An Afternoon at Skittles: On Playing Mozart’s “Kegelstatt” Trio (Part I) (original) (raw)

An Afternoon at Skittles: On Playing Mozart's " Kegelstatt " Trio (Part II)

Edward Klorman

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Performance Practice Review "Ornamentation and Improvisation in Mozart." By Frederick Neumann

Feng Niu

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Dorian K Bandy

Eighteenth Century Music

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Vasili Byros

Intégral, 2017

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Mozart on the Stage (review)

Deborah Burton

Notes, 2010

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Review: Alan Tyson, Wasserzeichen-Katalog (Neue Mozart-Ausgabe, Serie X)

John A Rice

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Program notes, 4 April 1956: Mieczyslaw Horszowski--Mozart anniversary series

Emanuel Winternitz

Metropolitan Museum of Art: Concerts for Members, 1956

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Mozart's Operatic Embellishments

Dorian K Bandy

Cambridge Opera Journal

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Mozart, Kirnberger and the Idea of Musical Purity: Revisiting Two Sketches from 1782

Markus Rathey

Eighteenth Century Music, 2016

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David J Buch

Acta Mozartiana

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Gnagflow Trazom: An essay on Mozart's script, pastimes, and nonsense letters

Emanuel Winternitz

1958

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Some Little-Known References to Early Performances of Mozart's Operas

John A Rice

Newsletter of the Mozart Society of America, 2014

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Mary Robbins

International Journal of Musicology, New Series Vol.2, Elliott Antokoletz and Michael von Albrecht, editors, PL Academic Research, Peter Lang Publisher; Frankfurt am Main; March, 2016; pp. 77- 121., 2016

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Program Notes for Graduate Recital: Benjamin’s Le Tombeau De Ravel Valse Caprices, Mandat’s One Liners, Smith’s Five Pieces for Solo Clarinet, and Mozart’s Kegelstatt Trio in E-Flat Major, K. 498

Kristine Dizon

2014

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«Mystery and innovation in performances of Mozart’s Fantasy KV 475: following the guidance of three great 20th-century masters», International Performance Studies Network, University of Cambridge/ AHRC Research Centre for Musical Performance as Creative Practice (CMPCP), 2011,

Zelia Chueke

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The Condition of Mozart: Mozart Year 2006 and the New Vienna

Eric Martin Usner

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Roger Moseley

Common Knowledge, 2011

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The Mozart Question Interview with Luca Bianchini and Anna Trombetta

Luca Bianchini

2021

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The Cambridge Mozart Encyclopaedia - Edited by Cliff Eisen and Simon P. Keefe

Colin Lawson

Journal for Eighteenth-Century Studies, 2009

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The Evolution of a 'Memeplex' in Late Mozart: Replicated Structures in Pamina's 'Ach ich fühl's'

Steven Jan

Journal of the Royal Musical Association, 2003

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Program notes, 17 February 1945: Program music by Wolfgang Amadeus Mozart

Emanuel Winternitz

Metropolitan Museum of Art: Concerts for Members, 1945

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Aria as drama: A sketch from Mozart's Der Schauspieldirektor

Linda Tyler

Cambridge Opera Journal, 1990

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Topoi and Narratives in Classical Instrumental Music: Ideen and il filo in Mozart's Clavier Sonata KV 311/284c

Pavel Lutsker

Music Scholarship, 2022

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Mozart's La clemenza di Tito: A Reappraisal

Magnus Tessing Schneider, Ruth Tatlow

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adena portowitz

2009

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W.A. Mozart: His life and work - An annotated bibliography

Marilina Α Tzelepi

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Mozart and His Singers: The Case of Maria Marchetti Fantozzi, the First Vitellia

John A Rice

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Mozart’s Sinfonia Concertante, K. 364: an Enlightened Operatic Reading

Roberto Alonso Trillo

Music Scholarship / Problemy Muzykal'noj Nauki, 2021

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Funny Business: Comic Elements in the Mozart22 Productions

Emily Richmond Pollock

Opera Quarterly, 2013

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Eighteenth-century Performing Materials from the Archive of the Theater an der Wien and Mozart's Die Zauberflöte.

David J Buch

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Mozart in Turkey

Benjamin Perl

Cambridge Opera Journal, 2000

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“Mozart’s Bawdy Canons, Vulgarity, and Debauchery at the Wiednertheater,” Eighteenth Century Music 13/2 (2016), 238-308.

David Buch

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The Mozart Family and Empfindsamkeit [PhD, King's College London, 2016]

Viktor Töpelmann

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Mozart Society of America

CHRISTOPHER J SALMON

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Mozart's Sketches

Ulrich Konrad

Early Music, 1992

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