Ammianus Marcellinus (St Andrews, Latin Historiography – LT4209) (original) (raw)

The 'Marcellus case' and the loyalty of Julian: latent arguments and Otherness in Ammianus' Res Gestae

Praising the Otherness, Talanta XLV (2013), 81-96

This paper explores the traces of ‘latent’ argumentation in the account of Julian’s initial moves in Gaul under the guidance of the magister equitum Marcellus. Consequently it is considered whether or not the Panegyric in Honour of Eusebia, sent to the Court at that time, should be read as part of Julian’s defence against the accusations made by Marcellus in Milan, and if it had any bearing on Constantius’ decision. Finally, the leitmotif of Julian’s loyalty in the Panegyric in Honour of Eusebia and Res Gestae (πιστός and apparitor fidus) prompts a consideration of key cultural differences in the works of Julian and Ammianus.

[ARTIGO] Exemplary History: Competition in Roman Historiography

História da Historiografia: International Journal of Theory and History of Historiography, 2019

A great part of the perceived value of history in the ancient world was connected with its educational function. In one way or another, it was regarded as a beneficial guide to conduct or as magistra vitae (Cicero, De Oratore II, 36). To give political instruction and advice on the one hand (Polybius, I, 1, 2), and to provide exempla, were two major aims of history. This paper will argue that by narrating the history of the past, historians not only judged past actions or people, and provided useful moral examples to their contemporaries, but also stimulated a type of competition between past and present times. By recording good examples to be imitated and bad ones to be avoided, the Roman historians promoted the code of values of the maiores for their own time, fostered action and, to a certain extent, became significant indicators to Roman society. This competitive aspect of Roman historiography is illustrated here in three distinct categories, analysing the work of major Roman historians: Sallust, Livy and Tacitus. https://www.historiadahistoriografia.com.br/revista/article/view/1398/788

A. KEITH and J. EDMONDSON (EDS), ROMAN LITERARY CULTURES: DOMESTIC POLITICS, REVOLUTIONARY POETICS, CIVIC SPECTACLE (Phoenix Supplementary Volume 55). Toronto: University of Toronto Press, 2016. Pp. xxiv + 340, illus. isbn9781442629677. £39.99

Journal of Roman Studies, 2018

Huntington HM 45717). The most remarkable of these witnesses are C and H, twins descended from a manuscript (ζ) containing a vast number of conjectures, many of them 'wilful tampering', but some of outstanding quality (K. prints sixty-four of them); R. M. Thomson argued that they were the work of William of Malmesbury, and K. supports his case with additional evidence. A further advance is K.'s establishment of the pattern of contamination to be found in the manuscripts, principally from β to α 2 and from G to β. K. (OCT, ix) does not exclude in principle the possibility that one or more of the 225 renaissance manuscripts known to him preserves a transmitted reading not found elsewhere, though he rightly thinks it unlikely. Nevertheless, in case a future scholar wishes to collate them fully, he provides lists (Studies, 267-79) of both the 225 manuscripts and the 'singular uncorrected and uncorrectable' errors in each of his primary manuscripts, to assist such a scholar to establish the lineage of later ones (OCT, v; 'uncorrectable' is a slippery concept, akin to that of the 'unconjecturable' reading). The textual discussions in Studies (the lemmata give the text of Ihm's 1907 edition, not that printed by K.) are always clear and to the point; whenever possible, K. establishes the reading of the archetype and his arguments are solidly based on linguistic evidence culled from TLL and the PHI database. If the rst person sometimes seems over-prominent, that is perhaps a reection of the fact that, in the last analysis, many editorial decisions have to be subjective. K.'s critical instincts are radical, but the archetype was extremely, often deeply, corrupt (cf. Studies, 3) and the variegated nature of the subject matter makes it much more difcult to arrive at the truth than is the case with, say, the Puteaneus in Livy 21-25. I have counted over fty passages where K. argues that the archetypal reading is lacunose (there will also be many places, not discussed in Studies, where the omission is small and the truth not in doubt; by contrast, not surprisingly, he deletes transmitted words in twenty-three passages). On a number of occasions (Iul. 20.5, 60, Aug. 38.2, 43.1, Tib. 21.5, Galba 6.2, Vesp. 15, Dom. 14.1), when the general sense required is not in doubt, he prints what he calls a 'stop gap' and adds 'quod sententiam dumtaxat nostri redintegrat' (uel sim.). My own preference in these circumstances is to indicate a lacuna rather than ll it, but many will approve of K.'s practice. On several occasions K. adduces the evidence of Orosius or the epitome de Caesaribus attributed to Aurelius Victor (referred to just as 'Epit.' or 'the Epitome'); it is a pity that he did not say elsewhere (at, e.g., OCT, xli or Studies, 49) that they constitute indirect textual evidence. K. accepts forty-six emendations of Richard Bentley, whose plan to edit Suetonius never came to fruition; they are found in his copies, now in the British Library, of the Amsterdam and Leiden editions of 1697 and 1698 respectively. K. also reports conjectures of Eduard Fraenkel, in his copy of Ihm's 1907 edition (now in the Sackler Library in Oxford and transcribed by David Wardle, whose Clarendon Ancient History Series edition of the Life of Augustus (2014) contains a number of textual observations).

Abbreviated Histories: The Case of the Epitome de Caesaribus (c. 395)

The dissertation offers a critical analysis of the Epitome de Caesaribus, a fourth-century Latin series on the lives of the emperors from Augustus to Theodosius (c. AD 395), and consists of seven chapters defining the text, the genre, its sources, its religious milieu, and its political and social ideas. The political ideas in the Epitome were deeply marked by the influence of the ascetic ideal honouring moderation in drink, food, sleep, sex, and emotions such as anger. Within the fourth-century Roman Empire, the epitomator offers moderate pagan views which show interest about dreams, asceticism, and the providential nature of the divinity. The dissertation proposes to see the Epitome as a literary artefact which, through comparison with contemporary authors, allows one to extract from a bland text ideas found among fourth-century elites in the emperor Honorius' Italy (395-423).