Irish Women Writers and the Modern Short Story (Palgrave, 2016) (original) (raw)

This book traces the development of the modern short story in the hands of Irish women writers from the 1890s to the present. George Egerton, Somerville and Ross, Elizabeth Bowen, Mary Lavin, Edna O’Brien, Anne Enright and Claire Keegan are only some of the many Irish women writers who have made lasting contributions to the genre of the modern short story - yet their achievements have often been marginalized in literary histories, which typically define the Irish short story in terms of its oral heritage, nationalist concerns, rural realism and outsider-hero. Through a detailed investigation of the short fiction of fifteen prominent writers, this study aims to open up this critical conceptualization of the Irish short story to the formal properties and thematic concerns women writers bring to the genre. What stands out in thematic terms is an abiding interest in human relations, whether of love, the family or the larger community. In formal terms, this book traces the overall development of the Irish short story, highlighting both the lines of influence that connect these writers and the specific use each individual author makes of the short story form.

Feminism in the Irish Storytelling

Contemporary Irish writers use the storytelling tradition as a literary genre to demonstrate how patriarchal culture tends to suppress, neglect and omit women’s roles in society. The narrative strategy of some of these tales suggests what one might call “feminism in storytelling context.”

A Feminism of Their Own? : Irish Women's History and Contemporary Irish Women's Writing

For a long time, Irish women’s lives were strictly confined to the private domain, and women’s issues were largely silenced and hidden from public knowledge. Additionally, both Church and state maintained that women should hold a certain morality, particularly relating to areas of sexuality and reproduction. As a result, until relatively recently, Irish women’s issues remained largely ignored and therefore unremarked upon. This paper will examine two major areas in which Irish women’s lives have traditionally been repressed: women’s sexuality and domestic violence, both issues which were once considered taboo for open discussion. This paper will also discuss how these same issues are being represented in Irish chick lit novels, thus providing a frank and positive voice for these largely female issues and for the everyday experiences of women in Ireland.

Irish Women’s Fiction of the Twentieth Century: The Importance of Being Catholic

ELOPE: English Language Overseas Perspectives and Enquiries, 2014

This paper explores the ways in which some of the best and most representative Irish women fiction writers of the twentieth century responded to the exigencies of Catholicism in their selected works. It also attempts to demonstrate how the treatment of Catholicism in Irish women’s fiction changed throughout the century. The body of texts that are examined in the paper span almost seventy years, from the early years of the independent Irish state to the turn-of-the-century Ireland, during which time both Irish society and the Irish Catholic Church underwent fundamental changes. How these authors tackle the relationship between the dominant religion and the shaping of woman’s identity, how they see the role of woman within the confines of Irish Catholicism, and to what extent their novels mirror the period in which they are written are the main issues which lie in the focus of the paper.

Race and irish womens novels in the long nineteenth century

Race in Irish Literature and Culture, 2024

Representations of race are intimately bound to representations of the struggle for freedom and autonomy, made more complex by focusing on novels written by women. These representations of race in Irish women’s literature challenge the ability of Irish women to achieve independence alongside rather than against the colonized peoples of the nineteenth-century Irish literary landscape.

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