Robinson Crusoe as Defoe's Theory of Fiction (original) (raw)

The analysis delves into Daniel Defoe's *Robinson Crusoe* as a reflection of the author's deeper understanding of fiction and irony. Contrary to previous critiques that perceive Defoe's religious beliefs as obstructive to narrative irony, this paper positions the novel as a site where Defoe conveys complex human experiences within the context of emerging capitalism and existential inquiries. Through an examination of critical responses, it explores the duality of Defoe's arguments in relation to his characters’ spiritual struggles and material pursuits, ultimately suggesting that Defoe's approach serves both as a critique and an illustration of Dissenting thought in the early 18th century.