Heritage at risk 2004/2005 ICOMOS.pdf (original) (raw)
Related papers
Recent rock art studies in Peru (2005-2009)
Summary and review of recent rock art research in the northern región, central región, and southern región of Peru, sumbay, rock art sites affiliated with the Inca period, geoglyphs amd petroglyphs of Palpa-Nasca, rock art of Macusani-Corani/Puno, rock art in the Amazon región of Peru
Quellca Rumi, 2020
Abstract. The Rock Art Studies Bibliographic Database is an open access, online resource that fulfills the need for a searchable portal into the world’s rock art literature. Geared to the broadest interests of rock art researchers, students, cultural resource managers, and the general public, the RAS database makes rock art literature accessible through a simple search interface that facilitates inquiries into multiple data fields, including authors’ names, title and publication, place-name and subject keywords, ISBN/ISSN number, and abstract. The results of a data search can further be sorted by any of the data fields, including: authors’ names, date, title, and so forth. An ever increasing number of citations within the database include web links to online versions of the reference cited, and many citations include full author’s abstracts. The data compilation has been undertaken by Leigh Marymor with the year 2019 marking the 26th year of continuous revision and expansion of the data. More than 41,200 citations are currently contained in the database. The RAS database first launched online as a joint project of the Bay Area Rock Art Research Association and University of California’s Bancroft Library. After thirteen years of collaboration, the project found a new home and collaborator at the Anthropology Department at the Museum of Northern Arizona. The Peruvian Rock Art Bibliography results from an export of data from the RAS database and captures a freeze-frame in the state of the rock art literature for Peruvian rock art as compiled here at the end of the year 2019. The online version of the RAS Bibliographic Database at the Museum of Northern Arizona is updated frequently and we refer the reader to that resource for up-to-date bibliographic data revisions and additions. Researchers who consult the online database in concert with their reference to the Peruvian Rock Art Bibliography will discover a powerful ally in further refining geographic and thematic inquiries.
Rock Art Studies: A Bibliographic Database_South America_Peru
A regional rock art bibliography extracted from the Rock Art Studies Bibliographic Database - NOTE: This draft is now available in its expanded and edited version in the online publication, Quellca Rumi, Revista de Investigaciones de la Asociación Peruana de Arte Rupestre, 2020. See https://issuu.com/apar/docs/quellca\_rumi\_2-2?fbclid=IwAR1KkWksvz9sTaGueZb2k4IFBOYwzxELF47t2lm9DcxLJcq-PEGMDjnX-PQ.
J Silva 01201 Jan 30 2013 Peru Cultural Heritage Management in
Peru's cultural heritage includes the legacy, 11 tangible and non-tangible, of its pre-Hispanic 12 cultures, those belonging to Colonial and Repub-13 lican periods, present-day cultural manifesta-14 tions, either urban or rural, the culture of native 15 communities in the tropical forest and the 16 highlands, besides the Africans, Asians and 17 Europeans who also brought distinctive cultural 18 customs either in colonial times or later. In fact, 19 all of them have created what Peru is today, 20 and as in the past, we are part of a multicultural 21 country. However, there have been diverse opin-22 ions about what cultural heritage is, and on occa-23 sions, it has been controlled by the interests of 24 particular dominant groups or social classes that 25 have the political and economic power in Peru. 26 During the Colonial period, such designation 27 for the Spaniards was related to the idea of 28 valuable antiquities, relics, and monuments. For 29 example, H. Cortés said, "I came looking for 30 treasures, not to cultivate the land as a peasant" 31
Image and rock art research, a Peruvian case
Boletín APAR Vol 4, No 13-14. Noviembre 2012, 2012
Nociones mínimas para conocer el Centro Arqueológico de Arte Rupestre: Toro Muerto. Arequipa, Perú / Minimal notions to know the Archaeological Rock Art Center: Toro Muerto. Arequipa, Peru (Sp) Eloy Linares Málaga. 485 Evaluación de la técnica de fotografía computacional "Refl ectance Transformation Imaging" (RTI) en las quilcas (petroglifos) de la cuenca del Río Grande de Nasca (Ica) / Evaluation of the computacional photography technique "Refl ectance Transformation Imaging" (RTI) in the quilcas (petroglyphs) of the Rio Grande basin of Nasca (Ica) (Sp) Ana Nieves & Gori Tumi Echevarría López. 491 Diagnóstico del estado de conservación de las pinturas rupestres de Toquepala, Tacna -Perú / Diagnosis of the conservation state of Toquepala´s rock paintings, Tacna -Peru (Sp) Jesús Gordillo Begazo. 