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Julie Grossman
Quarterly Review of Film and Video, 2007
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Femmes, filles, and hommes: postfeminism and the fatal(e) figure in contemporary American film noir
samantha lindop
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Fatal Woman, Revisited: Understanding Female Stereotypes in Film Noir
Danielle Barnes-Smith
2015
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Quarterly Review of Film and Video Female Subjectivity, Sexuality, and the Femme Fatale in Born to Kill
Samantha Lindop
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How horror, mystery, and science fiction films construct femmes fatales Misogyny or empowerment
Jeffrey Motlhamme
Dissertation, 2019
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Feminist, Postmodern, Violent: Postwar Film Noir Romance, and the Undoing of Truth and Subjectivity
Dijana Jelača
Umjetnost riječi , 2016
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Subversion of the Male Gaze: The Empowered Femme Fatale within Neo-Noir
Jade Bitomsky
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"The Hand That Rocks The Cradle Is The Hand That Rules The World": Constructions of the monstrous mother in the contemporary thriller, 1987-2010
Heather Graves
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Crime/Scene: Reanimating the Femme Fatale in David Lynch’s Hollywood Trilogy
alanna thain
2011
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From Irony to Narrative Crisis: Reconsidering the Femme Fatale in the Films of David Lynch
Frida Beckman
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The Laceration Of Lascivious Lens: Unraveling Stereotypical Representation And Objectification Of Women In Movies With The Help Of Laura Mulvey's Perspectives
Swapnajeet Das
IJCRT , 2023
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Femininity and Psychoanalysis: Cinema, Culture, Theory
Ben Tyrer
2019
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hollywood heroines: women in film Noir and the female Gothic film
Arisbeth Márquez
Feminist Review, 2010
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The Femme Fatale: Images, Histories, Contexts (Book Review)
Suzanne Leonard
Feminist Media Studies, 2011
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Book Review: Postfeminism and the Fatale Figure in Neo-Noir Cinema (Samantha Lindop)
Elena De Sacco
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Redefining Femme Fatales: Psychoanalyzing Female Figures in Quentin Tarantino’s Films
Jam Dimaiwat
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Fatal Attractions. The Monstrosity of Film Noir
Andrea Wald
Monstrosity in Literature, Psychoanalysis, Philosophy, 2012
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• Review of Stella Bruzzi, Bringing Up Daddy: Fatherhood and Masculinity in Post-War Hollywood (British Film Institute, 2005), Mike Chopra-Gant, Hollywood Genres & Postwar America: Masculinity, Family and Nation in Popular Movies and Film Noir (I.B. Tauris, 2006)
Martin Fradley
Screen 47:4 (2006), pp.379-385.
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Psychological Disorders and “Wiretapping the Unconscious”: Film Noir Listens to Women
Julie Grossman
Rethinking the Femme Fatale in Film Noir, 2009
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"How to Make a Horror Film Out of the Filmmaker's Brutal Disdain for her own Gender". A review of Coralie Fargeat’s anti-feminist stance in The Substance (2024).
Erminia Passannanti
"How to Make a Horror Film Out of the Filmmaker's Brutal Disdain for her own Gender" . A review of Coralie Fargeat’s anti-feminist stance in The Substance (2024)., 2024
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Why Film Noir? Hollywood, Adaptation, and Women's Writing in the 1940s and 50s
Esther Sonnet
Adaptation: the Journal of Literature on Screen Vol 4. No 1.
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Why Film Noir? Hollywood, Adaptation, and Women's Writing in the 1940s and 1950s
Esther Sonnet
Adaptation, 2010
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Classical Hollywood Film Directors' Female-As-Object Obsession and Female Directors' Cinematic Response: A Deconstructionist Study of Six Films
Sharon Chapman
1996
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Feminism, film, and theory now
Professor Emeritus Elizabeth Cowie
Re-reading the Monstrous Feminine: Art, Film, Feminism and Psychoanalysis, eds Nicholas Chare, Jeanette Hoorn and Andrey Yue, Routledge, London, 2020
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Femmes Fatales : from Les Filles D ́ Eve to Hollywood Deadly Female Figures 4 3
Ane Barrenetxea Gerekiz
2017
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Looking like a hero: constructions of the female gun-fighter in Hollywood cinema
Christa Van raalte
2012
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Violent Women in Contemporary Cinema
Janice Loreck
2016
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Dreaming of Electric Femmes Fatales: Ridley Scott’s 'Blade Runner: Final Cut' (2007) and Images of Women in Film Noir
Christian David Zeitz
gender forum: An Internet Journal of Gender Studies, 2016
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Lighting up the Screen: Feminism and Film
Maria Lauret
Feminist Review, 1993
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Quarterly Review of Film and Video A Review of " Feminine Look: Sexuation, Spectatorship, Subversion "
Jennifer Friedlander
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Classical Hollywood film directors\u27 female-as-object obsession and female directors\u27 cinematic response: A deconstructionist study of six films
Sharon Chapman
1996
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A Genealogy of Feminist Tech-Noir
Kyna McClenaghan
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Film Philosophy at the Margins Erin Harrington Women Monstrosity and Horror Film by Erin Harrington (This book is not mine, all the credits to the authors, if you can, support her)
Carolina Pacheco
Women, Monstrosity and Horror Film Women
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Who's Got the "Reel" Power? The Problem of Female Antagonisms in Blaxploitation Cinema
Melissa D Terry
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Tay, Sharon Lin. Beyond Sexual Difference: Sustaining Feminist Politics in Film Theory. PhD dissertation. (Norwich: University of East Anglia, 2003)
Sharon Lin Tay
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