Ugo Monneret de Villard (1881-1954) and the Establishment of Islamic Art Studies in Italy, Muqarnas (30) 2013 (original) (raw)

Ugo Monneret de Villard (1881–1954) and the Establishment of Islamic Art Studies in Italy

Muqarnas Online, 2014

Ugo Monneret de Villard was the main Italian scholar of Islamic art in the twentieth century. Where and why did this engineer from Milan start cultivating this interest? How did his work come to be appreciated at the highest academic levels? This article delineates Monneret’s long training through an examination of his readings and writings, travels, and exchanges with other scholars, all of which influenced his working methodology, leading him to archaeological missions in Africa and predisposing his discovery of Islamic art. A fundamental focus is given to the idea of studying Islamic art objects and monuments in Italy. Unpublished archival sources reveal that in the mid-1930s Monneret was the essential point of reference of a group of intellectuals, distant from the academic Scienza ufficiale, whose intention was to promote the study of Islamic art in Italy. These intellectuals had the double goal of instituting a chair of Islamic art and of preserving the Islamic artistic herita...

Elizabeth FENTRESS, Hassan LIMANE (eds.), Volubilis après Rome. Les fouilles UCL/INSAP, 2000-2005, Arts and Archaeology of the Islamic World, vol. 11, Brill, Leiden-Boston, 2018. (Palmira Krleža)

Hortus Artium Medievalium, 25/1, 2019

(with L. Travaini) Tychsen, Vella, Adler and Borgia: the Italian Connection in Islamic Numismatics

Der Rostocker Gelehrte Olaf Gerhard Tychsen (1743-1815) und seine internationalen Netzwerke, edited by R. Arnold, M. Busch, H-U. Lammel and H. von Thiessen, Hannover, Werhahn, 2019, pp. 258-284

The role of Oluf Gerhard Tychsen in Islamic numismatic research cannot be properly evaluated unless we examine the entire net of studies and scholars of the same subject at his time: the main characters of our paper, and indeed of the entire beginning of Islamic numismatics, are Tychsen himself (1734–1815), Cardinal Stefano Borgia (1731–1804), Georg Adler (1756–1834), and, some- how marginal but influential, the forger Giuseppe Vella (1749–1814). The first part of this article, in which a main outline of these relationships is given, is written by Lucia Travaini, while Arianna D’Ottone Rambach investigates some more detailed aspects in the second part.

[Conference report] Through the lens of Henry Viollet: an undisclosed photographic and paper archive on Islamic monuments (1904-1913

A Historiography of Persian ARt: Past, Present and Future, eds. Yuka Kadoi, Andras Barati, Journal of Art Historiography: 28, 2023, 2023

Iranian Studies Library of the Institut d'études iraniennes (today known as the Centre de recherche sur le monde iranien-CeRMI, UMR 8041), since 2011 the Viollet's archives have been housed at the Bibliothèque universitaire des langues et civilisations (BULAC) in Paris. Counting 916 negatives on glass plates, 1650 photographs and about 2000 papers, these archives testify to Viollet's works as a pioneer in the field of Islamic architecture and shed light on his excavations at Samarra and architectural surveys of Northern Syria, Mesopotamia and Persia. Formats include correspondence, travelogues, field notebooks, architectural drawings, sketchbooks, manuscripts of scholarly work and photographs.