Performing the Return of the Repressed: Krzysztof Wodiczko’s Artistic Interventions in New York City's Public Space (original) (raw)

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De te fabula narratur! Violence and Representation in Peter Weiss’s The Aesthetics of Resistance

Frederik Tygstrup

Terrorizing Images

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The Performative Power of a Problematic Public Work: Art-Interventions at Alfred Hrdlicka’s Memorial Against War and Fascism in Vienna

Tanja Schult

Public Art Dialgogue, 2018

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The Image: Disaffect in the theatre of representation

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Journal of Visual Art Practice, 2010

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Manifestations of Public Art

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Art Inqiuiry

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Seeing does not mean saving. Art reception as political experience

Friedrich Tietjen

In: Dedicated to a Proposition. Exhibition catalogue Extra City, Centrum voor Hedendaagse Kunst, Antwerp, 2004

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Liberations Condemned to Be Free: A Case for Proximity between the Artist and the Art Object

IZABELA GOLA

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Deartification, Deaestheticization, and Politicization in Contemporary Art

Gerard Vilar

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The Appearance of Truth in Art: Body, Subjectivation and the Generic Life

Bojana Matejic

Bodies that Matter Again: Transformative Potentialities of Shape Shifting Corporealities in Contemporary Performing Arts, London: Palgrave Macmillan, 2018

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LIMINAL SPACE IN ART: THE (IN)SECURITY OF OUR OWN VISION

Miljana Zekovic

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Re-Animating Joseph Beuys' “Social Sculpture”: Artistic Interventions and the Occupy Movement

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Life as Show Time: Aesthetic Images and Ideological Spectacles

Eugene Arva

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"Introduction," from Counter Revanchist Art in the Global City Walls, Blockades, and Barricades as Repertoires of Creative Action

Leah Modigliani

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“Against Performance Art,” Artforum (May 2010) 208-213. (On Marina Abramovic's "The Artist is Present" at Museum of Modern ARt, NY).

Carrie Lambert-Beatty

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"Public spaces and the end of art", Philosophy and Social Criticism (2011)

Lea Ypi

Philosophy & social criticism, 2011

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Withholding 'us': Images in the space of appearance

Brigid McLeer

Royal College of Art, 2020

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A Note on Socially Engaged Art Criticism, Field, no. 6, 2017

Mikkel Bolt Rasmussen

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The Beach Beneath the Street: Art and Counterpublics

Glenn D'Cruz

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Darkness Visible: The Art of Occupying Public Space as a Space of Appearance

Daniel Borselli

Space Oddity: Exercises in Art and Philosophy, 2022

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Scattered Remarks (Western Marxist Style) On Contemporary Art, Third Text, vol. 25, 2, 2011

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Third Text, 2011

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Art as a Political Witness

Lenore Metrick-Chen

2017

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Art beyond representation: the performative power of the image

Barbara Bolt

2004

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Thomas F. Reese, “Subversive Artifacts: Some Reflections on Art Making and Society,” Introductory Remarks, a conference on The Aesthetics of Community-Based Art Making, CalArts, Valencia, California; March 4, 1993.

Thomas Reese

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Andjelkovic, K. “The Medium Alone Is Not Enough: An Archaeology of Diffused Entities and Illusory Spaces,” Art Style | Art & Culture International Magazine, No. 5. March 2020., pp. 51-68 ISSN 2596-1810 (online) ISSN 2596-1802 (print) [peer-reviewed article]

Katarina Andjelkovic

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Antonia Majaca

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Gene Ray

Nordic Journal of Aesthetics, 2015

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The Giver, The Guest and the Ghost: The Presence of Art in Public Realms

Ronald Van de Sompel, Eva González-Sancho Bodero

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Paradoxical Engagement of Contemporary Art with Activism and Protest

Tijen Tunali

Rhetoric, Social Value and the Arts, Palgrave McMillan, 2017

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ART(S) OF BECOMING: PERFORMATIVE ENCOUNTERS IN CONTEMPORARY POLITICAL ART

İ. Okan Akkın

METU Institute of Social Sciences, 2017

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Art, War and Counter-Images, The Nordic Journal of Aesthetics, no. 44-45, 2013

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The Nordic Journal of Aesthetics, 2014

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Moving Mountains: Art History for the Neoliberal Era

Danielle Child

Reviews in Cultural Theory, 2012

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Embodying Art: The Spectator and the Inner Body

Ellen Esrock

Poetics Today, 2010

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Throwing the Body into Fight: The Body as an Instrument in Political Art

Max Ryynanen

The Journal of Somaesthetics Vol I / 2015: 1

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First Steps Of A Case Study: Americans 64, in Inke Arns (ed.), What is Modern Art ? (Group show), exhibition catalogue, Frankfurt: Revolver, 2006, 13-22. ISBN 3-86588-298-6.

Juliane Debeusscher

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