Twenty first century storytelling: context, performance, renaissance (original) (raw)
Revisiting the Other: National Theatre of Scotland and the Mythologisation of the Highlands and Islands
Paula M Śledzińska
The Canadian Journal of Irish Studies Vol. 39, No. 1, LANDSCAPES: PLACES OF MEMORY, SUBVERSIVE SPACES, AND BOUNDARY CROSSINGS (2015), pp. 118-141
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Storytellers in Scotland: Context and Function
John Shaw
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Scottish Theatre Since the Seventies ed. Randall Stevenson and Gavin Wallace
Greg Giesekam
Comparative Drama, 1999
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Weiglhofer, M. (2014) 'The function of narrative in public space: witnessing performed storytelling in Northern Ireland' Journal of Arts and Communties, 6:1, 29-44.
Magdalena Weiglhofer
Journal of Arts and Communities, Vol 6 Issue 1, 29-44., 2014
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Home and Abroad: Reflections on the National Theatre of Scotland
Kathleen M Gough
American Society for Theatre Research Plenary Talk, Chicago, IL, 2006
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SPECTACULAR TRADITION Scottish Folksong and Authenticity
Chen Han
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M Haughton and M Kurdi, Irish Theatre International 'Perform, or Else!', Vol 3:1 (2014)
Miriam Haughton
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‘A’ that’s past forget – forgie’: National Drama and the Construction of Scottish National Identity on the Nineteenth-Century Stage
Paula M Śledzińska
Studies in Scottish literature, 2018
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Telling And Retelling The Tale. Adapting the Murder Ballad 'Duncan and Brady' for the Stage as Past and Future Visions of a Folk Crime
James Martin Charlton
Writing in Practice Vol 2, 2016
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The Storytelling Traditions of Britain and Ireland
Jim Carroll
Vaughan Williams Memorial Library , 1991
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Interview: Tony Reekie: Children’s theatre in Scotland
Ben Fletcher-Watson
The Scottish Journal of Performance, 2016
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Narratives in Society: A Performer-Centred Study of Narration. By Linda DÉGH. (Helsinki: Suomalaimen Tiedeakatemia, Academia Scientiarum Fennica, 1995. Pp. 401.)
Torunn Selberg
Ethnologies, 1996
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Goudouna. Sozita. Performance as Event and its Technologies of Representation. Irish Society for Theatre Research Annual Conference at the School of Drama, Film and Music, Trinity College Dublin, 23-24 April, 2010.
Sozita Goudouna
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Roderick Watson Talking Back: destabilising narratives in modern Scottish writing
Roderick Watson
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You play it as you would sing it: Cape Breton, Scottishness, and the means of cultural production
Jonathan Dembling
Transatlantic Scots, 2005
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Book review: Contemporary Scottish Plays, edited by Trish Reid
Ben Fletcher-Watson
The Scottish Journal of Performance, 2(2), pp.119-123., 2015
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Storytelling revivalism in England and Wales History, performance and interpretation
Simon Heywood
2001
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“That was us”: contemporary Irish theatre and performance
Siobhan O'Gorman
2014
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"The Sense of (Un)Belonging: David Greig's (Un?)Scottishness in 'Pyrenees' and 'Damascus'", International Journal of Scottish Theatre and Screen (IJOSTS), 10 (2017), pp. 19-39.
Maria Elena Capitani
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When Narrative Becomes Theatrical
Maha Alatawi
The Harold Pinter Review, 2021
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Irish Tradition or Postdramatic Innovation? Storytelling in Contemporary Irish Plays
Jürgen Wehrmann
Zeitschrift Fur Anglistik Und Amerikanistik, 2004
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Staging Contemporary Identities – National Theatre of Scotland's Glasgow Girls through the Prism of Multimodal Discourse Analysis
Paula M Śledzińska
Intrenational Journal of Scottish Theatre and Screen, 2017
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Breathing It In: The Musical Identity of the Scottish Travellers
Cheryl Tobler
2012
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When the Mirror Laughs: Face to Face with Three Recent Irish Stage Worlds
eric weitz
Irish Theatre in Transition, 2015
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"What is the Relationship Between Representation and the Safety of Women in Contemporary Scottish Traditional Music Performance?"
Sophie Lewis
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An bheochan agus an ‘performance’ i dtraidisiúin na hÉireann
Steve Coleman
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Review of 'Narratives in Society: A Performer-Centered Study of Narration', by Linda Dégh
John Niles
Journal of American Folklore, 1997
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Forum Kritika: Radical Theatre and Ireland (Part 2) the Advent of Modern Irish Drama and the Abjection of Peasant Popular Culture: Folklore, Fairs and Faction Fighting
mark phelan
2010
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Review: Scotland's Music: A History of the Traditional and Classical Music of Scotland fron the Earliest Times to the Present Day
Vic Gammon
Folk Music Journal, 1994
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Repeating, Revising and Devising: Communities in Contemporary Galway Theatre
Siobhan O'Gorman
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STAGE IRISH: PERFORMANCE, IDENTITY, CULTURAL CIRCULATION
Natasha Remoundou-Howley (she/her)
Irish Studies Review, 2022
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Ewa Bal, 2010, Toward a Broken Tradition. Dario Fo - Between Theatrical Illusion and a Speech to the Audience, [w:] Worlds in Words. Storytelling in the Contemporary Theatre and Drama, red. Mateusz Borowski, Małgorzata Sugiera, Cambridge Scholars Publishing 2010, s. 211- 237.
Ewa Bal
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ABOUT PERFORMANCE,No. 14&15, Introduction "The Anniversary Issue: Celebrating Thirty Years of Performance Studies at the University of Sydney", 2017
Amanda Card
2017
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Innervision and Innertext: Oral and Interpretive Modes of Storytelling Performance
Joseph Sobol
1992
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Review of “That Was Us”: Contemporary Irish Theatre and Performance ed. by Fintan Walsh
Siobhan O'Gorman
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