What makes a melody: The perceptual singularity of pitch sequences (original) (raw)

Harmonic Factors in the Perception of Tonal Melodies

Erik Jansen

Music Perception, 2002

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What breaks a melody: Perceiving F0 and intensity sequences with a cochlear implant

Laurent Demany

Hearing research, 2010

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Melody recognition revisited: influence of melodic Gestalt on the encoding of relational pitch information.

C.P. Frost

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The role of pitch and temporal diversity in the perception and production of musical sequences

Jon Prince

Acta Psychologica, 2012

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Development of a methodology and theoretical framework for melodic discrimination

Ross W Gayler

1987

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On the binding of successive sounds: Perceiving shifts in nonperceived pitches

Laurent Demany

The Journal of the Acoustical Society of America, 2005

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Listeners perceive complex pitch-temporal structure in melodies

Jeanelle Tan

Memory & Cognition

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Processing of pitch and time sequences in music

Thomas Knösche

Neuroscience Letters, 2008

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The processing of structured and unstructured tonal sequences

Diana Deutsch

1980

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Global and local processing of musical sequences

C. Alain

NeuroReport, 1999

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Effects of uncertainty on melodic information processing

Sandra Trehub

1989

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The role of peripheral resolvability in pitch-sequence processing

Laurent Demany

The Journal of the Acoustical …, 2010

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Pitch/Time Diversity Effects on Perception and Production

Jon Prince

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Automatic Encoding of Polyphonic Melodies in Musicians and Nonmusicians

Laurel Trainor

Journal of Cognitive Neuroscience, 2005

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Effects of harmonics on relative pitch discrimination in a musical context

Laurel Trainor

Perception & Psychophysics, 1996

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Steps and leaps in human memory for melodies: The ef- fect of pitch interval magnitude in a melodic contour dis- crimination task

Tim Byron

2006

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The influence of melodic context on pitch recognition jdugment

Diana Deutsch

1982

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The processing of pitch combinations

Diana Deutsch

2013

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Melodic interval perception by normal-hearing listeners and cochlear implant users

Megan Masterson

The Journal of the Acoustical Society of America, 2014

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A Generalized Mechanism for Perception of Pitch Patterns

Psyche Loui

Journal of Neuroscience, 2009

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Illusory conjunctions of pitch and duration in unfamiliar tone sequences

Michael Hall

Journal of Experimental Psychology: Human Perception and Performance, 2001

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Psychophysics of musical elements in the discrete-time representation of sound

Renato Fabbri

2014

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Relative Pitch Perception and the Detection of Deviant Tone Patterns

Martin Coath

Advances in Experimental Medicine and Biology, 2016

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Perceptual organization of complex auditory sequences: Effect of number of simultaneous subsequences and frequency separation

Renaud Brochard

Journal of Experimental Psychology-human Perception and Performance, 1999

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The Recognition of Melodies by Humans and by Machine

William House

1986

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Empirical comparisons of pitch patterns in music, speech, and birdsong

Frank Russo

The Journal of the Acoustical Society of America, 2008

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Recognition of transposed tone sequences

Lola Cuddy

Journal of the Acoustical Society of America, 1977

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Infants' perception of melodies: The role of melodic contour

Sandra Trehub, Leigh A Thorpe

Child Development, 1984

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Frequency discrimination of complex tones; assessing the role of component resolvability and temporal fine structure

B G

The Journal of the Acoustical Society of America, 2006

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Perception of Long-Period Complex Sounds

Richard M. Warren

1989

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The influence of different timbre attributes on the perceptual segregation of complex-tone sequences

Punita Singh

Journal of the Acoustical Society of America, 1997

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Frequency ratios and the discrimination of pure tone sequences

Sandra Trehub

Perception & Psychophysics, 1994

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Perceptual Mechanisms in Music Processing

Erik Jansen

Music Perception, 2001

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When acoustic sequences are not perceptual sequences: The global perception of auditory patterns

Richard M. Warren

Perception & Psychophysics, 1993

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Modeling the Acquisition of Statistical Regularities in Tone Sequences. 30th Annual Meeting of the Cognitive Science

Alicja Knast

2008

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