Reality and Fiction in Classical Hungarian Documentaries. (2009) (original) (raw)

Reality and Fiction in Classical Hungarian Documentaries

Acta Universitatis Sapientiae, Film and Media Studies Journal

Acta Universitatis Sapientiae, Film and Media Studies, 2009

View PDFchevron_right

Inventions of personalness in Hungarian documentary filmmaking

Ervin Török

Apertúra, 2021

View PDFchevron_right

Crisis, Sociology and Agency in 1970s Hungarian Documentary Cinema

Acta Universitatis Sapientiae, Film and Media Studies Journal

Acta Universitatis Sapientiae, Film and Media Studies, 2022

View PDFchevron_right

Archival and fake found footage as medial figurations in Hungarian experimental filmmaking

Judit Pieldner

2020

View PDFchevron_right

The Metapolitics of Reality: Documentary Film, Social Science Research and Cognitive Realism in Twentieth- Century Hungary

Zsolt K. Horvath

View PDFchevron_right

Introduction to the thematic issue “Contemporary Documentary in Central and Eastern Europe”

Ervin Török

Apertura, 2021

View PDFchevron_right

The Documentaries of the Romanian "Transition" between Telling and Showing

Marius Lazăr

View PDFchevron_right

Journeys to the past: Hungarian Holocaust documentaries in the Kádár regime

Lorant Stohr

Studies in Eastern European Cinema, 2018

View PDFchevron_right

Milka Car, Csongor Lőrincz, Danijela Lugarić, Gábor Tamás Molnár (Hg.): An den Rändern der Literatur. Dokument und Literatur in zentraleuropäischen Kulturen - Tracing the Edges of Literature. Documentary Fiction in Central European Cultures

Danijela Lugarić Vukas

Böhlau Verlag/BrillÖsterreichGmbH, 2023

View PDFchevron_right

On the Impossibility of Believing in the Documentary. Dariusz Jabłoński’s Photographer, Kwartalnik Filmowy, special issue 2013, pp. 128-39.

Tomasz Łysak

„Kwartalnik Filmowy” – Special Issue 2013: "Polish Film Scholars on Polish Cinema", 2014

View PDFchevron_right

The Image of the Czech Past in the Contemporary Docudrama

Aleš Merenus

Porównania

View PDFchevron_right

Fiction in Central and Eastern European film theory and practice

Alexander Bareis

2019

View PDFchevron_right

Politics of Montage. Neo-Avant-Garde Traits in Hungarian Experimental Films

András Müllner

View PDFchevron_right

Contextualizing History in Hungarian Films of the New Millennium

Clara Orban

Hungarian Cultural Studies, 2014

View PDFchevron_right

An Insider’s Guide to the Hungarian New Film

Hajnal Kiraly

Studies in Eastern European Cinema, 2018

View PDFchevron_right

Butterflies Do Not Live Here and On Shoes, Braid and Dummy Production and Reception History of Two Czechoslovak Documentaries on the Holocaust

Jana Rogoff

Apparatus Journal, 2020

View PDFchevron_right

Censorship and Mystification in the Romanian Documentary During the Communist Era

Ionut Suciu

2017

View PDFchevron_right

The Relationship Between Form and Content in Early Grzegorz Królikiewicz Documentaries

Denis Viren

Images, 2014

View PDFchevron_right

Excavating amateur films from the socialist Romania: making sense of cine-amateur history through oral histories and educational handbooks1

Melinda Blos-Jáni

2019

View PDFchevron_right

The Condition of Polish Autobiographical Documentaries – More Similar to a Reality Show?

Bogumiła Fiołek-Lubczyńska

Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2017

View PDFchevron_right

New Croatian Documentary Film, 1992-2007

Hrvoje Turkovic

Antić Inesa, ur., 2008, Zagreb Dox. Međunarodni festival dokumentarnog filma/International Documentary Film Festival, (catalogue), Zagreb: Factum, 2008

View PDFchevron_right

Filmmakers as Onscreen Characters in Recent Latvian Documentary Cinema

Zane Balčus

Culture Crossroads

View PDFchevron_right

„Documentary is fiction… however fiction is documentary” The Uncanny Vitality in András Jeles’s Films

vera kérchy

View PDFchevron_right

Excavating amateur films from the socialist Romania: making sense of cine-amateur history through oral histories and educational handbooks. Bibliographical data: ILUMINACE. Journal for Film Theory, History, and Aesthetics 2016 vol. 28. no. 2. 40-62. (English version)

Melinda Blos-Jáni

View PDFchevron_right

Imaginary Documents: Inventing Traditions in Aleksei Fedorchenko's Cinema.

Serguei Alex. Oushakine (Сергей Ушакин)

The Contemporary Russian Cinema Reader: 2005-2016. Edited by Rimgaila Salys. Boston: Academic Press., 2019

View PDFchevron_right

Photographic Passages to the Past in Eastern European Non-Fiction Films

Melinda Blos-Jáni

Caught In-Between: Intermediality in Contemporary Eastern European and Russian Cinema (ed. by Ágnes Pethő), 2020

View PDFchevron_right

Textual Practice Beyond objectivity: The utopian in Pasolini's documentaries

Fabio Vighi

Textual Practice, 2002

View PDFchevron_right

Co-editors' Introduction: Experimental cinema in state socialist Eastern Europe

Ksenya Gurshtein

View PDFchevron_right

Who Will Watch the Watchmen? Czech Documentary After 1989 (a Brief Resume)

Pavel Bednařík

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 2014

View PDFchevron_right

Red reports: the evolution of a Hungarian newsreel collection

Janka Barkoczi

Studies in Eastern European Cinema, 2020

View PDFchevron_right

Continuing the deviating tradition of Hungarian experimental film art: András Jeles’s Joseph and his Brothers—Scenes from a Peasant Bible

Gábor Gelencsér

2015

View PDFchevron_right

New Filmic Waves in Hungarian and Romanian Cinema: Allegories or Stories about Flesh?

Acta Universitatis Sapientiae, Film and Media Studies Journal

Acta Universitatis Sapientiae, Film and Media Studies, 2011

View PDFchevron_right

New and Old Realities in Romanian and Hungarian Cinema

Nicoleta Ileana Sălcudean

Ekphrasis 19/1 2018, 2018

View PDFchevron_right

Grand Theatre, Oratory and Anthropology in the Documentaries of Andrzej Fidyk

Bogumiła Fiołek-Lubczyńska

Images. The International Journal of European Film, Performing Arts and Audiovisual Communication, 2014

View PDFchevron_right

THE DOCUMENTARY FILM GENRE: ISSUES OF TRUTH AND PROPAGANDA

EDMUND ONWULIRI

LOCATING TRANSNATIONAL SPACES, CULTURE, THEATRE AND CINEMA

View PDFchevron_right