Colonial Influence in Native Architecture Comparative Analysis between Portuguese Architecture in the cities of Maputo (Mozambique ) and Madgaon (India) : Pre-colonization, During Colonization and Post-Colonization (original) (raw)
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Preserving Modern Architecture in a Post-colonial Context: Mozambique
The Importance of Place. Values and Building Practices in the Historic Urban Landscape, edited by Amir Pašić, Borut Juvanec and José Luis Moro, 225-238. Newcastle upon Tyne: Cambridge Scholars Publishing, 2016
Abstract | This essay focuses on the material heritage of the final period of Portuguese sovereignty in Mozambique (from the late nineteenth century to 1975) and is interested in deepening the knowledge of twentieth century architecture and of the particularities (ideological, technical, and material) involved in the conservation of architectural heritage and associated with the modern post-colonial context. The difficulties relate greatly to functionality, materials, the replacement of infrastructures, the urban surroundings, its maintenance, and patina, as well as the recognition of this recent heritage, and its protection by an official tutelage. Studies, the aging buildings, and the relationship between such different cultures (colonial and post-colonial) bring new challenges and discussion of issues that deserve consideration: 1) their "lifetime" proximity to our own epoch affects the (historical) distance required for properly interpreting and evaluating their significance; 2) we do not have accumulated knowledge or technical expertise to handle all the variety of Modern Architecture, considering that we are not interested in mastering only the technology, as the authenticity covers also the intention of the project and the created space, and the materials alone do not define architecture; and 3) the western notion of heritage has not found acknowledgment in areas of non- European roots, especially when related with colonial experiences. Keywords| modern architecture, conservation, cultural heritages of Portuguese influence, Mozambique, conservation in post-colonial context
Portuguese Architecture in India-The Architectural Scenario of Manapad, an Indian Coastal Village
2017
Architecture is originated from culture and it affects and reflects the culture of that society. Culture is originated from human interaction and it is a main element of social and individual's identity. Culture is not a constant. It keeps changing and also accommodates changes. People tend to have changes in their culture, due to the influence from neighboring cultures or from any other parameters. It hence accepts changes so as to satisfy the current need of people. Indo-Portuguese architecture which is a fusion of both Indian and Portuguese architecture is a good example, in which a fusion of both Indian and Portuguese culture could be seen. The Portuguese have left their impression in the attitude, life styles and in their architecture, thus creating a unique identity of its own. Even though they have imbibed some elements of Portuguese culture, they have maintained many existing elements of their own rich culture which is the reason for its survival till today. This paper a...
Composition and Proportion in the Indo- Portuguese façades of São Tomé, Panaji Goa
Dissertations in Architecture Working Paper Series Volume 5: 2014-15, 2016
The research investigates the compositional and proportional properties of Indo- Portuguese façades as definitive of the style in Goa, with the historic precinct of São Tomé in Panaji chosen as the area of study. The research is carried out through the listing and classification of façades into compositional types and the analysis of composition and proportion of façades belonging to the same type. The façades in São Tomé are found to display a mathematical order in their composition within and across compositional types. The system of proportions found in the composition of façades, the Quadrature, is one found in Renaissance architecture, implying that, the idea of the style was also adopted and absorbed at the level of facade composition and proportion
Urban design an art of designing places. Trend in Urban Design is to learn from the past and era forgotten. Portuguese 15th and 16th centuries Architecture and Urban spaces reflect influence and interbreeding of Portuguese and Local Cultures. Old Goa, Portuguese capital “Queen of East” from 1510 had a population of nearly 300,000 people. City had local cultural influences at level of Architecture and Urban Design. City began to lose glory from 1743 due to epidemics and attacks by Dutch and Marathas. The paper makes a case to understand urban design attributes include: Image of the City, Identify what is lost and forgotten by using evidences of Interpretation of history, literature, paintings, maps, etc. as the original settlement and development does not exist.
A Comparative Study of Portuguese Colonial Architecture: a Case Study of East Timor and Macau
Proceedings of the 3rd International Conference on Art Studies: Science, Experience, Education (ICASSEE 2019), 2019
The Democratic Republic of East Timor (hereinafter referred to as East Timor) and the Macau Special Administrative Region of China (hereinafter referred to as Macau) have historically been the Portuguese colonies in the Far East area. During the period of Timor and Macau's ownership of Portugal, the two colonies brought art from SouthWest Europe, such as songs, dance, architecture, etc. After the unique Western atmosphere collided with the local civilization, it formed a multicultural culture with local characteristics. This paper is divided into four parts to discuss the Portuguese architectural styles of East Timor and Macau. The first part is the introduction to the background, including the historical background of East Timor and Macau, the purpose and significance. The second part is the main body, starting from the development process of colonial architecture and the decorative details of the building, combing the Portuguese architecture of East Timor and Macau, and summarizing the style characteristics and differences of Portuguese architecture. In the third part, it proposes the problem to be solved in this paper, namely, the reason why the Portuguese architecture can be influenced by the aesthetic taste of the Portuguese colonists and the local culture. The fourth part is the conclusion. On the basis of the review and summary of the full text, this paper puts forward further thinking.
