Horizontal transmission of vocal traditions in killer whale (Orcinus orca) dialects (original) (raw)
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Horizontal Transmission of Call Features in Killer Whale Dialects
The Evolution of Language - Proceedings of the 8th International Conference (EVOLANG8), 2010
Unlike most other mammals, killer whales are capable of vocal learning and learn the dialect of their natal pod from their mothers. The classical model of killer whale dialect development suggests that the repertoire of calls is learned only "vertically" from mother to offspring, and calls evolve gradually with time by random drift caused by the accumulation of copying errors. However, some observations suggest that not only "vertical" (from mother to offspring) vocal learning can occur in killer whales, but also "horizontal" (between adult animals). In this study we analyzed the distribution of different call types and similarity of calls from the same type in different pods of killer whales from Kamchatka waters to estimate the probability of existence of interpod horizontal transmission of vocal traditions in killer whales. We found that the degree of similarity of K1 calls and K5 calls in different pods can differ. This situation contradicts the classical hypoth esis and is possible in two cases: if different call types change with various speed in different pods, or if hori zontal transmission of call features takes place. The distribution of K4 and K10 call types across pods also sug gests the existence of horizontal transmission: K4 calls occur in the dialects of five of ten pods, and K10 calls, in six of ten pods, but only one pod has both K4 and K10 calls. Our results suggest that the real picture of the distribution of call features and call types in killer whale dialects contradicts the classical hypothesis of killer whale dialect evolution through the accumulation of copying errors.
Is killer whale dialect evolution random?
Behavioural Processes, 2013
The killer whale is among the few species in which cultural change accumulates over many generations, leading to cumulative cultural evolution. Killer whales have group-specific vocal repertoires which are thought to be learned rather than being genetically coded. It is supposed that divergence between vocal repertoires of sister groups increases gradually over time due to random learning mistakes and innovations. In this case, the similarity of calls across groups must be correlated with pod relatedness and, consequently, with each other. In this study we tested this prediction by comparing the patterns of call similarity between matrilines of resident killer whales from Eastern Kamchatka. We calculated the similarity of seven components from three call types across 14 matrilines. In contrast to the theoretical predictions, matrilines formed different clusters on the dendrograms made by different calls and even by different components of the same call. We suggest three possible explanations for this phenomenon. First, the lack of agreement between similarity patterns of different components may be the result of constraints in the call structure. Second, it is possible that call components change in time with different speed and/or in different directions. Third, horizontal cultural transmission of call features may occur between matrilines.
Naturwissenschaften, 2010
A few species of mammals produce group-specific vocalisations that are passed on by learning, but the function of learned vocal variation remains poorly understood. Resident killer whales live in stable matrilineal groups with repertoires of seven to 17 stereotyped call types. Some types are shared among matrilines, but their structure typically shows matriline-specific differences. Our objective was to analyse calls of nine killer whale matrilines in British Columbia to test whether call similarity primarily reflects social or genetic relationships. Recordings were made in 1985-1995 in the presence of focal matrilines that were either alone or with groups with non-overlapping repertoires. We used neural network discrimination performance to measure the similarity of call types produced by different matrilines and determined matriline association rates from 757 encounters with one or more focal matrilines. Relatedness was measured by comparing variation at 11 microsatellite loci for the oldest female in each group. Call similarity was positively correlated with association rates for two of the three call types analysed. Similarity of the N4 call type was also correlated with matriarch relatedness. No relationship between relatedness and association frequency was detected. These results show that call structure reflects relatedness and social affiliation, but not because related groups spend more time together. Instead, call structure appears to play a role in kin recognition and shapes the association behaviour of killer whale groups. Our results therefore support the hypothesis that increasing social complexity plays a role in the evolution of learned vocalisations in some mammalian species.
Cultural evolution of killer whale calls: background, mechanisms and consequences
Behaviour, 2015
Cultural evolution is a powerful process shaping behavioural phenotypes of many species including our own. Killer whales are one of the species with relatively well-studied vocal culture. Pods have distinct dialects comprising a mix of unique and shared call types; calves adopt the call repertoire of their matriline through social learning. We review different aspects of killer whale acoustic communication to provide insights into the cultural transmission and gene-culture co-evolution processes that produce the extreme diversity of group and population repertoires. We argue that the cultural evolution of killer whale calls is not a random process driven by steady error accumulation alone: temporal change occurs at different speeds in different components of killer whale repertoires, and constraints in call structure and horizontal transmission often degrade the phylogenetic signal. We discuss the implications from bird song and human linguistic studies, and propose several hypothes...
Individual vocal production in a sperm whale (Physeter macrocephalus) social unit
Marine Mammal Science, 2011
The vocal repertoires of group-living animals may communicate individual or group identity. Female and juvenile sperm whales live in long-term social units that can be assigned to vocal clans based on the pattern of clicks in coda vocalizations. An unusual set of circumstances allowed us to record the vocalizations of photoidentified individuals within a single social unit over a 41 d period. Using click interpulse intervals, we were able to assign codas to individuals and investigate coda production at the individual level within a social unit for the first time. Adult females in the unit vocalized at approximately equal rates. A calf and juvenile, both male, vocalized less often than the adult females. Repertoires were indistinguishable for all unit members apart from a mother and her calf, which possessed significantly different repertoires-even from one another. We suggest that similarity among the coda repertoires of most unit members indicates a function in advertising unit identity. In contrast, the distinctive repertoires of the calf and its mother may facilitate reunions between these whales. We hypothesize that sperm whales may be able to vary their vocal repertoires as their reproductive status alters the trade-off between the benefits of individual and group identification.
