Does our technology make the past irrelevant to our future ? Beyond techno-determinism and social constructivism (original) (raw)

Antoine Picon, "Can Structural Engineering Still Invent the Future?", in Maristella Casciato, Pippo Ciorra (eds), Technoscape: The Architecture of Engineers, Rome, MAXXI, 2022, pp. 58-69.

Antoine Picon, "Can Structural Engineering Still Invent the Future?", 2022

Technic, Technology, and Architectural Design: Genealogy and Epistemology of their Involvement

Technic, Technology, and Architectural Design: Genealogy and Epistemology of their Involvement, 2024

The essence of technology and its relationship to professional practices and human activities is a troubling question in the age of our algorithmic civilization. The close and systematic relationship between technology, architecture, and culture has mutated to levels of dependence not seen in human history. This article attempts to reveal the nature of the multiple relationships that link technique to architecture, design, and the didactics of the architectural project. We can only draw up a historical balance sheet of architecture, which is becoming more and more spectacular and difficult to include in a current with recognizable stylistic features if we grasp its intimate relationship with technical and technological effervescences. Architectural discourse can only be erected as a theory if it aspires to universality, and in this, it can only stand on the solid and lasting foundations of technology. Currently, the question of the use of Digital technologies and the involvement of artificial intelligence in architecture brings back the debate on theories and dogmas that have always marked its history and theory, such as style, proportion, ornament or skin, and double skin. It even calls into question the future of this profession. It becomes surprising to grasp the extent to which architecture has revolved for centuries around the wall, the roof, and the supporting posts, making it seem that architecture can only proclaim itself as such through these elements. The paradigm shifts of project design that becomes parametric combined with changes in CNC manufacturing modes all this to reconfigure historically the modes of development and realization of the architectural project. This essay attempts to conceptualize this historic breakthrough to measure its impact on the entire ecosystem of the construction sector.

Philosophy of history expressed through architecture

Choreographing Space, 2021

The prevailing attitude sees historical knowledge as being part of the realm of language in the form of texts, discourses, ideologies, and metaphors. Indeed, while history is mostly communicated through generations via written or oral means, the philosophical expression of history-its historicity-also exists in its non-linguistic manifestation, most saliently, through our built environment. I Historical expressivity I.I Historical knowledge Wilhelm Dilthey was particularly interested in the role that history played in our understanding of the present. Beyond the mere recounting or even the interpretation of events, for Dilthey, history has the capacity to liberate us, to set us free, because it "lifts us from the burden of present." 1 History gives us a larger and different perspective on our life so that we can realize that not everything is the way it appears to be for us in the present. For Dilthey, humanity cannot understand itself through reflection or introspection, but through history. He wants to emphasize that man's understanding is dependent on past worldviews, interpretations, and a shared world, so that there is a temporality to historical knowledge. 2 For him, human beings are historical beings, intertwined with the history of past lives and cultures. However, if this is the case, then those who write history are already writing it from a given philosophical point of view, imbued with the biases and philosophy of that particular historical moment: "history can tell him … never in objective concepts but always only in the living experience which springs up out of the depths of his own being." 3 Dilthey's ambitious project involves delving into the question of how historical knowledge is even possible. To tackle a possible answer, he makes a distinction between two forms of knowledge: knowledge of natural science and knowledge of humanities. For him, historical knowledge cannot be reduced to empirical knowledge of the past, rather, what makes historical knowledge possible is knowledge of humanities that are linked to certain categories that express humanity. In this text, the interest is in broadening the notion of how this humanity can be expressed, by first exploring Dilthey's categories of historical expressivity, and then proposing another realm that he leaves largely unexplored: that of the built environment-the architecture that has housed humanity.