original ) (raw )Review of Catherine Gines Taylor, Late Antique Images of the Virgin Annunciate Spinning: Allotting the Scarlet and the Purple. Texts and studies in Eastern Christianity, 11. Leiden: Brill, 2018)
Mary Joan Leith
Bryn Mawr Classical Review, 2019
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Late Antique Images of the Virgin Annunciate Spinning
Catherine Gines Taylor
Late Antique Images of the Virgin Annunciate Spinning, 2018
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Painted Veneration: The Priscilla Catacomb Annunciation and the Protoevangelion of James as Precedents for Late Antique Annunciation Iconography
Catherine Gines Taylor
Studia Patristica , 2013
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Burial Threads: A Late Antique Textile and the Iconography of the Virgin Annunciate Spinning
Catherine Gines Taylor
Interdisciplinary Studies in Textiles and Dress in Antiquity: Oxford , 2015
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José María SALVADOR-GONZALEZ
Art Studies and Architectural Journal, 2015
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Threads of Power: clothing symbolism, human salvation and female identity in the illustrated homilies by Iakobos of Kokkinobaphos.pdf
Maria Evangelatou
Dumbarton Oaks Papers, 2014
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Byzantine Annunciations: An Iconography of Iconography
Pino Blasone
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The Virgin Mary as a model of obedience in the patristic tradition and her representation in the late medieval iconography of the Annunciation
José María SALVADOR-GONZALEZ
Oxford Academic Studies Press (OASP) Social Sciences and Humanities Journal (SSHJ), Vol. 10 | No. 8 | Aug 2015, p. 2-23, 2015
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The Symbolism of the Censer in Byzantine Representations of the Dormition of the Virgin
Maria Evangelatou
Images of the Mother of God: Perceptions of the …, 2004
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The bed in images of the Annunciation of the 14th and 15th centuries: a dogmatic symbol according to Greek-Eastern Patrology
José María SALVADOR-GONZALEZ
IMAGO. Revista de Emblemática y Cultura Visual, 2021
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The Vase in Paintings of the Annunciation, a Polyvalent Symbol of the Virgin Mary
José María SALVADOR-GONZALEZ
Religions, 2022
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Alison C Fleming
Nierika: Revista de Estudios de Arte, v.2 (2013): 32-41.
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The bed in images of the Annunciation of the 14th and 15th centuries. A dogmatic symbol according to the Greek-Eastern Patrology
José María SALVADOR-GONZALEZ
Imago. Revista de Emblemática y Cultura Visual, 2020
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Iconography of the Dormition of the Virgin in the 10 th to 12 th Centuries
José María SALVADOR-GONZALEZ
Eikon / Imago, 2017
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"A Reconsideration of the Communion of the Apostles in Byzantine Art," Studies in Iconography 42 (2021): 1–20.
Vasileios Marinis
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The Virgin of the Passion: Development, Dissemination and Afterlife of a Byzantine Icon Type
Matthew Milliner
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The Heavenly Guard of the Mother of God: Mary between the Angels in Early Byzantine Art, in J. Herrin and F. E. Consolino (eds.), The Early Middle Ages (Bible and Women 6.1). (Atlanta: SBL press, 2020), 121-166.
Maria Lidova
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Byzantine iconography of The Nativity of the Virgin Mary in the light of a homily of St. John Damascene
José María SALVADOR-GONZALEZ
Mirabilia Ars, nº 2 (2015 /1), Institut d'Estudis Medievals, Universitat Autònoma de Barcelona, 2015, p. 200-226, 2015
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The Blueness of Divine Humanism: Colors of Christ’s Garments and Their Meaning in the History of Byzantine Art
Todor Mitrovic
Editura Bizantina, Bucharest, 2024
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‘Mary’s parents in the Byzantine art of Eastern Europe and the Balkans, in Mitko B. Panov (ed.) Proceedings of the 2nd International symposium Days of Justinian I, Skopje, 17-18 October 2014 (Skopje, 2015), pp. 188-199.
Eirini Panou
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Revelations in Relief: An Italo-Byzantine Panel with the Virgin and Child
Rossitza Schroeder
The Journal of the Walters Art Museum 68/69, 2010
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XAIPE MAPIA: Annunciation Imagery in the Making, IKON 10 (2017), 45-62.
Maria Lidova
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The Annunciation: Symbolic functions of space in Renaissance depictions of the Annunciation
Timothy Scott
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“Text, Textile, Blood: Mary under the Cross in an Illuminated Meditationes Vitae Christi (Oxford, Corpus Christi College, MS 410)” Studies in Iconography 41 (2020): 131–164.
Renana Bartal
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Todorova, R. An Early Fourteenth-century Visual Theology: First ‘Hesychastic’ Mandorlas. Proceedings of the 23rd International Congress of Byzantine Studies, 22-27 August 2016, Belgrade.Thematic Sessions of Free Communications: STUDIES IN BYZANTINE ICONOGRAPHY ‒ PART 2, p. 5
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“Two Embroideries Used as Liturgical Cuffs,” Metropolitan Museum Journal 53 (2018): 136-141.
Alice Isabella Sullivan
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Eikón Imago, 2014
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Sicut lilium inter spinas". Floral Metaphors in Late Medieval Marian Iconography from Patristic and Theological Sources
José María SALVADOR-GONZALEZ
Eikon / Imago, 2014
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The matter of the position of Jesus’ burial cloths in a poetic text of the Orthodox Liturgy and in Iconography witnesses
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The Iconographical Subject ''Christ the Vine'' in Byzantine and Post-byzantine Art
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Disjuncture between Text and Image: Mystagogy and the Embroidered Iconography of Byzantine Vestments
Warren Woodfin
Clothing the Sacred: Medieval Textiles as Fabric, Form, and Metaphor, ed. Mateusz Kapustka and Warren T. Woodfin (Emsdetten/Berlin: Edition Imorde, 2015), pp. 13–32
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The Virginity of the Virgin. A Study in Marian Iconography.
Lasse Hodne
2012
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The Embroidery Antependium of Wernigerode, Germany. Mary Magdalene and Female Religiosity in the 13th Century in “Konsthistorisk tidskrift”, 76, 3, 2007, p. 1-21.
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The Tears of Holy Virgin in the Byzantine Tradition as Inspirations and/or Possible Sources of the Cult of Pictures of Mary in the Late European Baroque
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Introduction, The Virgin Mary's Book at the Annunciation: Reading, Interpretation, and Devotion in Medieval England
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The Virgin Mary's Book at the Annunciation: Reading, Interpretation, and Devotion in Medieval England, 2020
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