original ) (raw )The Scene of Bear Hunt on the Sasanian Silver Plate from the Wyvern Collection. On Segmented Image-Building in Sasanian art
Patryk N Skupniewicz
Hunara: Journal of Ancient Iranian Arts and History; Vol. 3, No. 1, , 2025
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The world of images in the art of the ancient population of the Central Kazakhstan (1 millenium BC) // 2 World Conference on Design, Arts and Education/ DAE-2013. Procedia. Social and Behavioral Science. 2014. Vol. 122. P. 194-198.
Aibar Kassenali , Arman Beisenov , Galiya Bazarbayeva
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The forgotten art of ancient Uzbekistan
Andrzej Rozwadowski
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The Context(ualization) of Art in Non-Literate Societies: Armenian Middle Bronze Age Images and Animal Bones
Karen Rubinson
Art/ifacts and ArtWorks in the Ancient World , 2021
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The World of Images in the Art of the Ancient Population of the Central Kazakhstan (1 Millennium BC)
Galiya Bazarbayeva
Procedia - Social and Behavioral Sciences, 2014
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The Deer in Iron Age Art in Central Asia: The Common Trends in Perception of Images
Gulmira Sabdenova
Procedia - Social and Behavioral Sciences, 2014
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Icon as Chora. Spatial Aspects of Iconicity in Byzantium and Russia
Alexei Lidov
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“The Heroic Encounter in the Visual Arts of Ancient Iraq and Iran c. 1000–500 B.C.” In The Master of Animals in Old World Iconography, D.B. Counts and B. Arnold (eds.), pp. 151–74. Archaeolingua 24. Budapest: Archaeolingua Foundation, 2010.
Mark Garrison
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Image of a Horse in Rock Art of Medieval Kazakhstan
Zhanar Kozhabekova
2014
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Art and Visual Culture in the Ancient Near East
Ömür Harmansah
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Antique meaning - Avar significance. Complex iconographic schemes on early medieval small objects. Acta Archaeologica Hungarica 64 (2013) 139-172.
Gergely Szenthe
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“The Ancient Near East: Western | Non-Western.” In Art/ifacts and ArtWorks in the Ancient World, ed. Karen Sonik, xxix–xl. Philadelphia: University of Pennsylvania Press, 2021
Karen Sonik
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The Artistic Culture of Central Asia and Azerbaijan in the 9th–15th centuries. Volume II. Glass. — Samarkand-Tashkent: IICAS, 2011.— 182 p. (in English)
Shahin Mustafayev
2011
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The Master of Animals in Old World Iconography
Bettina Arnold
2010
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The Artistic Culture of Central Asia and Azerbaijan in the 9th-15th centuries. Volume III. Toreutics. — Samarkand-Tashkent: IICAS, 2012.— 297 p.
Shahin Mustafayev
2012
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SzaboG 20224 Alan-Iranian Connections of the Animal and Vegetal Ornamentation
Géza Szabó
”…Általad nyert szép hazát…” Tanulmányok Fodor István emlékére, 2024
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Potts 2019. Archaeology and the art of the Ancient Near East. Pp. 615-635 in Gunter, A.C. (ed.), A Companion to Ancient Near Eastern Art. Malden MA and Oxford: Wiley.
D.T. Potts
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Matteo COMPARETI / Маттео КОМПАРЕТИ Sogdiana and the "Others": Specimens of External Borrowings in Pre- Islamic Sogdian Art, in: Cultural transfers in Central Asia: before, during and after the Silk Road, Paris-Samarkand, 2013
matteo compareti
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Konstantinov N., Soenov V. & Cheremisin D. Battle and hunting scenes in Turkic Rock Art of the Early Middle Ages in Altai // Rock Art Research. 2016. Vol. 33. № 1. P. 8-18.
Vasilii Soenov , Nikita Konstantinov
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Ornament, Form, and Vision in Ceramics from Medieval Iran: Reflections of the Human Image
Oya Pancaroğlu
Histories of Ornament: From Global to Local, edited by Gülru Necipoğlu and Alina Payne, 2016
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"The Central Asian dimension of the symbolic system in Bactria and Margiana",
Henri-Paul Francfort
Antiquity, 68 (259), p. 406-418, 1994
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Images of the Steppe: The Bull-Man and Goat Boy Pots from Banat/Bazi. 2015
Anne Porter
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Legacy of the Ancestors: Revitalization of the ‘Scythian Animal Style’ in Altaian Arts and Crafts
Tereza Hejzlarová
Kulturní studia, 2024
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(2010) Agency, Hybridity, and Transmutation: Human-Animal Symbolism and Mastery among Early Eurasian Steppe Societies
Bryan Hanks
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The invariant analysis of representational styles // Archaeology, Ethnology & Anthropology of Eurasia. 1 (21) 2005.
Igor Kovtun
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HERMANN L. 2020. – Animal depictions in Kulzhabasy: a statistical approach. In JACOBSON-TEPFER E. & NOVOZHENOV V. A. (eds.), Rock Art Chronicles of Golden Steppe from Karatau to Altai, 2, Almaty, p.166-179
Luc Hermann
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Дмитрий Черемисин , Vasilii Soenov , Nikita Konstantinov
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Research on Tassilian pastoral iconography
Gao Chang
1999
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L. Battini (éd), Making Pictures of War: Realia et Imaginaria in the Iconology of the Ancient Near East
Laura Battini
2016
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A.S. Güneri, "The Evaluation of the Inscribed Silver Bowl Found in Issyk Kurgan Within Its Archaeological Context" 2022, 54-66.
Semih Güneri
INTERNATIONAL JOURNAL OF TURKOLOGY, 2022
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PALEOGLOBALIZATION: THE SYMBOLISM OF PROSPERITY AND EVIL IN ROCK ART OF ANCIENT EURASIA
Elena A Okladnikova
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Seregin N., Tishin V., Serov V. «Forgotten» coin-shaped indication from the early medieval burial complex in Tuekta (Central Altai) / «Забытая» монетовидная индикация из раннесредневекового комплекса Туэкта
Nikolai Seregin , Vladimir Tishin
Seregin N.N., Tishin V.V., Serov V.V. «Forgotten» coin-shaped indication from the early medieval burial complex in Tuekta (Central Altai) // Journal of Siberian Federal University. Humanities & Social Sciences. 2021. №14 (1). P. 85–97. , 2021
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2022: Ceremonial akinakes from Filippovka between the context, chronology, and iconography (in English)
Roberto Dan , Andrea Cesaretti , Denis Topal
Journal of Ancient History and Archaeology, 2022
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The Artistic Culture of Central Asia and Azerbaijan in the 9th-15th centuries. Volume IV. Architecture. — Samarkand-Tashkent: IICAS, 2013. — 280 p.
Shahin Mustafayev
2013
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Grille images in visual art of Old Europe in IV-III millenia BC and scutiforms on deer stones of Central Asia / Решетчатые изображения в искусстве Древней Европы и «щиты» на оленных камнях Центральной Азии (in Russian; English abstract).
Aleksandr Smirnov
Stratum plus. No. 2. 2013
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