Auther, Wallpaper, the Decorative, and Contemporary Installation Art (original) (raw)
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A study of Interior Walls Decorations in the Twentieth Century
International journal of art and art history, 2020
This study investigated the characteristics and features of interior walls in the twentieth century. The most famous wall coverings, paints and designs developed in association to the establishment of or inspired by an artistic movement founded in the twentieth century were studied. These styles were the arts and crafts, Art nouveau, Modernism, Futurism, Art Deco, Bauhaus, Surrealism, Space age, Minimalism, Memphis and ended by the deconstructivism movement. It was found that the interior wall color design reflects clearly the two-dimensional design features of the artistic style movements adopted and established at the era in which interior walls of residential, commercial or public spaces were made. Throughout the twentieth century, interior wall design features were transformed gradually from traditional classic features including groups of colors used to reach the significant freedom in the post modernism era.
Warhol is never satisfied with the obvious. The 'Marbled Drawings'
Warhol exhibits. A glittering alternative. Exh. cat. Mumok Vienna, 2020
It is a trope, of course, that the late work of an artist is a constant repetition of his earlier work. In recent years it was applied to certain aspects of Andy Warhol's work, even though he did much after his impressive breakthrough to hide his early art. And hide it he literally did. Following the advice of his friend, the influential curator Henry Geldzahler, Warhol removed his 1950s' drawings to the farthest reaches of his house, where they were only rediscovered after his death in 1987. Many of these works subsequently entered the holdings of the Warhol Museum in Pittsburgh, which opened in 1994, and since are being made accessible to researchers. A wider public is familiar mostly with Warhol's commissioned drawings-cats, shoes, flowers, etc.-from the 1950s. At the time of their creation, they reached a wide audience as commissioned illustrations in newspapers and magazines. Since 1989, they have enjoyed a certain presence in exhibitions and on the art market where they meet with a growing popularity. Warhol's art drawings from that decade are still mostly unknown. As early as 1952, three years after having relocated from his native Pittsburgh to New York, Warhol started showing selected works in galleries. His drawings were featured in a number of solo and group exhibitions before 1960. 1 Usually, the artist himself picked the works to be shown and it seems likely that he chose those he considered his best. In the first half of the 1950s, that was by no means the commissioned works, which had gained him fast recognition. Rather, he selected works that were thematically close to his heart, such as the drawings based on stories by Truman Capote (1952, see pp. 78-81) or for an unpublished Boy Book (1956, see pp. 52-54) or portraits of the dancer John Butler (1954). Another motivation for showing art drawings only, such as the Marbled Drawings (1954) and sheets from the Gilt Series (1956/1957) was his hope of impressing an audience familiar with avant-garde art and of being accepted as an artist. Only in the second half of the decade did Warhol cash in on the success of his commissioned work and show self-published books and autonomous drawings that were byproducts of his advertising work (featuring shoes, putti, or recipes). Note: This text is dedicated to my friend Bettina Rudhof, architectural and design historian.
The Evolution Of Contemporary Painting in the Face of Claims of "The Death of Painting", 2015
Throughout the late 1960s and 1970s the pronouncement that painting was dead was often heard. In 1966 Andy Warhol had an exhibition at the Leo Castelli Gallery that featured hot pink and yellow wallpaper with large images of a cow’s head. It was as though Warhol were saying that the painting was expensive wallpaper. “Andy killed painting,” was the popular conventional wisdom of the day. But painting did not die, only the limited assumptions of what a painting was, or could be. Painting, freed of the restraints of a modernist creed, is reborn into an art form that is not only more accessible to the masses but also more multifaceted than it has ever been before. Once more the emergence of new art forms has forced painting to greater heights just as the arrival of photography did more than a century ago.
PDF 1: A Historiography of Wallpaper
DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914, 2019
Selections from DE LA MANUFACTURE AU MUR: Pour une histoire matérielle du papier peint 1770-1914 (From the Workshop to the Wall - Toward a Material History of Wallpaper 1770-1914) a thesis by Dr. Bernard Jacqué, University of Lyon (2003). Translated by Robert M. Kelly. PDF 1: A Historiography of Wallpaper
Modernism in Textiles and Wallpaper
This paper is based on doctoral research in furnishing pattern design in the interwar period. It will discuss some of the philosophical and emotional basis of Modernism and its translation into pattern design in textiles and wallpaper of the interwar period. Discussion of the development of a Modernist pattern design and definitions of different styles and contemporary terminology is given. By defining the characteristics of an object of today (or modern artefact), in exhibitions, books and societies, in terms of a moral imperative, a series of trends were created in the fashion conscious industries. The paper will analyse the trends in transformations of symbolic representations, form, and terminology through which an understanding of Modernism in the design of decoration evolves. It will analyse how change in design occurs: how social and cultural structures work in the formation of taste, and the interactions of production/ consumption processes activate cycles of fashion.