Ouzman, Sven. and Jannie Loubser. 2000. Art of the apocalypse: southern Africa’s Bushmen left the agony of their end time on rock walls. Discovering Archaeology 2(5):38-45. (original ) (raw )Ouzman, Sven. 2003. Indigenous images of a colonial exotic: imaginings from Bushman southern Africa. Before Farming: the Archaeology and Anthropology of Hunter-Gatherers 1(6):17-39.
Sven Ouzman
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Allusions to southern African Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa
Jeremy Hollmann
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Approaches to Middle Stone Age landscape archaeology in tropical Africa
Flora C Schilt
Journal of Archaeological Science, 2016
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Ouzman, Sven. 2006. Why ‘conserve’? Situating Southern African rock art in the here and now. In: Agnew, Neville and Janet Bridgeland (eds). Of the past, for the future: integrating archaeology and conservation: 346-352. Los Angeles: The Getty Conservation Institute.
Sven Ouzman
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Understanding hunter-gatherer rock art in southern Africa
David Pearce
2014
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A Purported Pleistocene Sand Sculpture from South Africa
Charles Helm
Rock art research, 2024
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The Eland's people: new perspectives in the rock art of the Maloti-Drakensberg Bushmen, essays in memory of Patricia Vinnicombe
Johannes (Jannie) Loubser
Azania: Archaeological Research in Africa, 2011
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A condition assessment of the prehistoric art from the Bushman Paradise Cave, Groβe Spitzkoppe, Namibia
Goodman Gwasira
Humanities and social sciences, 2016
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Ouzman, Sven. 2005. The magical arts of the raider nation: central South Africa’s Korana rock art. The South African Archaeological Society Goodwin Series 9:101-113.
Sven Ouzman
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Archaeological praxis in West African historical preservation: Senegambia 1981
Keith Ray
1986
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Destroyed Rock Art: Signs of Conflict Between Prehistoric Hunter-gatherer Groups on the Edge of the North-western Namibia's Namib Desert
Peter Breunig
2020
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Smith, Ben W. and Sven Ouzman. 2004. Taking stock: identifying Khoekhoen herder rock art in southern Africa. Current Anthropology 45(3):499-526.
Sven Ouzman
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‘People will no longer be people but will have markings and be animals’: investigating connections between diet, myth, ritual and rock art in southern African archaeology
Thembi Russell
Azania: Archaeological Research in Africa, 2017
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“From the lips of the Bushmen”: unpublished |xam San comments on Stow’s South African rock art copies
Jeremy Hollmann , Jose Manuel de Prada-Samper
Southern African Humanities, 2017
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African Archaeological Journals and Social Issues 2014–2021
cheryl claassen
Humans, 2023
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Creolisation on the nineteenth-century frontiers of southern Africa: a case study of the AmaTola 'Bushmen' in the Maloti-Drakensberg. Journal of South African Studies special issue: Rethinking South Africa's Past, Essays on History and Archaeology. 38 (2) 265-280. 2012.
Sam Challis
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Ouzman, Sven. 1995. Spiritual and political uses of a rock engraving site and its imagery by San and Tswana-speakers. South African Archaeological Bulletin 50(161):55-67.
Sven Ouzman
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The Matatiele Archaeology and Rock Art (MARA) program excavations: The archaeology of MAF 1 rock shelter, Eastern Cape, South Africa
Sam Challis
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Northern Illinois University: Anthropology 513 (graduate) - Illinois Archaeology Syllabus
Dale F . Simpson Jr.
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Symbiotic interaction between black farmers and south- eastern San: implications for southern African rock art studies, ethnographic analogy, and hunter-gatherer cultural identity
Pieter Jolly
Current Anthropology 17 (2), 1996
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Engendering the rock art archaeology of the north Eastern Cape, South Africa Ritual specialists, novices, and social conditioning
Dawn Green
2020
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The Matatiele Archaeology and Rock Art (MARA) Program Excavations: The Archaeology of Mafusing 1 Rock Shelter, Eastern Cape, South Africa
Hugo Pinto , David M Witelson , Rae Regensberg , Sam Challis
Journal of African Archaeology, 2018
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Interest in geological and palaeontological curiosities by southern African non-western societies: A review and perspectives for future study
Charles Helm
Proceedings of the Geologists' Association, 2019
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The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa: “The Disconnect”
Sam Challis
Current Anthropology, 2022
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Mazel 2007 Dating of Rock Art in Africa
Aron Mazel
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Where the Rain Snakes Hide: The Rock Art of Silozwane Shelter, Matopo Hills, Zimbabwe
Anne Stoll
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‘An extreme case’: the removal of rock art from uMhwabane (eBusingatha) rock art shelter, Bergville, KwaZulu-Natal
Jeremy Hollmann
Southern African Humanities, 2008
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Rock Art Research in Southern Africa (2015 - 2019)
Romain Lahaye
Rock Art Studies: News of the World, 2021
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PREHISTORY OF AFRICA: MANIFESTATIONS ARTISTIC
Francisca Martín-Cano Abreu
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Northern Illinois University: Anthropology 413 (undergraduate) - Illinois Archaeology Syllabus
Dale F . Simpson Jr.
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The archaeology of the Dome Gorge in the Dâureb/Brandberg, Namibia: themes, content and context
Goodman Gwasira
Journal For Studies in Humanities and Social Sciences, 2012
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Ouzman, Sven. 2001. Seeing is deceiving: rock-art and the non-visual. World Archaeology 33(2):237-256.
Sven Ouzman
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Geometric rock art in western South Africa and its implications for the spread of early herding
Jayson Orton
South African Archaeological Bulletin, 2013
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Body Images: Understanding Therianthropes in Rock Arts 2018 [2015]. Paper delivered at conference 'What Ever Happened to the People? Humans and Anthropomorphs in the Rock Art of Northern Africa'', Royal Academy for Overseas Sciences Brussels, 17-19 September, 2015
Anne Solomon
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2000. Threads of light: re-examining a motif in southern African San rock art research
David Lewis-Williams , Jamie Hampson , Sam Challis
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