Dancing to Create Alternative and Healing Spaces in Mira Nair's Films (original) (raw)

Dancing to Create Alternative and Healing Spaces in Mira Nair Films

Jorge Diego Sánchez

Revista Internacional de Culturas y Literaturas, 2016

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Performance, Modernity , Gender: Paradigm Shift(s) in Indian Dance

Aishika Chakraborty

Simonti Sen ed., They Dared: Essays in Honour of Pritilata Wadder, Gungcheel, Calcutta, 2011.

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Review of Dancing Women, BioScope: South Asian Screen Studies

Usha Iyer

BioScope: South Asian Screen Studies, 2022

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Book Review: Dancing Women_Choreographing Corporeal Histories of Hindi Cinema

Pratichi Priyambada

South Asian History and Culture, 2022

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Lindner, K. (2011) ‘Spectacular (Dis-)Embodiments: The Female Dancer on Film’. Scope: An Online Journal of Film & TV Studies, Vol.20.

Katharina Lindner

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Review of Dancing Women, South Asian History and Culture

Usha Iyer

South Asian History and Culture, 2022

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Indian Modern Dance, Feminism, and Transnationalism by Prarthana Purkayastha

Kathy Foley

Asian Theatre Journal, 2015

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The disavowal of dance as labour in popular Hindi cinema

Pritha Chakrabarti

Studies in South Asian Film & Media, Volume 11, Number 2, December 2020, pp. 209-223(15), 2020

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Moving from the Temple to the Studio Space: Transformations of the Women Dancers' Labour in Films.

Priyanka Basu

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African Feminisms Three || Postcolonial Feminisms Speaking through an 'Accented' Cinema: The Construction of Indian Women in the Films of Mira Nair and Deepa Mehta

Subeshini Moodley

2003

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TRACING A DISCOURSE OF DIASPORIC REPRESENTATION THROUGH THREE FILMS BY MIRA NAIR - KAMASUTRA: A TALE OF LOVE, SALAAM BOMBAY!, THE NAMESAKE

Jayeeta Saha

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The phantom of history: figurations of the dancing body and the 'Sitara Devi problem' of Indian cinema

Madhuja Mukherjee

South Asian History and Culture, Volume 14, Issue 2 , 2023

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Beyond the Silver Screen: Bollywood and Filmi Dance in the UK

Ann R David

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Review of Dancing Women, The International Journal of Screendance

Usha Iyer

The International Journal of Screendance, 2022

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Tradition, innovation and fusion: Local articulations of global scapes of girl dance (2011)

Anna Hickey-Moody

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Dancing Out the Difference: Cultural Imperialism and Ruth St. Denis's "Radha" of 1906

Jane C Desmond

Signs, vol. 17, no. 1, 1991

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‘Performance and Identity’: Exploring the Idea of ‘Gender Performativity’ through a Comparative Study of Mahesh Dattani’s Dance Like A Man and Rituparno Ghosh’s Chitrangada: The Crowning Wish

Arup Kumar Bag

International Journal of English Literature and Social Sciences, 2021

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Arrows of Desire: Dance and Power in Transnational Cinema (Revue des mondes musulman et de la Méditerranée, 2013)

May Telmissany

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BOOK REVIEW for Illicit Worlds of Indian Dance: Cultures of Exclusion by Anna Morcom

Danielle Antoinette Hidalgo

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Performing the region: Sadhona Bose and the modern Bengali film dance

Pritha Chakrabarti

South Asian History and Culture Volume 8, 2017 - Issue 2: Popular Cinema in Bengal: Stardom, Genre, Public Cultures., 2017

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Mata Hari's Dance in the Context of Femininity and Exoticism

Alexandra Kolb

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Illicit worlds of Indian dance: cultures of exclusion (2013) by Anna Morcom

Debanjali Biswas

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Postcolonial feminisms speaking through an ‘accented’ cinema: the construction of Indian women in the films of Mira Nair and Deepa Mehta

Subeshini Moodley

2003

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Tradition, Innovation and Fusion: Local articulations of global scapes of girl dance

Anna Hickey-Moody

2011

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Response to Dr. Andrée Grau’s ‘Dance and Cultural Identity’in Animated

Uttara Asha Coorlawala

Animated , 2002

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Swaying to an Indian Beat... Dola Goes My Diasporic Heart: Exploring Hindi Film Dance

Sangita Shresthova

Dance Research Journal, 2004

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Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)

Uttara Asha Coorlawala

2013

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The Many Bodies of the Dancer Actress: Toward a Kinesics of Film Acting

Usha Iyer

The Oxford Handbook of Film Theory, 2022

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Some Rise as Others Fall: Illegitimacy in Indian Dance

Susan Seizer

TSQ: Transgender Studies Quarterly, 2015

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Projects of Reform: Indian Classical Dance and Frictions of Generation and Genre

Sitara Thobani

MUSICultures, 2017

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Bridging Cultures: Manipuri Dance and Indian Cinema

Debanjali Biswas

Manipur State Film Development Society, 2021

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Review of Dancing Women, Jump Cut

Usha Iyer

JUMP CUT: A REVIEW OF CONTEMPORARY MEDIA, 2022

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Snakes on the Dancefloor: Bollywood, Gesture, and Gender

Kareem Khubchandani

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Navigating Hyperrealities: Tamil Film (Kollywood) Choreography as Screen Dance

Sandhiya Kalyanasundaram

2020

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The Changing Contours of Women and Dance in India (A Historical Twilight on Tradition and Transition)

Prabhu Vanama

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