The museum of the personal - souvenirs and nostalgia (original) (raw)
Related papers
Editorial: Heritage and Personal Memories
Ethnologia Fennica, 2022
The theme of this Ethnologia Fennica 2022 issue (vol. 49:1) is the shaping and representing of individual lives and memories in the context of heritage and heritagisation. Today, heritage and cultural institutions such as museums and archives are well aware of their social and political role and strive to increase ecological, cultural, and social sustainability (e.g., Gardner & Hamilton eds. 2017; Janes & Sandell 2019). Therefore, they constantly seek more democratic practices with respect to how people and communities are represented and by whom. One way of achieving these objectives is to increase the use of oral history and life writings in public history activities. Public history, especially in the Nordic context, is connected to earlier traditions such as labor history, social history, and "history from below" (e.g., Ashton & Trapeznik eds. 2019). In recent years, there has been a growing interest in personal heritage. In tourism studies, for instance, personal or mundane heritage has become a part of a tourist experience where people visit sites that have personal memory or particular family significance (Prince 2021, 20). In addition to national and transnational heritage, the interest in personal heritage and memories is seen as important and appealing. Besides tourism, this can be seen in different heritage and cultural institutions like museums. The idea for this theme issue emerged from the project "Paimio Sanatorium: Social, Historical and Cultural Perspectives" at the University of Turku. In the commentary text of this issue Anne Heimo describes the multidimensional situation of the heritagisation of the sanatorium and the possibilities to utilize personal memories in the research, but also in displays and other public activities in the place that can be described as a dark heritage site. In our themed call "Heritage and Personal Memories" we asked for articles discussing various ways of using oral history and personal memories in public history activities and participatory processes. We were interested in how applied ethnographic work and ethnological research affect these activities.
Looking into the Role of Souvenirs in Building Interest towards Museums
: Proceedings of International Conference Museum of Our Own: In Search of Local Museology in Asia 2014, 2014
The role of souvenirs and museum shops in Indonesia has been largely ignored, while it actually can play an important part in building connections between the museums and their visitors. Good museum souvenirs can provide strong emotional memory to the visitors, as long as it can evoke special feeling inside through special memories and associations. This paper tries to address how well-designed museum souvenirs can do by looking to the emotional design theory, study comparison with several museums that have been put a good use of their museum souvenirs, existing condition of museum souvenirs in Indonesian museums and how to develop good and attractive museum souvenirs through the museum’s own artefacts and collections.
Taking care of identity, memories and heritages: Experiences at the
This paper presents the project "Planning Unifal's museum: the student's relationship with Unifal's heritage and memory" that is being developed since 2008 in order to guide the students of the university and stimulate the external community to participate in the basic steps of creating a museum: developing internal policies, organizing, cleaning, storing the collections, planning and setting up exhibits, among other activities. As one of the project's outcome, we shall present an exhibit that addresses important issues about museums and heritage, emphasizing the role of museums in shaping the concepts of museum and heritage.
This paper offers some theoretical insights into Devine’s account of the Riverside Museum in Glasgow. It elaborates on three interrelated themes the authors have derived from Devine’s report: (1) how historical representations arouse nostalgic sensations and sensibilities in museum visitors (2) the role of narratives in visitors’ development of their nostalgic experiences (3) the importance of engagement to the creation of such nostalgic experiences. The paper contributes to the existing literature on nostalgia, experiential consumption, and the museum experience literature by establishing a relationship between nostalgia, reflexivity, and individuals’ narratives of self in the conditions of (post/late/high) modernity.
Memory, Memorabilia and the Making
JOELHO Journal of Architectral Culture 13, , 2022
abrtract Niskanen examines the meanings of past which Aalto wanted to transpose into his architecture – what she terms cultural memory. She searches for their points of origin in Aalto´s education and travels, in particular his impressions of the Acropolis in Athens. For Aalto, a civic centre was “the face of a city”, which should be the citizens’ meeting place. Of particular importance to him was the ritual entry into a theatre. Of the many civic centres that Aalto designed, few were realised in their entirety. Three of them are examined, as well as the Helsinki University of Technology campus, which is interpreted as a city in miniature. Aalto fought against the idea of placing commercial functions in close proximity with his centres – but recent extensions and traffic arrangements have brought a new vibrancy to some of them. The way in which Aalto handled the idea of memory and his use of classical elements is studied. Niskanen argues that classicism seemed continuously attractive to Aalto.
Museum catalogues allow us to familiarise ourselves with artworks and artefacts outside the limits on time and space imposed by the museum environment. As the tangible artefacts of past exhibitions, catalogues preserve the cultural zeitgeists of international blockbuster shows. They enable visitors to further explore the creators, provenance, and the historical, cultural and industrial context of the exhibits. And they act as aides-mémoires to the powerful emotions visitors felt while contemplating original objects. Finally, catalogues represent a unique, intriguing and rarely examined publishing genre, with its own commercial and institutional imperatives.
tourismes
the analysis of souvenirs and travel objects has filled many a page of postcolonial studies. In the majority of cases the focus has been the impact that the presence of the “invader” has had on the means of production of those “invaded”, to illustrate how artisan subsistence has given way to a technological or mass-production line approach. When this was not the case, the analysis has focused on the way communities and groups have been obliged to represent themselves through their objects and how that fictionalisation of identity has in some cases led to its demise, in others, to its affirmation and in many others, to a direct invention of the group identity