Theatre Research International (original) (raw)
The Text-Performance Relation in Theater
James Hamilton
Philosophy Compass, 2009
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From a Text to a Theatrical Event
Shulamith Lev-Aladgem
Contemporary Theatre Review, 2000
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Theatricality from the Performative Perspective
Truc-Chose Bidule-Chouette
SubStance, 2002
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Theatre and literature: An ontological aspect of their relationship
Olga Gilyazova
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EUROPEAN ASSOCIATION FOR THE STUDY OF THEATRE AND PERFORMANCE BOLOGNA 27 FEB > 1 MAR 2020 ᐅ ARENA DEL SOLE THEATRE ᐅ LA SOFFITTA -DAMSLAB CUR ATORS
Filippo Romanello
Conference paper, 2019
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The Applied Theatre Reader. Edited by Tim Prentki and Sheila Preston. New York: Routledge, 2008; xvi + 380 pp. 120.00cloth,120.00 cloth, 120.00cloth,37.95 paper
Sonja Kuftinec
TDR/The Drama Review, 2011
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The Relationship between the Dramatic Script and the Performance; Centered around the Performer's Body
Leila Montazeri
2019
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What Theatrical Performance Is (Not): The Interpretation Fallacy, The Journal of Aesthetics and Art Criticism Vol. 59, No. 3 (Summer, 2001), pp. 299-306
David Z Saltz
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TEXT AS PERFORMANCE - PERFORMANCE AS TEXT : reading amateur dramatic activity in its cultural context
Linda Hornzee-Jones
1995
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English Drama-II
Dorsa Ashayeri
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On Theatricality
Richard Rushton
Performance Research, 2019
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Towards a Spectatorial Approach to Drama Analysis
Annelis Kuhlmann
Nordic Theatre Studies
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RAEI Special Issue, July 2021: Theatre and Performance Studies in English
Remedios Perni, Isabel Guerrero
Revista Alicantina de Estudios Ingleses (RAEI), 2021
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Art Of Theater Precis2009JAE
James Hamilton
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EVERY TEXT IS A PERFORMANCE: A PRE-HISTORY OF PERFORMANCE PHILOSOPHY
kahye lee
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Drama Comparative
dida shal
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The essay on stage - Singularity and Performativity
Tomaž Toporišič
Primerjalna književnost - Comparative Literature, Ljubljana, 33, 1,pp. 217-232., 2010
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Theatricality. A critical genealogy
Glen McGillivray
2004
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"Nudge, Nudge, Wink, Wink, Know What I Mean, Know What I Mean? A Theoretical Approach to Performance for a Post-Cinema Shakespeare" in Performing Transverally: Reimagining Shakespeare and the Critical Future
Bryan Reynolds
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The Discursive Formation of Theatricality as a Critical Concept1
Glen McGillivray
2009
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Action becomes Art.Performance in the Context of Theatre, Play, Ritualand Life
Göran Sonesson
VISIO, 2000
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ADAPTING PERFORMATIVITY: (RE)INTERPRETING "SHAKESPEAREAN" ACTING STYLES ANIKÓ OROSZLÁN
Aniko Oroszlan
Essays on the Medieval Period and the Renaissance: Things New and Old, Cambridge Scholars Publishing, pp.75-90., 2019
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The Actor and the Stage Writing
lorenzo mango
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Theatre-Making: Interplay Between Text and Performance in the 21st Century
Duška Radosavljević
2013
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PERFORMING ART: A KALEIDOSCOPIC FACE OF LITERATURE
IJCIRAS Research Publication
IJCIRAS, 2019
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Ewa Bal, 2010, Toward a Broken Tradition. Dario Fo - Between Theatrical Illusion and a Speech to the Audience, [w:] Worlds in Words. Storytelling in the Contemporary Theatre and Drama, red. Mateusz Borowski, Małgorzata Sugiera, Cambridge Scholars Publishing 2010, s. 211- 237.
Ewa Bal
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The Semiotics of Theatre and Drama
keir elam
Theatre Journal, 1982
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An Introduction to Drama
Prof Dr Mohammed J A S I M Betti
Nippur, 2015
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The Performant Function and the Referential Function in theatre
Raluca Ghervan
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Theater, Theatricality and the semiotics of theater.docx
Soumick De
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The Philosophy of Theater
Michael Y . Bennett
Oxford Bibliographies, 2020
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‘Diffused Performance and Core Performance of Greek Theatre’
Oliver Taplin
Theatre and Metatheatre
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The Performance-Orientation of Dramatic Language and the Problem of Adapting Shakespearean Plays into Film: Some Considerations on Hamlet, Act 3, Scene 1
John Mitras
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Talking to the Audience: Shakespeare, Performance, Self (review
Pascale Aebischer
Shakespeare Quarterly, 2006
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LITERARY TRANSLATION AS PERFORMANCE. THEORETICAL QUESTIONS AND A LITERARY ANALOGY
ANGELA LOCATELLI
Armenian Folia Anglistika Vol. 17, Issue 1 (23), 2021, Yerevan, 2021
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