Engaging with musical texts : Narrato-semiosis in composers and listeners (original) (raw)

Making Music Mean - An Introduction to the Theory and Practice of Composing Music that Reads Poetry and Narrative

Marco Katz Montiel

English Studies in Latin America, 2022

View PDFchevron_right

Discourse, Interdiscourse and Intertextuality in the Process of Construction of the Musical Meaning: Semiotic Tools for the Analysis and Discussion of Rachmaninoff's Vocalise, Op. 34 No. 14

Ricardo Nogueira de Castro Monteiro

Musical Analysis: Historia - Theoria - Praxis - vol.V, 2019

View PDFchevron_right

Poetic Musicology among Musical Discourses: The Poet as a Listener

Iwona Puchalska

Rocznik Komparatystyczny, 2019

View PDFchevron_right

On Text-Setting as Aspect-Seeing by Means of Music

Panos F Vlagopoulos

Papers of the 33rd International Wittgenstein Symposium 8-14 August 2010. Bild und Bildlichkeit in Philosophie, Wissenschaft und Kunst - Image and Imaging in Philosophy, Science, and the Arts. Eds. Elisabeth Nemeth, Richard Heinrich, Wolfram Pichler. Kirchberg am Wechsel: ALWS, 2010

View PDFchevron_right

Music as Discourse: Semiotic Adventures in Romantic Music

Sara Haefeli

Journal of Music Theory, 2013

View PDFchevron_right

Music, Analysis, Experience. New Perspectives in Musical Semiotics.

Mark Reybrouck

View PDFchevron_right

Musical You - Extrinsic significance in music and the composers relationship with reality

Luke Deane

View PDFchevron_right

Towards A Polyphonic Essay As Form

Alexandra Ross

Else, 2017

View PDFchevron_right

“New Story from Old Words”: Word and Music Studies and the Poetics of Experience

Joanna Barska

View PDFchevron_right

Music Beyond the Senses: Musica textualis [5th Annual Conference of the Royal Musical Association Music & Philosophy Study Group, King's College London, 2015]

Jan Czarnecki

View PDFchevron_right

Close Reading or Close Listening? Poetry, Music, and Voice in the Art Song

Håvard Enge

View PDFchevron_right

Tijana Popović Mladjenović & Leon Stefanija The Musical Text as a Polyphonic Trace of Otherness

tijana popovic mladjenovic

Intertextuality in Music. Dialogic Composition, 2021

View PDFchevron_right

The composer as facilitator. Composition as an invitation for improvisation and collective processes by the performers.

Alexis Porfiriadis

View PDFchevron_right

A semiotic approach to music

Nicolas Meeùs

Contemporary Music Review, 1993

View PDFchevron_right

Sound and Narrative: Acousmatic Composition as Artistic Research

James Andean

2014

View PDFchevron_right

Musical transcriptions: a creative and analytical exploration of aspects of music in text

Xenia D Hanusiak PhD

View PDFchevron_right

Musicality as a force shaping literary works : an aesthetic study

Magdalena Saganiak

2019

View PDFchevron_right

Still and Moving Lines: Listening and Signification in Sound Art

Tristan Louth-Robins

View PDFchevron_right

Formulating the Essence All Together. Of Essence and Context: Between Music and Philosophy. Springer. 2019

Nicolas Royer-Artuso (PhD)

View PDFchevron_right

Performing the Practice of Composition

alison isadora

2020

View PDFchevron_right

Materials, Meaning and Metaphor: Unveiling Spatio-Temporal Pertinences in Acousmatic Music

Elizabeth Anderson

2007

View PDFchevron_right

Aspects of Musical Semantics from the Perspective of Structuralism, Semiotics and Narratology

Mihaela-Georgiana Balan

ARTES. Journal of Musicology, 2018

View PDFchevron_right

Proceedings of the International Conference on Music Semiotics

Eduard Moya

View PDFchevron_right

« Teaching Musical Fiction ». The Journal of Aesthetic Education, vol.42, n°4, 2008, pp.78-88.

Marcin Stawiarski

View PDFchevron_right

Listen while you work: negotiating power and meaning in post-concrete music.

Dr Matthew Herbert

2019

View PDFchevron_right

Does this Work [of Art] Invite Me into [Intersubjective] Dialogue? - Discussing Relational Aesthetics in Music Education

Torill Vist

2018

View PDFchevron_right

Song as Event: On Intermediality and the Auditory

Erik Wallrup

The Power of the In-Between: Intermediality as a Tool for Aesthetic Analysis and Critical Reflection, 2018

View PDFchevron_right

Ruminations on music as an exemplary art

Arnold Berleant

New Sound, 2012

View PDFchevron_right

Semantical Investigations From the Acoustic Signal to the Musical Event Sketches Towards a Compositional Poetics 1

clemens gadenstaetter

View PDFchevron_right

Vincular Aesthetics: Resonance and Dissonance in Lyric Processes in the Auditory Arts

Gina Rae Foster

View PDFchevron_right

Postmodern Fiction as a Reflection of Aural Manipulation. UPM Book Series on Music Research, No. 7, 2015 – ISSN 2289-3938.

Dr. RUZBEH BABAEE

View PDFchevron_right

Sound and Sense: Writing about Music

Robert DiYanni

Journal of Basic Writing, 1980

View PDFchevron_right

From Symbol to Semiotic: Representation, Signification and the Composition of Music Interaction

Michael Hamman

1999

View PDFchevron_right

On Narrativity in Music: Expressive Genres and Levels of Discourse in Beethoven

Robert Hatten

1991

View PDFchevron_right

Four Semiotic Approaches to Musical Meaning: Markedness, Topics, Tropes, and Gesture

Robert Hatten

Musicological Annual

View PDFchevron_right