Cyprus, Crete and the Aegean Islands in Antiquity, ("Electrum", vol. 23), Krakow 2016 (original) (raw)

Seleucid Bibliography, 1870-2021

Bibliography of 150+ years of historical research on the Seleucid Empire. Updated June 2022.

▪ Coloru, O., 'De rois d'Asie à rois de Syrie. Évolution d'un concept géopolitique dans les dernières phases de l'histoire séleucide', in: C. Feyel and L. Graslin-Thomé eds., Les derniers Séleucides et leur territoire. Études nancéennes d'histoire grecque 4 (Nancy and Paris: A.D.R.A. and De Boccard, 2021) 37-50. ▪ Corò, P., 'Between a queen and an ordinary woman: On Laodice and the representation of women in cuneiform sources in the Hellenistic period', in: K. Droß-Krüpe and S. Fink eds., Powerful Women in the Ancient World: Perception and (Self)Presentation.

Hellenism and Persianism in Iran (2020)

R. Strootman, ‘Hellenism and Persianism in Iran: Culture and empire after Alexander the Great’, Dabir 7 (2020) 201–227. The article studies cultural developments in Hellenistic-period Iran by looking at “Hellenistic” and “Persianistic” trends. It is shown that it is impossible to draw a line between “Greek” and “Iranian” culture. The prevalent notion of an antagonism between Greco-Macedonian and Iranian elites in the Hellenistic world, viz., the Seleukid Empire, is criticized. The evidence for Hellenistic or Persianistic style in (Greater) Iran is invariably connected with imperial ideas and dynastic identities, not with ethnic groups per se. Though the top layer of philoi at the Seleukid imperial court may originally have been recruited mainly among Aegean civic elites, local rulers and military leaders in the Upper Satrapies were for a large part local Iranians, who interacted with their peers through a system of interconnected dynastic courts. In religion, eastern deities could be given the iconography of Greek gods and Greek names—but this does not imply that a syncretism of cults also took place. Cultures are always in flux and changes occur most strongly when geopolitical circumstances change, especially when empires break down or are created. Despite the overall trans-Eurasian connectivity that came into being during the Persian and Hellenistic periods—forerunner of what Jack Goody called the remarkable “relative cultural unity” of later Silk Road societies—it is most of all the astounding variety and richness of local cultures in the globalizing so-called “Hellenistic World” that remains a wonderful and intriguing phenomenon.

F. Queyrel, Le moule à statuette du secteur des maisons romaines à Europos-Doura, dans Europos-Doura, Varia I, P. Leriche, G. Coqueugniot, S. de Pontbriand (éd.), Bibliothèque archéologique et historique 198, Beyrouth, 2012, p. 117-121

Ouvrage publié avec le concours du ministère des Affaires étrangères et européennes (DGMDP) et du Centre national de la recherche scientifique (UMIFRE 6, USR 3135) BEYROUTH 2012 Révision de textes : Frédéric ALPI Mots-clefs : Syrie, hellénistique, parthe, romain, patrimoine, art, religion, anthropologie, cartographie, céramique.

Ehrenstatuen als Mittel der öffentlichen Kommunikation in Städten der Provinz Iu-daea/Syria Palaestina

Religion und Politik, Electrum 20, hg. E. Dąbrowa, Krakau 2014, 107-115

r o t e c t e d u n d e r c o p y r i g h t l a w. Al l r i g h t s r e s e r v e d . No p a r t o f t h i s p u b l i c a t i o n ma y b e r e p r o d u c e d , t r a n s mi t e d , l e n t o r ma d e a v a i l a b l e i n l i b r a r y r e t r i e v a l s y s t e ms . T h i s p u b l i c a t i o n i s ma d e a v a i l a b l e t o t h e a u t h o r s o n l y . T h i s p u b l i c a t i o n i s p r o t e c t e d u n d e r c o p y r i g h t l a w. Al l r i g h t s r e s e r v e d . No p a r t o f t h i s p u b l i c a t i o n ma y b e r e p r o d u c e d , t r a n s mi t e d , l e n t o r ma d e a v a i l a b l e i n l i b r a r y r e t r i e v a l s y s t e ms . T h i s p u b l i c a t i o n i s ma d e a v a i l a b l e t o t h e a u t h o r s o n l y . T h i s p u b l i c a t i o n i s p r o t e c t e d u n d e r c o p y r i g h t l a w. Al l r i g h t s r e s e r v e d . No p a r t o f t h i s p u b l i c a t i o n ma y b e r e p r o d u c e d , t r a n s mi t e d , l e n t o r ma d e a v a i l a b l e i n l i b r a r y r e t r i e v a l s y s t e ms . T h i s p u b l i c a t i o n i s ma d e a v a i l a b l e t o t h e a u t h o r s o n l y . Electrum, vol. 21 (2014) COVER DESIGN Barbara Widłak Cover photography: Edward Dąbrowa The publication of this volume was fi nanced by the Jagiellonian University in Krakow -Faculty of History. Bank: PEKAO SA, IBAN PL80 1240 4722 1111 0000 4856 3325 T h i s p u b l i c a t i o n i s p r o t e c t e d u n d e r c o p y r i g h t l a w. Al l r i g h t s r e s e r v e d . No p a r t o f t h i s p u b l i c a t i o n ma y b e r e p r o d u c e d , t r a n s mi t e d , l e n t o r ma d e a v a i l a b l e i n l i b r a r y r e t r i e v a l s y s t e ms .

Orientalism and Orientalization in the Iron Age Mediterranean

Over a century ago, scholars recognized a pre-Classical era in which Greek art came under the stimulus of Egypt and the Near East to a degree that invited the label "Orientalizing." Recent archaeological discoveries have pushed back the inception of Iron Age communication between mainland Greece, Crete, and the Levant to the ninth and tenth centuries BCE, and emphasis has now shifted to the conspicuous role played by Phoenicians and their extensive Mediterranean trade networks in these contacts and interactions. The "Orientalizing" phase of Etruscan Italy, generally dated from the late eighth to early sixth centuries BCE and likewise first defined in the nineteenth century CE, acknowledges a comparably intense period of cross-cultural interaction, in which Phoenicians were key participants. For Classical Greece of the fifth and fourth centuries BCE, new studies have reassessed the reception of "Persian luxuries" and documented in the realm of material and visual culture a complex, ambivalent relationship between Greece and the Achaemenid Empire. What kinds of artistic transmission and exchange took place across this geocultural space, and what do scholars today mean by the terms "Orientalizing" and "Orientalization"? How has the postcolonial concept of Orientalism elaborated by Edward Said and other scholars shaped approaches to analyzing relationships between the Near East and its Mediterranean neighbors in this period of antiquity? These issues concern the dissemination and reception of ancient Near Eastern art beyond its southwest Asian borders.