Vocal culture and social stability in resident killer whales (Orcinus orca)
2005
The killer whale (Orcinus orca) is one of the few species for which vocal culture is actively involved in the development and maintenance of the social organizations of populations. In particular, the social structure of one form of killer whales, called residents, is a good example of this involvement. Resident societies are characterized by associations of groups with highly stable membership, which allow an in-depth examination of the association between vocal culture and the nested social hierarchy of that population. Resident killer whales live in small populations where inbreeding is a threat to their genetic diversity. Genetic and cultural evolution may be closely linked in killer whales, as has been proposed for a number of other cetaceans with matrilineal social structure. To test for a possible link between genetic and cultural evolution in killer whales, I investigated vocal similarities and differences among mixing and non-mixing resident groups and between two ecotypes,...
The Structure of the Discrete Call Repertoire of Killer Whales Orcinus Orca from Southeast Kamchatka
Bioacoustics, 2007
The problem of categorization arises in any classification system because classes should be discrete while the characteristics of most natural objects and aspects of nature are more or less gradual. In systematics, this problem usually is solved by creating several levels of categories, such as class, order, family, genus and species. In the existing killer whale discrete call classification, only two levels occur -call type and call subtype. In this paper we describe structural categories at a broader level than call type in the discrete sounds of killer whales and compare these categories between and within vocal clans in a community of resident killer whales from Southeast Kamchatka, Russian Far East, and also with killer whales outside this community. We found four main classes of discrete calls in the repertoire of resident killer whales from Southeast Kamchatka. The calls of Southeast Kamchatka transient killer whales and Sakhalin killer whales do not fall into these classes. This suggests that the resident killer whale community from Southeast Kamchatka has some rules defining the structure of calls which are typical for this community. Consequently, all resident killer whales from Southeast Kamchatka can be said to share the same vocal tradition.
Physical constraints of cultural evolution of dialects in killer whales
The Journal of the Acoustical Society of America, 2016
Odontocete sounds are produced by two pairs of phonic lips situated in soft nares below the blowhole; the right pair is larger and is more likely to produce clicks, while the left pair is more likely to produce whistles. This has important implications for the cultural evolution of delphinid sounds: the greater the physical constraints, the greater the probability of random convergence. In this paper the authors examine the call structure of eight killer whale populations to identify structural constraints and to determine if they are consistent among all populations. Constraints were especially pronounced in two-voiced calls. In the calls of all eight populations, the lower component of two-voiced (biphonic) calls was typically centered below 4 kHz, while the upper component was typically above that value. The lower component of two-voiced calls had a narrower frequency range than single-voiced calls in all populations. This may be because some single-voiced calls are homologous to...
Animal Behaviour, 2002
Cultural lineages are based on learned social traditions that are stable for several generations. When cultural lineages also reflect common ancestry and/or are shared by individuals that live together they are called clans. The existence of clans among killer whales has been previously proposed but has not been confirmed. Here, we show that clans exist among resident type killer whales, Orcinus orca, in southern Alaska. Resident killer whales live in stable matrilines from which emigration of either sex has not been observed. Matrilines that associate regularly (d50% observation time) are called pods. Pods are believed to consist of closely related matrilines and share a unique repertoire of discrete call types. Pods that share parts of their repertoire form what Ford (1991, Canadian Journal of Zoology, 69, 1454-1483) called an acoustic clan. Here, we identified discrete call types of seven pods from southern Alaska, using a method based on human discrimination of distinct aural and visual (spectrogram) differences. Mitochondrial DNA of members of each pod was also analysed. The repertoires of the seven pods were compared and two acoustically distinct groups of pods were identified. Each group was monomorphic for a different mitochondrial D-loop haplotype. Nevertheless, pods from different clans associated frequently. It thus appears that the acoustic similarities within groups, which we presume to be cultural, reflect common ancestry, and that these groups therefore meet the above definition of clans. We also argue that a combination of cultural drift and selection are the main mechanisms for the maintenance of clans.
Proceedings. Biological sciences, 2018
Vocal imitation is a hallmark of human spoken language, which, along with other advanced cognitive skills, has fuelled the evolution of human culture. Comparative evidence has revealed that although the ability to copy sounds from conspecifics is mostly uniquely human among primates, a few distantly related taxa of birds and mammals have also independently evolved this capacity. Remarkably, field observations of killer whales have documented the existence of group-differentiated vocal dialects that are often referred to as traditions or cultures and are hypothesized to be acquired non-genetically. Here we use aparadigm to study the abilities of a killer whale to imitate novel sounds uttered by conspecific (vocal imitative learning) and human models (vocal mimicry). We found that the subject made recognizable copies of all familiar and novel conspecific and human sounds tested and did so relatively quickly (most during the first 10 trials and three in the first attempt). Our results ...