Postcard From Berlin (original) (raw)

Postmodernism and Identity. John Cage’s Europeras 1&2 in Zurich 1991 – when a staged anarchy creates anarchy among the participants

Susanne Ronner Larsson

View PDFchevron_right

10 years festival reviews: celebrating a minor academic genre

Antoine Damiens

Necsus, 2021

View PDFchevron_right

Tones of the Times: Reflections on the 2021 Alpentöne Festival with Barbara Betschart, Roland Dahinden, Pius Knüsel, and Roland Schiltknecht. Altdorf, August 2021

Swiss Journal of Musicology

Swiss Journal of Musicology , 2021

View PDFchevron_right

Report from Vienna [Five Shows at the 2010 Festwochen and Hiob at the Volkstheater] (Review Essay)

Dan Venning

Western European Stages, 2010

View PDFchevron_right

Review Essay: Film Festival Fever: Recent Testimonials

Ger Zielinski

View PDFchevron_right

Theatertreffen 2017: Days of Loops and Fog

Lily Kelting

European Stages, 2017

View PDFchevron_right

Cagean Theatre(s): A Scenario

You Nakai

View PDFchevron_right

Ecologies of the Festival. New York in 2012: COIL, Under the Radar and American Realness

Sarah Bay-Cheng

Performance Research, 2012

View PDFchevron_right

"Film Festival Studies: An Overview of a Burgeoning Field." [with Marijke de Valck] (2009)

Skadi Loist

View PDFchevron_right

Reframing Film Festivals. International Conference Full Programme. Venice, 11-12 February & Bari, 25-26 March 2020

Marco Dalla Gassa

View PDFchevron_right

• ‘Berlin’s New Society for Visual Arts’, Enclave Review 8, 2013: 11-12.

Maeve Connolly

View PDFchevron_right

Disruption and discipline: Approaches to performing John Cage’s Concert for Piano and Orchestra.

Emily Payne

Music + Practice, 2019

View PDFchevron_right

Taming the wild beast: an Interview with the Belgian Theatre Collective FC Bergman

Edith Cassiers

European Journal of Theatre and Performance, 2021

View PDFchevron_right

Ten years of festival reviews: Celebrating a minor academic genre

Marijke De Valck

2021

View PDFchevron_right

The Berlin School and Its Global Contexts: A Transnational Art Cinema. Edited by Marco Abel and Jaimey Fisher

György Kalmár

Central European Cultures, 2021

View PDFchevron_right

A Global Crisis in a Contested Space: Curating the Buffer Fringe Performing Arts Festival 2020

Ellada Evangelou

Acotaciones, 2021

View PDFchevron_right

Making Theatre for the Festival Culture Scenes from the Edinburgh Festival 1994

Olga Taxidou

Studies in Theatre Production, 1994

View PDFchevron_right

Cultures, Chance, Electroacoustic Spaces: Exploring performance aspects of Cage's ________, ________ ________ CIRCUS ON ________

Andrew S Blackburn

2019

View PDFchevron_right

Review - Joe Panzner (2015), The Process That Is the World: Cage/Deleuze/Events/Performances (2018)

Iain Campbell

Deleuze and Guattari Studies, 2018

View PDFchevron_right

Art at the Music Festival: Blueprints and the Chronotope

Rebekka Kill

Journal of Communication Inquiry, 2018

View PDFchevron_right

Breaking the Ice: Queues, Premieres and Awards in the 65th Berlinale

Lydia Papadimitriou

View PDFchevron_right

Review of John Cage Symposium (Berlin, Germany)

Peter Castine

Music theory online, 1996

View PDFchevron_right

Petralia, Peter (2012) ‘Five Brief Reflections on International Live Art: Institutet and Nya Rampen’ in Contemporary Theatre Review, 22:1.

Peter Petralia

View PDFchevron_right

Avant-Garde Performance: Live Events and Electronic Technologies (review)

Kati Röttger

Modern Drama, 2006

View PDFchevron_right

“Berlin’s Underground Film, & Its Imagined Scenes Over and Beyond the Wall,” in Poor but Sexy: Reflections on Berlin Scenes, ed. Geoff Stahl. Oxford: Peter Lang (2014).

Ger Zielinski

View PDFchevron_right

INTERNATIONAL FILM FESTIVALS: FROM MODERNISM TO POST-POSTMODERN AGE

Kirill Razlogov, The Art and Science of Television

THE ART AND SCIENCE OF TELEVISION / НАУКА ТЕЛЕВИДЕНИЯ, 2020

View PDFchevron_right

Performing Cage’s Concert for Piano and Orchestra: A Creative Conundrum?

Emily Payne

View PDFchevron_right

SILENCE, SOUND AND NOISE IN THE WORK OF JOHN CAGE AND ITS EFFECTS ON THE PRE-FLUXUS AVANT-GARDE IN POST-WAR GERMANY

Ella Wolf

View PDFchevron_right

The Month of Performance Art Berlin: Independent performance practices and the institutionalisation of live art

Tristan Deschamps

View PDFchevron_right

Staging Berlin: Emine Sevgi Özdamar's Seltsame Sterne starren zur Erde

Ela Gezen

German Studies Review 38.1 , 2015

View PDFchevron_right

John Cage’s living theatre

Marjorie Perloff

Against Theatre, 2006

View PDFchevron_right

Berlin used well: A review of X Berlin Biennale 2018

Theresa Kampmeier

Paletten Art Journal, 2019

View PDFchevron_right

Theatre in Berlin, Winter 2015

Steve Earnest

View PDFchevron_right

Curating Performance on the Edge of the Art Museum J Schwarzbart

Judith Schwarzbart

View PDFchevron_right

Conference book A long way to the top: The production and reception of music in a globalized world

Pauwke Berkers, Paula Abreu, Raphaël Nowak, Darrell G Baksh, Anna Oravcova, Sara Revilla Gútiez, Kenny Barr, Chloé Monin, Lotte Van Der Jagt, Koos Zwaan, Ayhan Erol, Julie Badisco, Kim Ramstedt, Samuel GE Murray

View PDFchevron_right