original ) (raw )Venus and Virago: Artemisia Gentileschi's Artful Manipulation of Renaissance Gender Conventions [Introduction]
Mimi Petrakis
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Text and interpretation: Gender and violence in the Book of Judith, scholarly commentary and the visual arts from the Renaissance onward Helen Efthimiadis- …
Helen Efthimiadis-Keith
OLD TESTAMENT ESSAYS, 2002
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Sibeal Inaugural Undergraduate Essay Competition winner- Matthew Whyte (University College Cork): 'Artemisia Gentileschi's Judith Beheading Holofernes'
Sibéal Feminist and Gender Studies Network
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Text and interpretation: Gender and violence in the Book of Judith, scholarly commentary and the visual arts from the Renaissance onward
Helen Efthimiadis-Keith
2002
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Hidden Feminists: From Artemisia to O'Keeffe
Shenghan Huang
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SPIRITUALITY OF BEAUTY IN THE ART OF ARTEMISIA GENTILESCHI AND ELISABETTA SIRANI A dissertation by
Dr. April Renee Lynch PhD
2013
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Artemisia Gentileschi, Feminist Formalist: Judith and Holofernes’s Reconfiguration of a Penis- Centered Visual Economy of Power
Bowdoin Journal of Art
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Artemisia Gentileschi: The Language of Painting (introduction)
Jesse Locker
Artemisia Gentileschi: The Language of Painting, 2015
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Artemisia Gentileschi, Judith Beheading Holofernes (Uffizi version) - Visual Analysis
Jarod Burger
2019
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Marjorie Och, review of Artemisia Gentileschi and Feminism in Early Modern Europe. Mary D. Garrard. London: Reaktion Books, 2020. 320 pp. 65 color + 4 b/w illustrations. $22.50. ISBN 978-1-78914-202-0
Marjorie Och
Early Modern Women: An Interdisciplinary Journal
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Idealizing the Ambiguous Female Hero: Judith’s Iconography in 17th-Century Italian Paintings(Panel "Idealizing Women in the Italian Renaissance II – Art, Myth, and Imagination" CAIS annual conference Toronto 2018)
Mathilde Legeay
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Painting Lucretia: Fear and desire a feminist discourse on representations by Artemisia Gentileschi and Tintoretto
Amy Endres
2013
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Judith and Holofernes: Reconstructing the History of a Painting Attributed to Artemisia Gentileschi
Ferruccio Petrucci
Heritage
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Between Historical Truth and Story-Telling: The Twentieth-Century Fabrication of " Artemisia "
Britiany Daugherty
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Researching into the different styles of paintings of Judith and Holofernes by Michelangelo da Caravaggio and Artemisia Gentileschi
Roland Keates
2017
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The Real Judiths - How did Visual Representations of Judith by Female Artists Differ from Their Male Counterparts in Sixteenth and Seventeenth Century Italy?
Sivan Maoz
2024
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"Grand Narratives" and "Personal Dramas": (Re)reading the Masterpieces by Artemisia Gentileschi
Małgorzata Stępnik
Arts 13 (2), 43/ 2004, 2024
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Flesh and the feminine: early-Renaissance images of the Madonna with Eve at her feet
Anne Dunlop
Oxford Art Journal, 2002
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Orazio and Artemisia Gentileschi and ‘Judith and her maidservant’ in Oslo
thierry ford , Nina Gram Bischoff
The Burlington Magazine, 2019
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The First Biography of Artemisia Gentileschi: Self-Fashioning and Proto-Feminist Art History in Cristofano Bronzini’s Notes on Women Artists.
Sheila Barker
Mitteilungen des Kunsthistorischen Institutes, 60.3, 2018
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Exhibition review: "Artemisia Gentileschi e il suo tempo" (Rome)
Sheila Barker
Early Modern Women: An Interdisciplinary Journal , 2018
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' "Il pennello virile": Elisabetta Sirani and Artemisia Gentileschi as Masculanized Painters?', in Artemisia Gentileschi in a Changing Light, ed. by Sheila Barker, Turnhout, Brepols/Harvey Miller, 2017, pp. 131-146
Adelina Modesti
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Review: Mary Garrard. Artemisia Gentileschi Around 1622 (University of California Press, 2001), in Sixteenth Century Journal, vol. 33, no. 2 (Summer, 2002): 585–86.
Arthur J . DiFuria
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Review: Divine and Demonic Imagery at Tor de'Specchi, 1400–1500: Religious Women and Art in 15th-Century Rome. Suzanne M. Scanlan. Visual and Material Culture, 1300–1700. Amsterdam: Amsterdam University Press, 2018. 220 pp. + 25 color pls. $115
Kirsten Lee Bierbaum
Renaissance Quarterly, 2019
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Shalom Sabar, “Bride, Heroine and Courtesan: Images of the Jewish Woman in Hebrew Manuscripts of the Renaissance in Italy,” Proceedings of the Tenth World Congress of Jewish Studies, Division D/II (Jerusalem: World Union of Jewish Studies, 1990), 63-70
Shalom Sabar
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The Muse of History: Artemisia Gentileschi's First Four Centuries of Immortal Fame
Sheila Barker
Artemisia, exh. cat., ed. Letizia Treves, 2020
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The Destabilization of Gender in Artemisia Gentileschi's Self-Portrait as the Allegory of Painting: A Poststructuralist and Feminist Psychoanalytic reading
Victoria Ward
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The Pagan Artemis-Diana Attending the Christian Annunciation in a Post-Byzantine Athonite Fresco
Marco Merlini
Volume of the International Symposium The Image of Divinity in the Neolithic and Eneolithic. Ways of Communication, 2019
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Artemisia Gentileschi's Self-Portrait as the Allegory of Painting
Mary D Garrard
The Art Bulletin, 1980
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Review of Sheila Barker, ed., Artemisia Gentileschi in a Changing Light (Brepols, 2017), in Renaissance Quarterly 72, n. 4 (Winter 2019): 1451-1453
Jacqueline Marie Musacchio
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Violence is the Answer: Degrees of Violence in Judith Slaying Holofernes
Katherine F . Livingston
2016
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Legeay Mathilde - Idealizing the female hero: representations of Judith in seventeenth century painting
Mathilde Legeay
Idealizing women in the Italian Renaissance, 2022
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Subject to Diana: Picturing Desire in French Renaissance Art
Patricia Zalamea
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WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS
Rosa Lena Reed Robinson
WONDER WOMEN: SOFONISBA ANGUISSOLA, LAVINIA FONTANA AND ARTEMISIA GENTILESCHI A CRITICAL ANALYSIS OF RENAISSANCE AND BAROQUE SELF-PORTRAIT PAINTING BY FEMALE ARTISTS , 2017
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A newly discovered late work by Artemisia Gentileschi: Susanna and the Elders of 1652
Adelina Modesti
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