Urbanus es, Corydon: Ecocriticizing Town and Country in Vergil E. 2 (original) (raw)
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Espacios urbanos y naturales como escenarios opuestos en la literatura distópica
Ángulo Recto. Revista de estudios sobre la ciudad como espacio plural, 2015
Most scholarly studied dystopias show that in dystopian literature the action takes place in urban space. Some authors, nonetheless, portray, together with an undesirable metropolis, an outer environment in which characters usually see features opposed to those of the city. This can be seen in some of the major titles included in the genre. The purpose of this research is to verify if this aspect is a recurrent element in the dystopian genre, first in a choice of well-known titles of the 20 th century and, secondly in some examples of dystopias published in the 21 st. Should it be the case, the need to analyze in which ways will arise, with the aim of setting up a theoretical description in order to undertake a further study on a wider range of texts of the genre. As they are parodies of actual totalitarian policies, they might shed some light on urban patterns that have had a reflection on literature and has turned into an influence.
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Taking in consideration, alongside Cheryll Glotfelty, that "ecocriticism seeks to evaluate text ideas in terms of their coherence and usefulness in the responses to environmental crisis" (Glotfelty and Fromm 1996, p. 5), and that crisis refers not only to the ecology of the environment but also to that of social relations and the psyche, as proposed by Félix Guattari (1990), understanding that there is a lack of equilibrium among the three registries that provoke the crisis lived by the contemporary individual, in a broad spectrum, this work intends to understand how the character Marcovaldo, from Italo Calvino's Marcovaldo, or The Seasons in the City (1963), articulates modes of being, dwelling and surviving in a great metropolis, through the adoption of postures coherent with what we would call, later, ecosophy. In addition to the two aforementioned theorists, the ideas of Garrard (2006) and Serres (1991) will be used. Also, we intend to show how much the stories in the collection hold great potential for ecocritical reading and, therefore, for a response to the level of awareness about the ecological crisis.
Early Modern Écologies: Beyond English Ecocriticism
2022
Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. It is difficult to pin down exactly whom to acknowledge for their help in writing this book since so many diverse conversations led to its existence, but we would like to start by thanking Louisa Mackenzie for setting out, in a single question at the MLA convention, the general line of thought explored in this book. We offer hearty thanks to our contributors for being part of this laboratory of early modern French écologies-it is our hope that it will continue to foster productive entanglements between the many nonhuman keywords and quite human persons that interact throughout. We are delighted that this volume appears in the AUP series Environmental Humanities in Pre-modern Cultures, and we thank the series editors (especially Steve Mentz) for their warm welcome. We thank Erika Gaffney for her care and professionalism in ushering this project from its early stages to this final product. Melanie Hackney and Aileen Christensen provided editing and formatting, for which we are grateful. We thank Goldschmied & Chiari (Sara and Eleonora) for granting us the permission to use their beautiful work Nympheas for our cover art, and we thank Diane Brown for suggesting that their art may resonate with our project. Pauline Goul would like to thank Karen Pinkus for introducing her to (for lack of a better word) ecocriticism, Kathleen Long for her constant support, and Phillip John Usher for taking on this collaborative effort and generally being an ideal early modern écological companion, in more ways than one. Pablo García-Piñar should always be acknowledged, although listing why would require another book. Phillip John Usher expresses his gratitude to Pauline Goul for her immediate excitement about this project and her dedication to seeing it into print. He dedicates his part of the volume to Chloé Juniper Usher, who joined this world as the book came together, giving it a whole new urgency and depth. 1 The vanishing point of Mackenzie's MLA talk-and, arguably, of the present volume-is her article, 'It's a Queer Thing: Early Modern French Ecocriticism', which makes a resounding and articulate call for putting early modern French literature into dialogue with questions of ecology.
