Figurines grecques en contexte: Présence muette dans le sanctuaire, la tombe et la maison (original) (raw)
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Résumé Largement diffusées dans le monde grec à l’époque archaïque, les figurines en terre cuite de « nain ventru » sont issues de l’iconographie des dieux nains égyptiens Bès et Ptah-Patèques. Cet article examine les différentes variantes hellénisées du type en analysant les modes de réappropriation du motif, ses différentes fonctions religieuses, et les raisons de la durée si brève de sa production. Abstract Widely distributed in the Greek world in the archaic period, clay figures of « crouching dwarfs » reproduce a selection of features of the Egyptian dwarf gods Bes and Ptah-Pataikoi. This paper examines the different variants of the hellenised type and analyses how the motif was adapted, its different religious functions, and the reasons of its short production period.
S. Huysecom-Haxhi, A. Muller (dir.), Figurines grecques en contexte. Présence muette dans le sanctuaire, la tombe et la maison, Presses universitaires du Septentrion, Villeneuve d'Ascq, 2015
Since the discovery of numerous terracotta figurines in the 19th c., their identification has been much disputed. Female images without any characterising attribute are understood either as undifferentiated goddesses, either as generic images of mortal women in their family status. These identifications lead to different functions in the contexts of use, and to different interpretations of terracotta assemblages: so it is useful to compare the arguments that support them and the consequences they involve for the understanding of religious practices. The identification as mortal women is far more meaningful for the votive and funerary practices, and makes them consistent. The most fruitful method to support that reading is to replace the isolated figurines in their archaeological, iconographic and socio-cultural context.
G. Biard - V. Gaggadis-Robin - N. de Larquier (eds), Les mille visages de l'honneur. Actes des IIIes rencontres autour de la sculpture romaine, 8-9 nov. 2019, Arles (Bordeaux: Ausonius), 2023
The sanctuary of Apollon and Asklepios, one of the most important sanctuaries in the Greco-Roman world, was administered by the city of Epidauros. According to the city decrees, the sanctuary was the main place of erection of honorific statues during the Hellenistic and Roman periods. Since the excavation of the late 19th century a great number of – unfortunately headless – portrait statues and inscribed bases was found; however, association between bases and statues has not proven possible. 20 years after the publication of the sculptures, their study remains productive. Although most statues date from the 1st century AD, the most important building program took place in the 2nd c. AD; we are, therefore, led to assume that the statues were used repeatedly until the end of Antiquity.