ARS RHETORICA ET SACRAE LITTERAE: ST. PATRICK AND THE ART OF RHETORIC IN EARLY MEDIEVAL BRITAIN AND IRELAND (original) (raw)
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This chapter examines the historical significance of the Latin language in Ireland, Scotland, and Wales during the medieval period. It provides a historical overview of the linguistic and cultural connections between these regions, surveying the arrival of Latin literary culture and the subsequent development of native Latin scholarship, most notably in the fields of grammar, computistics, biblical exegesis, and hagiography. The chapter also gives a summary account of the characteristic features of Hiberno-Latin in particular, with regard to phonology and orthography, vocabulary, morphology, syntax, and stylistics.
New Perspectives in Celtic Studies
This volume provides accounts of well-established themes of general Celtic inquiry from new theoretical perspectives, in addition to addressing new areas of research that have remained largely unexplored. The collection includes contributions by both established and young scholars on diverse aspects of culture, literature and linguistics, reflecting the multidisciplinary character of current trends in Celtology. The linguistic section of the book includes chapters dealing with Welsh phonology and possible areas of influence of the Brittonic language on English, as well as with the issues of translating culture-specific aspects of medieval Welsh texts and the problems of standardising Irish orthography and font. The second part of the volume is devoted to literature and considers neglected, and heretofore unexplored, aspects of Welsh-language poetry, fiction and children’s literature, the work of John Cowper Powys, and Scottish film in the theoretical context of post-humanism. Approaching these issues from different angles and using different methodologies, the collection highlights the connections between long-established academic areas of interest and popular culture, broadening the horizon of Celtic scholarship. Chapter One Prolegomena to a Study of Welsh Vocalism Sabine Asmus and Cormac Anderson Chapter Two Diphthongs in the North of Wales PawełTomasz Czerniak Chapter Three Translating or Mistranslating Celtic Law in the Polish versions of the “Four Branches of the Mabinogi” Katarzyna Jaworska-Biskup Chapter Four Revision of the Most Known Celtic Features of English Ireneusz Kida Chapter Five An Irish Solution to an Irish Problem: The (Neverending) Issue of Standardising Irish Mark Ó Fionnáin Chapter Six Hiraeth as Allegorical Form: Fflur Dafydd’s Atyniad Aleksander Bednarski Chapter Seven Is this Machine Alive? Machine-like, Biotic, Autopoietic Systems in Contemporary Cinema Maciej Czerniakowski Chapter Eight A Postcolonial Traveller? A Take on the Poetry of Iwan Llwyd Siôn Pennar Chapter Nine Barti Ddu: A Welsh Colonial Hero in a Post-colonial Text? Awen Schiavone Chapter Ten “History is not to be trifled within this way”? Re-contextualising John Cowper Powys’ Owen Glendower (1940) Angelika Reichmann