La ville moderne et ses mythes": "Un essai de mise au point
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Two decades into the twenty-first century, concerns over the accelerating pace of climate change and its manifold challenges have risen to the forefront of debates both in public and academic spheres. In news broadcasts, for instance, some of the most recurrent topics include the increased frequency of ecological disasters. While the issue of waste disposal and the task of finding more sustainable means of dwelling on Earth primarily retain the attention of scientists and the general public, the interdisciplinary field of ecocriticism in social sciences and the humanities investigates the intricate interface between "culture" and "nature." In so doing, ecocritical scholars, activists, and artists fulfil a most important task, one that must complement scientific research currently being carried out to remedy the ecological crisis: sustainability must also be achieved through a critical questioning and re-evaluation of sometimes deeply-rooted cultural and epistemological conceptions. Conducting research in the various disciplines of the humanities-such as literature, history, figurative and performing arts, film studies, cultural studies, or political sciences-, ecocritics and ecopoets call for reflections on the philosophical roots of our conception(s) of the environment, the motives underlying human cultures' (ab)use of natural resources, as well as our shared sense of ethical responsibility. "Can ecocriticism save the world?" some may ask, either genuinely or with a touch of blasé sarcasm. Themselves tormented by this question, ecocritics generally embrace a programmatic self-criticism in such a way as to constantly renew and improve their methodological approaches, discourse, and scope of investigation. The following pages provide an overview of the ways in which, over the last few years, the critical field of literary ecocriticism has diversified
Groves, forests, animals, and birds in the Tereus-Procne-Philomela story (Ov. Met. 6.412-674)
Mediterranean Chronicle , 2020
In Ovid’s Metamorphoses, nature plays an important role, providing the setting in which various narratives unfold. Predominant amongst natural settings is the woodland, from small cluster of trees to the dense forests of the Mediterranean basin. This paper explores the role and importance of nature in the violent and tragic story of Tereus, Procne and Philomela (Ov. Met. 6.412-674). Building on recent work on ecocriticism we aim to investigate the reasons why Ovid chose to use only the term silva to denote the forest area in which this story mainly unfolds. As it turns out, nature does not provide merely the setting for action in this particular story; it becomes, instead, a crucial factor which determines the character, thoughts and behaviour of the story’s protagonists, whose animal associations (through language and imagery) are thoroughly examined.
Renascent Nature in the Ruins: Joachim du Bellay's Antiquitez de Rome
Early Modern Écologies: Beyond English Ecocriticism, 2022
Early Modern Écologies is the first collective volume to offer perspectives on the relationship between contemporary ecological thought and early modern French literature. If Descartes spoke of humans as being ‘masters and possessors of Nature’ in the seventeenth century, the writers taken up in this volume arguably demonstrated a more complex and urgent understanding of the human relationship to our shared planet. Opening up a rich archive of literary and non-literary texts produced by Montaigne and his contemporaries, this volume foregrounds not how ecocriticism renews our understanding of a literary corpus, but rather how that corpus causes us to re-think or to nuance contemporary eco-theory. The sparsely bilingual title (an acute accent on écologies) denotes the primary task at hand: to pluralize (i.e. de-Anglophone-ize) the Environmental Humanities. Featuring established and emerging scholars from Europe and the United States, Early Modern Écologies opens up new dialogues be...
Ordo civitatis: The Birth of the City and the Urbanization of the Philosophical Landscape
This article is based upon an analogy between (a) the foundation of the cities and (b) the philophical attempt to give a formally ordered account of the world. In the course of history we can observe some periods in which the role of the city is replaced by the increasing power of the countryside (see for instance the change over from Antiquity to Middle Ages, or from Middle Ages to Modernity and, in some respects, even from Modernity to the contemporary “global village”). The aggregation and disaggregation of the cities across the centuries could be intended as a part of a greater order which periodically loses and finds its centre, oscillating between unity and multiplicity: between the ‘one’ and the ‘many’ of classical and Platonic thought. The building of an order satisfies the human need for certainty in knowledge as well as in social practices, but behind it lies the danger of violence and dogmatism. It would be better to replace the rigid mechanics of the political and legal systems (coming from late Neoplatonic thought) with the dialogical wisdom teached by Plato and other classical philosophers.
Seeing Nature and the Cities in Aesthetic Narratives and Literary Forms
2022
In this research about the comparative studies of the Natural environment and the cities, the author intends to focus on different kinds of literary genres and texts through which the relation between the concept of Nature and different cities would be studied and examined. The author uses various perspectives of seeing different worksespecially visual arts and verbal arts-in terms of culture and humanity. By doing so, the author hopes to bring a better understanding towards the true meaning of these selected literary forms and texts. These literary genres and texts were selected and were aimed to observe the relation between Nature and culture, between Nature and the cities, and most importantly, between the animals and the human beings. It is significant to read the relations among the human beings and the natural environment and the animals, because in a way, the human beings would be able to find balance in which the human beings would even be able to find the true meaning of freedom and the true meaning of life through the inspiration of the things around them. In the similar fashion, when the human beings are aware of the conditions in which they are situated in, somehow, they are also able to express humanity through artistic forms and narratives, particularly visually and verbally. Works of painting and works of photography in literary forms-such as in the novels, the poems, the short stories and the dramatic plays-will be appreciated and will be analysed as aesthetic narratives.