original ) (raw )Mary Magdalene, Iconographic Studies from the Middle Ages to the Baroque
Maria Dyshlyuk
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Mary Magdalene’s Conversion in Renaissance Painting and Mediaeval Sacred Drama and Renaissance Iconography
Bram de Klerck
Hans Hoeken, Andre Lardinois, Sophie Levie, Christoph Lüthy (eds.), Texts, Transmissions, Receptions. Modern Approaches to Narratives, 2014
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'Mary Magdalene and Her Dear Sister: Innovation in the Late Medieval Mural Cycle of Santa Maddalena in Rencio (Bolzano),' inMary Magdalene: Iconographic Studies from the Middle Ages to the Baroque
Joanne Anderson
2012
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“Michelangelo’s Noli Me Tangere for Vittoria Colonna, and the Changing Status of Women in Renaissance Italy,” in Mary Magdalene: Iconographic Studies from the Middle Ages to the Baroque, Amy Morris and Michelle Erhardt, eds. (Leiden: Brill 2012), pp. 223-248. ISBN 978-90-04-23195-5
Lisa M Rafanelli
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On the Depiction of the Madonna and the Christ in Renaissance Paintings
Frank Mercado
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Holmes Disrobing the Virgin: The Madonna Lactans in Fifteenth-Century Florentine Art
Megan Holmes
Picturing Women in Renaissance and Baroque Italy, eds. S. Matthews Grieco and G. Johnson (Cambridge and New York: Cambridge University Press, 1997) 167-195., 1997
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Magdalenes Conversion in Renaissance Painting and Mediaeval Sacred Drama by Bram de Klerck
Richard de Koster
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Damaged Soul. Visual Cultures of the Repentant Magdalene
Marta Cacho Casal
Book, 2024
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Iconographic ambiguity between Mary Magdalene and Mary of Egypt: a study of the Penitent Magdalene and eight stories of her life by the Master of the Magdalene and its influence on Giotto di Bondone. From the Evangelical to the Penitent: a critical iconographic investigation.
Mauro Forconi
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Megan Holmes The Miraculous Image in Renaissance Florence - review
Mary Laven
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The Virgin Mary in the Middle Ages and the Renaissance Devotion and Iconography
José María SALVADOR-GONZALEZ
The Virgin Mary in the Middle Ages and the Renaissance Devotion and Iconography, 2023
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Magdalene's Iconography
Pino Blasone
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Divine Mirrors: the Virgin Mary in the Visual Arts
Melissa R. Katz
2001
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The Making of an Icon: The Madonna Bruna del Carmine in Naples (13th-17th Centuries), in Saints, Miracles and the Image. Healing Saints and Miraculous Images in the Reinassance, Sandra Cardarelli and Lara Fenelli eds., Turnhout: Brepols, 2017, pp. 229-249.
Stefano D'Ovidio
Saints, Miracles and the Image. Healing Saints and Miraculous Images in the Reinassance, Sandra Cardarelli and Lara Fenelli eds., Turnhout: Brepols, 2018, pp. 229-249.
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Mary Magdalene Between Public Cult and Personal Devotion in Correggio's Noli Me Tangere
Margaret Morse
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The icon of Mary Magdalene in the Eastern Church and its influence on contemporary religious art
Wilma Tommaso
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Art and Piety in the Female Religious Communities of Renaissance Italy: Iconography, Space, and the Religious Woman’s Perspective
Marilyn Dunn
Renaissance Quarterly, 2005
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The representation of women in Italian Renaissance frescoes
Kristina Očenášová
2021
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Flesh and the feminine: early-Renaissance images of the Madonna with Eve at her feet
Anne Dunlop
Oxford Art Journal, 2002
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Painting and Humanism in Early Modern Florentine Convents
Sheila Barker
"Artiste nel chiostro. Produzione artistica nei monasteri femminili in età moderna", ed. by Sheila Barker with the collaboration of Luciano Cinelli, O.P., 2015
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Mary Magdalene in Modern Visual and Popular Culture (Including Documentaries)
Lucy Bolton
The Oxford Handbook of Mary Magdalene, 2024
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The Madonna del Baraccano. Reworking and Reframing a Marian Image in Early Modern Bologna
Gloria de Liberali
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The New Art of the Fifteenth Century: Faith and Art in Florence and the Netherlands. Shirley Neilsen Blum. New York: Abbeville Press, 2015, pp. 314 in "Renaissance Quarterly", 69.3 sept 2016, pp. 1061-63
Angelo Maria Monaco
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What can art tell us about the cult of the Virgin Mary in the early Roman Church? : a re-evaluation of the evidence for Marian images in Late Antiquity
Geri Parlby
2010
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Savoldo’s Magdalene: “True Reformations Are Internal”
Michael Calder
Journal of Icon Studies Vol. 2
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Mary Magdalene From the Shadows and into the Light
Lilian Broca
Mary Magdalene Resurrected Mosaics, 2023
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What can art tell us about the cult of the Virgin Mary in the early Roman Catholic church? A re-evaluation of the evidence for Marian images in Late Antiquity
Geri Parlby
2010
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Apostolic Posture: Mary Magdalene as Witness to Death and Resurrection in Art
Michael Peppard
Death and Rebirth in Late Antiquity, 2022
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The Divine Mother: Depictions of the Virgin Mary and Michelangelo’s Spiritual Evolution
Cailee Mellen
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Erotic Christ: The Gendered Body of Christ in Late Renaissance Art
Pieter Tolsma
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"Teaching the Faithful to Fly: Mary Magdalene and Peter in Baroque Italy," in Saints and Sinners
Franco Mormando
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Materials and Their Meaning, in 'Madonnas and Miracles: The Holy Home in Renaissance Italy', ed. Maya Corry, Deborah Howard and Mary Laven, London: Philip Wilson, 2016, pp. 76-81.
Zuzanna Sarnecka
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“Maiden or Matron? The Unusual Iconography of the Virgin Mary with the long, flowing hair”
Alison C Fleming
Nierika: Revista de Estudios de Arte, v.2 (2013): 32-41.
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The Transit of Mary Magdalene’s Soul in Catalan Artistic Production in the 15th Century
Elena Monzón Pertejo
Religions, 2021
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Approaching Sacred Pregnancy: The Cult of the Visitation and Narrative Altarpieces in Late Fifteenth-Century Florence
Ira Westergård
2007
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