Identifying Industrial Landscapes (original) (raw)
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Industrial Heritage and their Legacies
This paper will explore the possibilities of reactivating the disused site of Coryton Oil Refinery in Thurrock, UK as a cultural heritage site through analysis of its relationship with landscape, people and their interrelated processes. The oil refinery was closed in 2012, leaving behind an impressive 586 acres of industrial as well as cultural history. The tangible and intangible factors effected by the industrial sites, as well as people’s perceptions and awareness towards industrial heritage as places of production, collective and personal memory and place identity will be investigated in this research paper.
English industrial landscapes: divergence, convergence and perceptions of identity
Crossing Paths, Sharing Tracks, 2009
This chapter examines the way in which industrial landscapes have been perceived throughout the post-medieval period, and explores the effect on current research and conservation of prevailing attitudes to ‘landscape archaeology’ and ‘industrial archaeology’. Using a variety of examples, it is argued that industrial landscapes should be seen as neither urban nor rural but as entirely separate entities incorporating elements of both. Existing ways of looking at rural or urban landscapes are therefore inadequate for the technological, social and cultural complexities represented by industrial landscapes. One key theme that can be drawn out from the study of industrial landscapes is that of identity, and particular emphasis is given to investigating the ways in which industrial landscapes have given rise to specifically English identities.
European Industrial Heritage: Between Technical Monuments and Post-Industrial Landscapes
From Burden to Resource: Uses of Industrial Heritage in East-Central Europe, 2021
This paper focuses on challenges to the protection of industrial heritage in Europe. While technical monuments such as mines are being protected and even achieve high status, there is considerably less interest in engaging with other elements of the industrial past, such as workers’ housing or the history of the labour movement. This leads to the paradoxical effect of preserving industrial landscapes without workers, which prompts the question of what exactly is meant by industrial heritage. I argue that the reasons for that are diverse and include: a) ambiguity regarding protected values, b) city branding, c) isolation of industrial past, d) unclear meaning of de/industrialization. It only addresses those challenges that the industrial monuments and industrial past can become a true heritage.
Industrial Heritage: Identity Conserved in Time
2017
Within the lapse of time, architecture has changed radically and has been affected by the excessive evolution and improvement of technology. The heritage of space is extremely important for everyone. Every individual must consider the conservation of our heritage that arises from the identity of each space. The research method has been defined in order to develop a conceptual approach which provides operational knowledge for any architect and urban planner who are interfering with projects of restoration and conservation of our heritage. Architecture is surrounded by past memories and therefore architects are responsible to identify those structures in order to avoid the loss of our heritage. In order to understand what is consider as outdated, some of the parameters that can be observed is the aesthetic of the artifact. Since it is inevitable to conserve everything that mankind have erected in the field of architecture during our past, architects and urban planners must identify ways for selecting the proper structures. Having said the above, any individual automatically will start considering ways in order to preserve the structures. Within the context of the thesis will be discussed the preservation, restoration and the adaptation and reuse of abandoned structures. Since the structure have lost its ability to host new life because it cannot serve people’s needs anymore, it has to be given the chance to regain occupants by adopting it to the new contemporary lifestyle and needs. Therefor a selection of the program is needed and there are three ways that this can be achieved within an interventional way or with a restoration program and maybe a conservation approach. Although each era is suffering by its own taboos and the style of restoration may vary from time to time, there is no clear path; for each building the approach can be different and this will be explained with the provision of visual content. This study it will be divided into two parts. The first part of the research is related to the theoretical discussion of three major architects- John Ruskin, Viollet-le-Duc and Fred Scott, and the second part will provide, explain and analyze three case studies of industrial preservation. The case studies Landschaftspark Duisburg Nord, Sloss Furnaces and Tate modern have selected because of their successful restoration, conservation and adoption and reused approach. All of them are consider as post-industrial abandon landscapes/architecture and this is a phenomenon with increasing regularity in cities.
Polysèmes: Landscapes/Cityscapes, 2019
This article highlights the role of visual artists in recording the mutations of a landscape that became industrial and urban. From the late eigteenth century and early nineteenth century onwards the development and the effects of the industrial revolution were starting to be depicted and early representations reflected a celebratory mood or already expressed a degree of fear and anxiety. A century later, L.S. Lowry’s cityscapes captured an ambivalent image of the industrial North of England. His archetypal industrial landscapes—part real, part imaginary—met with success as traces of industry he had represented were vanishing as a result of deindustrialisation and, later, of urban regeneration. Industrial remnants found across the North, such as in Lancashire and West Yorkshire, would later be immortalised by photographers whose representations showed how their presence in the landscape conveys a sense of place whilst maintaining collective identity and memory. Whether they have been preserved as heritage or have simply survived as ruins, mills and chimneys give the landscape and cityscape their historic identity, despite attempts at reshaping them or “de-industrialising” them in post-industrial cities. Yet, one may wonder whether artistic representations of industrial landscapes foster a stereotypically desolate vision of the industrial North or if they draw attention to the aesthetic and historic value of traces of industry, and highlight a reassessment of this type of heritage in relation to the preservation of an identity that may also be at odds with its industrial connection.