Conflicting Art Histories: Dialogues of Nationalism and Cosmopolitanism in Eighteenth-Century British Culture (original) (raw)

New Directions In British Art History of the Eighteenth Century

Douglas Fordham

Literature Compass, 2008

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‘“Struggling Against a Vulgar Prejudice”: Patriotism and The Collecting of British Art at the Turn of the Nineteenth Century’, Journal of British Studies, 49:3 (July, 2010), 566-91.

hoock@pitt.edu Hoock

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Eighteenth-century British painting and its audience: the “Rule of Taste” and mercantile society

Adriano Aymonino

C. Brook and V. Curzi (eds), Hogarth, Reynolds, Turner: British Painting and the Rise of Modernity, 2014

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Writing About Art in Britain Before and After 1900. Martina Droth and Peter Trippi, eds. 2015

Adrianne Rubin, Sarah Victoria Turner, Julie Codell, Martina Droth

Nineteenth-Century Art Worldwide, 2015

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The Debate on the Arts in the First Half of the Eighteenth Century, from Shaftesbury to HogarthThe Dawn of Modernity Painting in Britain in the 18th century from Hogarth to Turner April 15th - July 20th 2014 Museo Fondazione Roma, Palazzo Sciarra, Roma, ed. C. Brook, V. Curzi

Ilaria Miarelli Mariani

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Business as Usual: Internationalisation and the London Art Market in the Eighteenth Century

Bénédicte Miyamoto

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Review of The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910 (Yale UP), in Journal of British Studies, Vol. 50, no. 4 (2011)

Amy Von Lintel

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Review of Art for the Nation: The Eastlakes and the Victorian Art World, Susanna Avery-Quash and Julie Sheldon (London: National Gallery), in Journal of British Studies vol. 52, no. 1 (2013)

Amy Von Lintel

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Poetry and British Nationalisms in the Bardic Eighteenth Century: Imagined Antiquities. By JeffStrabone. Basingstoke: Palgrave Macmillan. 2018. 351 p. £54.99 (pb). ISBN 978‐3‐030‐07002‐1

Amy Blaney

Journal for Eighteenth-century Studies, 2021

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Cultural Mosaics: The Intersection of Art, History, and Society in Britain

Selenge Bucak

2021

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Nationalism in the Visual Arts (edited volume)

Richard Etlin

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The British Museum and the Royal Academy: the nation state, English and British identities, and the constitution in the eighteenth century

Sheila Watson

Museum and Society

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Nationalism and Eighteenth-Century British Literature

Alok Yadav

Literature Compass, 2004

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The Spectre of Empire in the British Art Museum

Sarah Thomas

Museum History Journal, 2013

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Anxious Identities versus Authenticity: Reception of the Classical World in Eighteenth-Century Britain

Angel-Luke O'Donnell

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National Identity Through Design: the Anglicisation of the Rococo in mid-Eighteenth-Century Britain; in Rule Britannia: Britain and Britishness 1707–1901, (Cambridge Scholars, 2015), pp. 1–42

Peter N Lindfield

Rule Britannia: Britain and Britishness 1707–1901 (Peter N. Lindfield and Christie Margrave, eds), 2015

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Making It New: Visual Modernism and the" Myth of the North" in Interwar England

Michael Saler

The Journal of British Studies, 1998

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‘When Two Fields Collide: War and British Artistic AvantGardes’, The International Journal of the Arts in Society, 2006, 1, 2, pp.77-85.

michael grenfell

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Artist and Empire: Facing Britain’s Imperial Past: Exhibition Catalogue Review

Alice Correia

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British History Seen Through Art

Oleg Mironov

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‘England “Ghosts” British Art - a frieze’

Craig Richardson

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British Art Studies Issue 4 – Autumn 2016

Kate Grandjouan

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Radical Conservatism and International Nationalism: The Peasant Arts Movement and Its Search for the Country Heart of England

Amy Palmer

Cultural and Social History

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‘So Much Talk About Old Musty Painters’: Insights into the Scottish Art World and its London Connections in the Early 19th Century

Fiona Salvesen Murrell

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Review of The Edwardian Sense: Art, Design, and Performance in Britain, 1901-1910, edited by Morna O'Neill, Michael Hatt (Yale, 2010)

Ryan Linkof

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Business as Usual - the London art market in the face of internationalisation, 1767-1815

Bénédicte Miyamoto

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"Picturing Art History in Eighteenth-Century Britain: Artists' Printed Portraits and Manuscript Biographies in Rylands English MS 60," Bulletin of the John Rylands Library 95, no. 2 (2019), pp. 83-113

Edward Wouk

Bulletin of the John Rylands Library , 2019

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“Writing the Nation: Recent Publications on Contemporary British Art”

Alice Correia

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‘Art, Cheap and Good:’ The Art Union in England and the United States, 1840–60

Joy Sperling

2002

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Susanna Avery-Quash and Julie Sheldon. Art for the Nation: The Eastlakes and the Victorian Art World. London: National Gallery, 2011. Pp. 288. $45.00 (cloth)

Amy Von Lintel

Journal of British Studies, 2013

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An Open Elite: The Peculiarities of Connoisseurship in Early Modern England

Brian Cowan

Modern Intellectual History, 2004

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Globalised Art History: The New Universality and the Question of Cosmopolitanism

Huw Hallam

Australian and New Zealand Journal of Art, 2008

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Off to a new Cockaigne: Dutch migrant artists in London, 1660–1715*

Sander Karst

Simiolus, 2014

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‘The persistence of national identity in the international art market’. Review of: Art Crossing Borders: The Internationalisation of the Art Market in the Age of Nation States, 1750-1914, edited by Jan Dirk Baetens and Dries Lyna, Amsterdam: Brill, 2019

Elizabeth Pergam

The Journal of Art Historiography, 2019

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Review of "Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain" from Art Bulletin

Morna O'Neill

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