original ) (raw )Introduction: On Cinema Expanding
Laura Rascaroli
Theorizing Film Through Contemporary Art: Expanding Cinema, 2020
View PDFchevron_right
Through Some Trick of Nature It Appears: From Proto-Cinema to Expanded Cinema
Matt Rossoni
View PDFchevron_right
Rethinking the Expanded Cinema, in “Critique d’art. Actualité internationale de la littérature critique sur l’art contemporain”, 45, Automne-hiver 2015, pp. 42-55
riccardo venturi
View PDFchevron_right
Expanded Cinema, by Other Means
Adeena Mey
THE AUDIOVISUAL BREAKTHROUGH, Ana Carvalho and Cornelia Lund (eds.), fluctuating images. contemporary media art e.V., Berlin, 2015., 2015
View PDFchevron_right
Lucas Ihlein and Louise Curham: Re-enacting Expanded Cinema - Three Case Studies (2009)
Louise Curham , Lucas Ihlein
View PDFchevron_right
Editorial: On Cinema
nuno crespo
2020
View PDFchevron_right
Introduction: Ten Propositions on the Possibility of A New Cinema
Murat Akser
New Cinema, New Media: Reinventing Turkish Cinema, 2014
View PDFchevron_right
Introduction: Ten Propositions on the Possiblity of a New Cinema
Deniz Bayrakdar
View PDFchevron_right
Expanded Cinema: 20th Century Encounters with the Machine.
Chris Welsby
View PDFchevron_right
Cinema Approaching Reality
miao li
View PDFchevron_right
Expanded cinema: Notes on twentieth-century encounters with art, science and technology
Chris Welsby
Moving image review & art journal, 2016
View PDFchevron_right
Editorial: Cinema 1
Susana Viegas , Patrícia Castello Branco
Cinema: Journal of Philosophy and the Moving Image N.1, 2010
View PDFchevron_right
THEORIZING FILM THROUGH CONTEMPORARY ART: EXPANDING CINEMA
Jill Murphy
Theorizing Film Through Contemporary Art: Expanding Cinema, 2020
View PDFchevron_right
Cinéma&Cie 2/2003 – Dead Ends / Impasses
Cinéma&Cie. International Film Studies Journal
View PDFchevron_right
Ambient Poetics and Critical Posthumanism in Expanded Cinema
Karel Doing
Thesis, 2017
View PDFchevron_right
Gertrud Koch, Volker Pantenburg and Simon Rothöhler (eds), Screen Dynamics: Mapping the Borders of Cinema . Vienna: Synema – Gesellschaft für Film und Medien, 2012,
Paola Voci
View PDFchevron_right
Between the Black Box and the White Cube: Expanded Cinema and Postwar Art (University of Chicago Press, March 2014)
Andrew V Uroskie
2014
View PDFchevron_right
Expanded Cinema: Art, Performance, Film, A. L. Rees, Duncan White, Steven Ball and David Curtis (eds), (2011)
Richard L MacDonald
Moving Image Review & Art Journal, 2013
View PDFchevron_right
Cinema Studies: The Key Concepts
Alamin Salami
View PDFchevron_right
Understanding Cinema: the Avant-gardes and the Construction of Film Discourse
Mirian Nogueira Tavares
View PDFchevron_right
Film-Philosophy and a World of Cinemas
David Martin-Jones
2016
View PDFchevron_right
Film and Visual Culture
Andrew Spicer
The Handbook of Visual Culture, ed. Heywood and Sandywell, 2011
View PDFchevron_right
Contemporary Expanded Cinema: New networks between sound, 16mm film, and the world as artistic material.
Melody Woodnutt
View PDFchevron_right
Film Worlds: A Philosophical Aesthetics of Cinema (Columbia University Press, 2014) Introduction
Daniel Yacavone
View PDFchevron_right
Timothy Barker. (2012). “Images and Eventfulness: Expanded Cinema and Experimental Research at the University of New South Wales.” Studies in Australasian Cinema 6(2): 111-123.
tim barker
2012
View PDFchevron_right
Cinematicity in Media History
Jeffrey Geiger
2013
View PDFchevron_right
Cinema’s second birth
Andrew Shail
Early Popular Visual Culture, 2013
View PDFchevron_right
Cinema Beyond Film: Media Epistemology in the Modern Era [Book Review]
Malcolm Cook
2013
View PDFchevron_right
The history of cinema, as experience
Christa Blümlinger
Radical Philosophy, 2015
View PDFchevron_right
Film, cinema and reception studies: Revisiting research on audience’s filmic and cinematic experiences
Daniel Biltereyst
Film, cinema and reception studies: Revisiting research on audience’s filmic and cinematic experiences, pp. 21-41 in E. Di Giovanni & Y. Gambier (eds.) Reception studies and audiovisual translation. Amsterdam: John Benjamins Publishing. , 2018
View PDFchevron_right
The Post-medium Condition and The Explosion of Cinema
Jihoon Kim
Screen, Vol. 50, No. 1, pp. 114-129., 2009
View PDFchevron_right
The Oxford History of World Cinema
rob round
View PDFchevron_right
New cinema history and the comparative mode
Daniel Biltereyst
Alphaville: Journal of Film and Screen Media, 2016
View PDFchevron_right
Theoretical Concepts of Film Studies in Cinema Art Journal: 1969–1985. International Journal of Media and Information Literacy. 2023. 8(1): 14-60. DOI: 10.13187/ijmil.2023.1.14 https://ijmil.cherkasgu.press/journals_n/1687957102.pdf
Alexander Fedorov
2023
View PDFchevron_right
New cinema history and the comparative mode: reflections on comparing historical cinema cultures
Daniel Biltereyst
View PDFchevron_right