Portuguese Plain Architecture: A journey since the 1950s to the present
This presentation will focus on the slight metamorphoses of architectural discourse accompanying the Portuguese political and social context in the last six decades, and how the concept of Portuguese Plain Architecture [PPA] as defined by the American art historian George Kubler (1912-1996) plays a role in this progression. The Portuguese architect Duarte Cabral de Mello (1941-2013) compared the understated character ofVítor Figueiredo’s (1924-2004) architecture with the essential nature of Portuguese Plain Architecture (Mello 1979). Kubler’s thesis implied that the nature of Portuguese architecture built between 1600 and 1800 did not fit in any of the established categories of art history, and thus was an appropriate case study to demonstrate the thesis that Kubler had already put forward in his book The Shape ofTime (1962): “... no style or class excludes the simultaneous possible presence of many other prior classes” (Kubler 1972, 4).
Proceedings of Malikussaleh International Conference on Multidisciplinary Studies (MICoMS), 2023
Colonial architecture in Indonesia is a unique cultural form, this is not found anywhere else or in countries that were once occupied by the Dutch colonialists, because colonial architecture that developed in Indonesia contained a blend of cultures between the Dutch and Indonesians with a wide variety of building designs. Colonial architecture has the peculiarities of buildings that are able to adapt to local conditions and the local climate of each design. One of the colonial heritage architecture of the Netherlands is a house, especially in Aceh Province. These houses have the same concept, namely the concept of colonial architecture, but each building also has a different shape, such as different shapes in plans, facades and elements. Research on the Uleebalang house is important to do in order to maintain and maintain the historical value that once existed so that it can be preserved for the next generation. This study took three samples of houses, one of which is located in Kab. North Aceh (Uleebalang Krueng Mane's house) and two in Kab. Bireuen (Uleebalang Geurugok's house and Uleebalang Peusangan's house). This research concludes that there are many similarities between the Uleebalang Krueng Mane house and the Uleebalang Geurugok house, while the Uleebalang Peusangan house has differences in the floor plan and several other elements.
History of Portuguese Architecture
Joelho Revista de Cultura Arquitectonica, 2016
The subject of History of Portuguese Architecture (HAP) originated in the School of Fine Arts of Oporto, more than three decades ago, under mastership of the Professor and Architect Alexandre Alves Costa.At the Architecture Course of FCTUC – Faculty of Sciences andTechnology of the University of Coimbra, HAP has been present from the very beginning. It started in 1992-93, as a subject of the 5th year, under the same Alexandre Alves Costa, then member of the Installing Commission of the course. Other professors who have ensured the subject in the last decade were Walter Rossa and the late Paulo Varela Gomes in addition to Rui Lobo, lecturer for the past five years.History of Portuguese Architecture, which now operates withinthe 4th year of the Architecture Course, has always had an essential practical component. By carrying out practical group work on concrete case studies, students are expected to learn how to investigate, how to search for and collect information and how to disting...
2010
Following a rapid coup d’état in 1974, Portugal was once again the size it had been at the beginning of the fifteenth century. The very same military overthrow that brought about the end of the autocratic regime that had ruled the country for over 48 years also epitomized the conclusion of a colonial enterprise in Africa that had lasted 500 years. Portugal’s loss of its African colonies of Angola and Mozambique thus occurred later than in any other country in Europe, and forced the country to redefine its role in the world, transform its obsolete institutions and revise its national identity. Architecture played an interesting part in this re-elaboration of the nation’s self-image. The SAAL programme, which aimed to alleviate poor housing conditions, and the immediate recognition of Alvaro Siza’s work within this programme, sparked an international visibility for Portugal. Siza’s insistence on the artistic character of architecture in fact helped to counterbalance the arrogance of a...
ITU J Faculty Arch., 2021
This article deals with permanence and change in the traditional architecture of southern Portugal, adopting the town and landscape of Mértola as a case study. This research conveys how the relationship between the vernacular architecture, the territory and the site is not immune to the course of history, reflecting a pro- found change in the ways of living over time. In methodological terms, the re- search focuses on surveying and characterizing architectural diversity in both the rural context (with the definition of various landscape subunits) and the urban context (delimiting the various urban subunits). This concludes that the architec- tural specificity, in both contexts, is subordinate to the same processes of historical change which nevertheless acquire a circumstantial dimension. These processes include the readable influences of models and ways of living arriving from abroad and contemplate: the transition of the courtyard house from the Islamic medieval period to the compact house of the Christian medieval and modern periods; the consolidation, diversification and ennobling of different housing types during the Ancien Régime; and the profound transformations of domestic architecture following the advent of Liberalism.