Identities and Musics: Reclaiming Personhood (original) (raw)

2017, Handbook of Musical Identities

This chapter argues that explanations of why and how music making and listening contribute to many kinds of identity formation—including musical, personal, social, cultural, gendered, and ethical identity development—should begin with a concept of personhood. In other words, selfhood and personal identity are not identical with personhood, but primary dimensions of it. Part one presents an embodied-enactive concept of personhood. Part two provides philosophical arguments that support our concept of personhood and explain the roles of empathy, ethical idealization, and moral communities in the co-construction of personhood, musical identities, and musical experiences. Part three knits parts one and two together by offering reasons why music making, listening, and musical praxes can serve as ‘affordances’ for lifelong experiences of identity formation and ‘full human flourishing’, or eudaimonia.