original ) (raw )New perspectives on Art looting in World War II: instances of Allied troops’ crimes against cultural assets in occupied Italian territories
Dr Anna Tulliach
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“Objects whose Destruction would be a Great Loss for National Artistic Heritage”: the Lists of Works of Art and the Concept of Cultural Heritage in Italy during the Second World War
Elena Franchi
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Post-War Museography in Italy
Alessandro Brodini
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Italy 1940–45: Allied Reports on Antiquities
Carlotta Coccoli
Archaeology, Cultural Heritage and World War II. Italy, Greece, France and Finland as Historical Contexts, 2024
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Attempts to Rescue Artworks in the Shadow of World War II.
Orsolya Radványi
Bulletin du Musée Hongrois des Beaux-Arts, 2016
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'Arte Liberata 1937-1947. Capolavori Salvati dalla Guerra', Scuderie del Quirinale, Rome, Italy, 16 December 2022 – 10 April 2023
Dr Anna Tulliach
Museum and Society
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War Museums and Photography
Theopisti Stylianou-Lambert , ALEXANDRA BOUNIA
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Exhibition Review: Arte Liberata 1937-1947. Capolavori Salvati dalla Guerra, Scuderie del Quirinale, Rome, Italy, 16 December 2022 – 10 April 2023
Dr Anna Tulliach
museum and society, 2023
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The Role of Antiquities between Fascist Italy and Nazi Germany, edited by Irene Romano
Daria Brasca
The Fate of Antiquities in the Nazi Era, 2023
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Researching Testimonial Objects: The Postmemory of the Allied Occupation of Italy through the Imperial War Museum's Collections
Fabio Simonetti
Status Quaestionis. Language, Text, Culture (special issue): Narrating World War II. Transcultural Articulations of Postmemory in Literature and Other Media, 18, 2020
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War’s Toll of Italian Heritage: Unveiling Italy’s Postwar Reconstruction through Transnational Exhibitions
Jiayao Jiang
18th International Docomomo Conference Santiago 2024, 2024
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L'Arte al servizio della Memoria: i monumenti ai caduti della Grande Guerra nella provincia di Piacenza, at ASMI (Association for the Study of Modern Italy) Postgraduate Summer School 2015 (University of Reading –U.K.)
Serena Quagliaroli
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Two Cities, Two Directors, and One Collection. in: Renaissance Studies in Honour of Joseph Connors, ed.: Machtelt Israëls Louis A. Waldman, Florence, 2012, Villa I Tatti, 750-755.
Ildikó Fehér
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Between material culture and “living room art”: Historicizing the restitution of fascist-looted art
Bianca Gaudenzi
International Journal of Cultural Property, 28, 3, 2021
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"The “Mostra del Quarantennio” and the Canon of Modern Art at the Venice Biennale in the Interwar Period," Il Capitale Culturale, Studies on the Value of Cultural Heritage "Museums and Exhibitions between World War I and World War II" 14: 223-252
Laura Moure Cecchini
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All is not Lost. Italian Archives and Libraries in the Second World War
Flavia Bruni
F. Bruni and A. Pettegree (eds), Lost Books. Reconstructing the Print World of Pre-Industrial Europe, 2016
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Tracing Paintings in Napoleonic Italy: Archival Records and the Spatial and Contextual Displacement of Artworks
Nora Gietz
2015
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Contextualizing Razionalismo in the Exhibition Photographic Recall (2019): Fascist Spaces in Contemporary German Photography
Miriam paeslack
Bloomsbury Visual Arts eBooks, 2022
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Museums of history and rituals for public memory: the Museo del Risorgimento of Milan during transitions from war to peace (1917-1951) | Padova, 8 novembre 2018
Gregorio Taccola
2018
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Forced Seizure or Rightful Restitution? Italian Claims for Works of Art in Vienna After the First World War
Francesca Coccolo
Provenance, why does it matter? Provenance, Dispossession and Translocation Research - TransCultAA-HERA Summer School, 27-31 August 2018, Zadar (HR)
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The Imperial War Museum’s Work To Safeguard Its Collections During The Second World War
Philip W Deans
Museums and Galleries History Group Blog, 2019
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"Tracing Paintings in Napoleonic Italy: Archival Records and the Spatial and Contextual Displacement of Artworks", in Artl@s Bulletin 4, no. 2 (2016): Article 6.
Nora Gietz
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The Second World War in the Twenty-First-Century Museum
Stephan Jaeger
2020
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An archive at the nexus of photographic culture and city culture in transformation: a unique case in the history of Italian photographic practice
Giorgia Ravaioli
The Ways of Archiving. Practices, Conditions and Discourses around the Study of Arts and Culture, 2022
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NL-2013-286_Italian War Memorials after the Two World Wars. Notes from a Regional Research Project.
Nicola Labanca
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Bartolini, F. (2020) Fascism on display: the afterlife of material legacies of the dictatorship, in Bartolini, F. (ed.) Heritage in the Making. Dealing with the Legacies of Fascist Italy and Nazi Germany, EX NOVO Journal of Archaeology, Volume 5, December 2020: 19-32.
Flaminia Bartolini
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Architecture and Photography in the Modern Era. The Italian Setting between the Two Wars (1920-1945),
Adele Fiadino
2024
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Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today
Raffaele Bedarida , Sharon Hecker
Curating Fascism: Exhibitions and Memory from the Fall of Mussolini to Today, Bloomsbury, 2022
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From photo libraries to photo archives. On the epistemological potential of art-historical photo collections, in: Photo Archives and the Photographic Memory of Art History, ed. by Costanza Caraffa, Munich-Berlin 2011, pp. 11-44
Costanza Caraffa
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Homecomings: Reflections on Returning Antiquities
David W J Gill
2008
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Museums, Modernity and Conflict: Museums and Collections in and of War since the Nineteenth Century
Philip W Deans
2022
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The politics of memory. Heirlooms and relics of patriots, fighters and martyrs of the Italian Risorgimento
Silvia Cavicchioli
2021
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Documenting Looted Art: Perspectives from the Archives of the Einsatzstab Reichsleiter
Patricia Kennedy GRIMSTED
2018
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Shrines and museums “per i caduti d’oltremare” in post-fascist Italy
Beatrice Falcucci
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International workshop 'What Remains?': Fascist and National Socialist Antiquities and Materialities from the Interwar Era to the Present Day
Flaminia Bartolini
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