Alkis Prepis (Scientific Coordinator) - Julija Trichkovska - Donka Bardjieva-Trajkovska - Jovica Manevski - Gligor Mukaetov - Emanuele Armani, "FYROM: The Church of St. George, Staro Nagorichane", Preliminary Technical Assessment, Council of Europe & European Commission, Strasbourg 2006, pp.14 (original) (raw)
Related papers
In the framework of t he European Commission/Council o f Europe Joint Programme o n the I ntegrated Rehabilitation Project Plan/Survey of t he Architectural a nd A rchaeological Heritage (IRPP/SAAH), the present Feasibility Study (FS) was prepared by a team comprised of experts from the National Conservation Centre -Skopje, in co-operation with the Cultural Heritage P rotection O ffice a t the Ministry o f Culture, in consultation w ith the P roject C o-ordinator, and also w ith representatives of t he local self-government: Mr V laste Dimišković, Mayor of the municipality of Staro Nagoričane, Mr
The Management Plan refers to the Church Complex of St. George in Staro Nagorichane that represents cultural heritage of exceptional value and is of highest national significance. The church of St. George is among the most important architectural and artistic achievements of the medieval art not only in Macedonia but at the same time on Balkan Peninsula, and in Byzantine art of 14th century in general, thus the monument has universal value as an architectural and artistic achievement and testimony for the artistic achievement of mankind. For the preparation of the Plan, the used methodology was according to the preparation of management plans for sites that have been proclaimed as World Heritage by UNESCO, adapted to the church complex of St. George, Staro Nagorichane. The Plan contains historical data about the site, its values and meaning, its condition and challenges to which it is exposed, policies, strategies and aims/purposes of the management, as well as activities, organization and instruments for implementation of the Management Plan. Chapter 1 presents set of information for the geographical location of the church complex, the protected area which includes boundaries and buffer zones, legal protection respectively protection status, legislative and spatial and urban plans associated with the complex. This chapter also contains historical information and description of the complex and its surroundings, its place in regional context, as well as descriptions of activities in and around the complex, its accessibility, existing infrastructure and data for the current management. In Chapter 2 the church complex is evaluated and its universal values, authenticity, integrity and exceptional national importance of St. George and the site in general are listed/pointed. Based on the analysis of information contained in Chapter 1, an assessment on the condition of the church complex presented in Chapter 3 is given. Besides the physical condition of the site, damages of the buildings and wall paintings, this chapter also contains information on the accessibility, the level of research, presentation and popularization of the church complex and its inclusion in local economy. In Chapter 4 the principles of management, the position of the Plan and the institutional framework for the management respectively policies of the management of the church complex are listed. Strategy management, expected values and aims/goals of the Management plan for the Church Complex of St. George in Staro Nagorichane is contained in Chapter 5 – “Implementation of the Management Plan”. The objectives of the Plan are grouped into long-term goals, management goals, conservation goals and goals in the area of legislation and policy of preservation of cultural heritage, as well as the needs in terms of future research, interpretation and presentation of the site, its involvement in the local economy and protection of the landscape. For each designated goal or need in this chapter activities needed for their implementation are listed. The last Chapter (6) contains the model of organization and instruments for implementing, duration of the validity and review/revision of the Management Plan. The model and subjects of cooperation in implementation of the Plan are also part of this chapter. The Management plan for the Church Complex of St. George in Staro Nagorichane was prepared by the professional team of the National Conservation Centre – Skopje: Msc. Jasminka Nikolich Novakovich, Art histortian – Advisor conservator, Msc. Cvetanka Hadji Pecova, Architect – Advisor conservator, Msc. Jehona Spahiu, Art historian – Senior conservator, and Jovan Ristov, jurist in cooperation with representatives from Cultural Heritage Protection Office at the Ministry of Culture of Republic of Macedonia, Municipality of Staro Nagorichane, Bishopric/Diocese of Kumanovo and Osogovo, Non-governmental organizations (NGOs) from the Municipality of Staro Nagorichane. The preparation of the Plan was enabled in the framework of the project Ljubljana Process II: Rehabilitating Our Common Heritage with financial assistance in the form of the EU Parliament grant for Sustaining Heritage Rehabilitation in the Western Balkans, implemented by the Task Force on Culture and Society of the Regional Cooperation Council. At national level, the Ljubljana Process II is coordinated by the Cultural Heritage Protection Office and the Ministry of Culture of Republic of Macedonia.
This research contributes to a better knowledge of techniques that emphasize the solemn note of the iconostasis, regarding the processes of carving, icon technology, metalworking, ways of decorating and gilding that enhance the unique impression of the lace whole, which are part of a conservation study dedicated to applied art on the iconostasis in the Church of St. Spas in Skopje, known as a significant cultural monument. Previous conservation works and other indicators of conservation improvement will be a signpost in preventive conservation, prophylactic care of cultural monuments, the way in which they are currently maintained and preserved in ambient church conditions. Characterization of techniques multiplies participation in further research and stylistic inclusion of differences over time.
This article explores an important chapter in the visual memory and historical legacy of a key imperial monument of Constantinople, the bronze equestrian statue of the emperor Justinian. The sixth-century sculpture survived pillages of the Fourth Crusade to become a centerpiece of Constantinople's identity. 1 Celebrated in the tenth century as one of the wonders of Constantinople, it was re-imagined in western romances and Crusader narratives. The horseman's Justinianic identity was restored during the Palaiologan period, when the monument became a centerpiece of imperial renovation efforts. Though it was destroyed by the Ottomans after the capture of Constantinople in 1453, its international renown outlived the physical monument. This study investigates how and why the bronze equestrian monument of Justinian was remembered in late-medieval Slavic images of Constantinople by focusing particularly on an illustrated history that was produced for Tsar Ivan Alexander of Bulgaria (Vat. Slav. 2) in the mid-fourteenth century. The city of Constantinople had been a key intellectual, ideological, spiritual, and visual space of power for the Orthodox Slavs for centuries by the time that the Vatican Manasses manuscript was illustrated for Ivan Alexander ca. 1345. Although we are familiar with the many references to Constantinople in an array of sources including the Slavic pilgrimage narratives and the Russian Primary Chronicle, its visualizations have not been closely analyzed. This study investigates how the equestrian monument was re-imagined in the Vatican Manasses manuscript, which exhibits heightened interest in the equestrian monument as a symbol of Constantinople. 2 Because Constantinople was the signifier of Byzantine imperial and spiritual supremacy, it is not surprising that visual transcription and occasional transposition of Constantinopolitan "places of power" was deployed by some foreign rulers in the construction of their theater of legitimacy (Venice, Paris, Kiev, just to name a few). 3 1 These themes are explored in a monograph which I am completing, The Forgotten Colossus: Memories of Justinian's Bronze Horseman in Constantinople and Beyond. It is devoted to the biography of the equestrian monument, its changing identifications and its perceptions by various pre-modern audiences. 2 On the Vatican Manasses visual narrative, see E. Boeck, Imagining the Byzantine Past: The Perception of History in the Manuscripts of Skylitzes and Manasses (Cambridge: Cambridge University Press, forthcoming 2015). The manuscript was recently fully published in a color facsimile edition, Synopsis chroniki: