Rebus films (2010) (original) (raw)

The cinema spectator : a rapidly-mutating species viewing a medium that is losing its bearings

André Gaudreault

2014

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‘Shared Viewing: Moving Images in the Cinema and Museum’, Millennium Film Journal 58, 2013: 18-27

Maeve Connolly

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Gertrud Koch, Volker Pantenburg and Simon Rothöhler (eds), Screen Dynamics: Mapping the Borders of Cinema . Vienna: Synema – Gesellschaft für Film und Medien, 2012,

Paola Voci

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The Cinema and the Displacement of Reverence

Harriet Warman

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Cinema Beyond Film: Media Epistemology in the Modern Era [Book Review]

Malcolm Cook

2013

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Enactive Cinematic Perception: The Cinema as Exploration of the (Re)Presented World

Bjorn Beijnon

Anthropoetics: the Journal of Generative Anthropology, 2017

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Cinema as Self

Brandi E Clappsy

2021

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Other Cinemas: The Photographic Gaze of the Long Twentieth Century

Alessandra Raengo

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Editorial: On Cinema

nuno crespo

2020

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An Invention with a Future: Collective Viewing, Joint Deep Attention and the Ongoing Value of the Cinema

Julian Hanich

Oxford Handbook of Film Theory (edited by Kyle Stevens). Oxford: Oxford University Press, 2022., 2022

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Disassembling the Cinema: The Poster, the Film and In-Between

Thomas Stubblefield

Thresholds, 2007

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Is this a film? Reflections on the influence of digital technology on the film language and spectatorship

Paulo Viveiros

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Introduction: On Cinema Expanding

Laura Rascaroli

Theorizing Film Through Contemporary Art: Expanding Cinema, 2020

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Phantasmagoria and the Manufacturing of Illusions and Wonder : Towards a Cultural Optics of the Cinematic Apparatus

Tom Gunning

2004

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Film and Visual Culture

Andrew Spicer

The Handbook of Visual Culture, ed. Heywood and Sandywell, 2011

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Cinema: Journal of Philosophy and the Moving Image 1

Sérgio Dias Branco, Susana Viegas

2010

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The Mobile Spectator: the Exhibition of Artist Film as a Bodily Experience

Inez de Coo

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Surface & Projection – an investigation of the event of cinema

Louise Curham

Master of Fine Arts report/thesis - supervisor John Gillies UNSW College of Fine Arts, 2004

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THEORIZING FILM THROUGH CONTEMPORARY ART: EXPANDING CINEMA

Jill Murphy

Theorizing Film Through Contemporary Art: Expanding Cinema, 2020

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Pointing Forward, Looking Back: Reflexivity and Deixis in Early Cinema and Contemporary Installations

Nanna Verhoeff

568-586 in André Gaudreault, Nicolas Dulac and Hildalgo Santiago (eds.), The Blackwell Companion to Early Cinema. , 2012

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Cinema&Cie 3/2003 – Representational Technologies and the Discourse on Early Cinema's Apparatus / Les Technologies de répresentation et le discours sur le dispositif cinématographique des premiers temps

Cinéma&Cie. International Film Studies Journal

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‘Cinema’ as a Modernist Conception of Motion Pictures

michael betancourt

AM Journal of Art and Media Studies

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“Blind Representation”: On the Epic Naiveté of the Cinema

Michael D'Arcy

Postmodern Culture, 2015

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Francesco Marineo - Perceiving voids: Memory And Sight Afflictions In Contemporary Cinema

Ars Academy - T-Node

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Editorial: Cinema 1

Susana Viegas, Patrícia Castello Branco

Cinema: Journal of Philosophy and the Moving Image N.1, 2010

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Perception, Projection, Participation: Film and the Invention of the Modern Mind

Massimo Locatelli

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The Delirious Spectator: Opening Spaces in Film Studies

Paul Sommer

English in Australia, 2017

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Hoaxing the Media: 1920s Film Ballyhoo and an Archaeology of Presence

Fabrice Lyczba

2016

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Timothy Barker. (2012). “Images and Eventfulness: Expanded Cinema and Experimental Research at the University of New South Wales.” Studies in Australasian Cinema 6(2): 111-123.

tim barker

2012

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Audiences : Defining and Researching Screen Entertainment Reception

Ian Christie

2012

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To See the Cinema: Human – Sight – Reality

Alina Temliakova

2019

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Cinema is a dream. New Images and the principles of modernity

Andrea Rabbito

2013

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Cine-Dispositives. Essays in Epistemology Across Media

omar hachemi

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Subjectivity. Filmic Representation and the Spectator's Experience

Dominique Chateau

2011

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Reconfiguring film studies through software cinema and procedural spectatorship

Marina Hassapopoulou

NECSUS. European Journal of Media Studies, 2014

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