflect on the past, present, and future directions of the field, and the Journal of Religion and Film is happy to be able to include the remarks of all the presenters here.

Cinema: Journal of Philosophy and the Moving Image, no. 4, "Philosophy of Religion

2018

The fourth issue of "Cinema" addresses the topic of philosophy of religion and its connections with cinematic art. Film and religion have been fruitful research topics taken in conjunction. Researchers in this specific field have focused on particular periods (like the censorship era in the USA), on representations of religious traditions and practices (Sufism, for example), and on different theoretical approaches (such as feminism) and broad topics (ethics, for instance) within film studies. Film and philosophy have also had a productive relation in recent years. Different philosophical fields have addressed film, from the philosophy of art to the philosophy of mind, yet philosophy of religion has been a field lacking in the discussion of film. This issue aims at addressing this lack.

Film as medium for meaning making: A practical theological reflection

HTS Teologiese Studies / Theological Studies, 2017

The reflection on film will be situated within the framework of popular culture and livedreligion as recognised themes within the discipline of practical theology. It is argued that theperspective of viewers is of importance within the process of meaning-making. By focusing onthe experience and meaning-making through the act of film-watching the emphasis is not somuch on the message that the producer wishes to convey but rather on the experience that iscreated within the viewer. Experience is not viewed as only emotional, but rather that, at least,both the cognitive and emotional are key in the act of watching a film. It is therefore arguedthat this experience that is seldom reflected on by viewers could serve as a fruitful platform formeaning-making by the viewer. In a context where there seems to be a decline in institutionalisedforms of religion, it is important to investigate emerging forms of religion. Furthermore, theturn to the self also makes people’s experiences and practic...

Revelation of God through Film

2019

God cannot be viewed and cannot be comprehended, but is there a possibility of God being revealed through a film? There are several ways used by the Church to represent God in worship: worship through singing or music, visual worship through icons, and participation in dramatic performance. In this study, the methodology of finding God in films is suggested and applied to some films. It is based on works on theological aesthetics by John Panteleimon Manoussakis and David Bentley Hart. The films of Terrence Malick and Andrey Zvyagintsev are used as examples. One of the main ideas of this study is related to viewing God through Jesus as God who can be comprehended (in some way) and incorporating Christological reading of reality into film analysis. There is also a strong emphasis on the interpersonal dimension of film experience as theological aesthetic experience.

Christ in the Limelight: Contemporary Films and Christological Discourse

Dialog-a Journal of Theology, 2014

The aim of this article is to show how theology can, through the medium of film, engage contemporary interpretations of Jesus' person and work. Starting out by tracing the development taking place in films about Jesus throughout the twentieth century, the focus then moves to a theological reading of Mel Gibson's interpretation of the passion story for the twenty-first century in his movie The Passion of the Christ.

Some thoughts on film as a possible means in the mission of the church in the context of today’s changing religiosity

Media - Kultura - Komunikacja Społeczna

The paper seeks to present topics and themes that seem inevitable to be reviewed when looking for the answer to the question whether the motion picture medium can become a suitable means for the church to communicate and convey the message entrusted to it. The essay first tries to describe what characterises the religiosity of the people of our time. This brings us to a phenomenon which is better described by the term ‘subjective turn’ rather than postmodern. The functional definition of religion can be used to describe the religious functions of film. Starting from the transcendent function of religion a theological approach to film also becomes necessary. In linking theology and film, our inquiry cannot be confined exclusively to academic or church circles, but must include the wider public, social spheres as well. A theological approach to culture helps us to place the topic in a more general, broader framework. Karl Barth’s interpretation of culture can be a warning that the sel...

Film, faith and culture–Editorial–St Mark's Review–234–Dec 2015

The immolated victim 77 Traditionalist Roman Catholicism and Mel Gibson's The Passion of the Christ Bernard Doherty Book reviews 102 The Real and the Virtual 102 Language that poses a question 107 Scholar, monk and bishop 109 Editorial 'Film, faith and culture'