495 Image and rock art research, a Peruvian case / Imagen e investigación rupestre, un caso peruano (En) Gori Tumi Echevarría López & Enrique Ruiz. 505 Pashash, Perú: hoyos y fi guraciones signifi cativas / Pashash, Peru, cupules and signifi cant fi gurations (Sp) Alberto Bueno Mendoza. 511 Prospección arqueológica y quilcas en la provincia de Espinar, Cusco / Archaeological survey and quilcas in the province of Espinar, Cusco (Sp) Raúl Tarco Sánchez. 513 Concavidades circulares en el arte rupestre de la cuenca del río Cachiyacu. Loreto, Perú / Circular concavities in the rock art of the Cachiyacu river basin, Loreto, Peru (Sp) Gori Tumi Echevarría López . 531 Petroglifos de Chontayacu: santuario, arte y símbolos de los uchicinos ancestrales (Región San Martín) / Chotayacu´s petroglyphs: sanctaury, art and simbols of the ancestral uchucinos (San Martín Region) (Sp) Alba Choque Porras. 541 Arte rupestre en el límite andino-amazónico. Bolivia / Rock art in the andean-amazonic border. Bolivia (Sp) Roy Querejazu Lewis. 549 25 Centuries of Peruvian culture without writing? / ¿25 siglos de cultura peruana sin escritura? (Sp-En) Victoria de la Jara. 561 Escritura Pre-Chavín en Lima, dimensión y descubrimiento / Pre-Chavin writing in Lima, dimension and discovery (Sp) Gori Tumi Echevarría López. 565 La escritura de Chavín: buscando el código de la unidad en la variedad / The writing of Chavín: looking for code unit in the variety (Sp) Pedro Carlos Vargas Nalvarte. 569 Arte rupestre, chamanismo y estados alterados de conciencia: una revisión crítica / Rock art, shamanism and altered states of consciousness: a critical review (Sp) Mario Consens. 571 Visiones y modelos de estudio de las quilcas o arte rupestre, nuevas alternativas metodológicas / Visions and models for rock art research, new methodological alternatives (Sp)
In 1936, Leonidas Bernedo Málaga reported the discovery of a large collection of petroglyphs near the village of Illomas. We present the results of a recent study of the site, describing both the rock art and the organization of its surrounding ceremonial complex in light of our broader understanding of the prehistory of what is now the Department of Arequipa. Used for almost three thousand years, Illomas changed in function as population significantly increased in the region by the end of the Middle Horizon. Illomas, as well as other petroglyph sites in this rock art-rich region, was an important locus of worship and aggregation that has been underexplored by the broader archaeological community.
Toro Muerto. Documenting the largest rock art site in Peru. Preliminary report.
BCSP Bollettino del Centro Camuno di Studi Preistorici, 2017
This paper concerns the research done in the framework of the Toro Muerto Archaeological Research Project (TMARP) that has resulted in registration of 1,664 boulders covered with petroglyphs, probably made by the representatives of the several cultural traditions developing in this region of Peru, from about the middle of the first millennium to the middle of the second millennium AD. The individual decorated panels of some of the larger boulders are frequently covered with dozens of various representations made using various techniques. They include geometric motifs, zoomorphic and anthropomorphic representations. The documentation works were carried with the use of both traditional and modern technics used in archaeology.
Illomas: the three thousand year history of a rock art site in Southern Peru
Ñawpa Pacha, 2019
In 1936, Leonidas Bernedo Málaga reported the discovery of a large collection of petroglyphs near the village of Illomas. We present the results of a recent study of the site, describing both the rock art and the organization of its surrounding ceremonial complex in light of our broader understanding of the prehistory of what is now the Department of Arequipa. Used for almost three thousand years, Illomas changed in function as population significantly increased in the region by the end of the Middle Horizon. Illomas, as well as other petroglyph sites in this rock art-rich region, was an important locus of worship and aggregation that has been underexplored by the broader archaeological community. En 1936, Leonidas Bernedo Málaga informó sobre el descubrimiento de una gran colección de petroglifos cerca del pueblo de Illomas. Presentamos los resultados de un estudio reciente del sitio, que describe tanto el arte rupestre como la organización del complejo ceremonial que lo rodea, a la luz de nuestra comprensión más amplia de la prehistoria de lo que ahora es el departamento de Arequipa. Utilizado por casi tres mil años, Illomas cambió de función a medida que la población aumentó significativamente en la región al final del Horizonte Medio. Illomas, así como otros sitios de petroglifos en esta región rica en arte rupestre, fue un importante lugar de culto y congregación que ha sido poco explorado por la comunidad arqueológica en general.