PROGETTI DI ARCHEOLOGIA (original) (raw)

UN METODO OMOLOGICO PER LA PROSPETTIVA ARCHITETTONICA

It is known that, among the various methods of graphic representation, perspective prevails over the other as a geometrically consistent tool, made in central projection, useful to define the perception of space as observed from a point of view. In fact, the powerful application of the central projection, of which the perspective is part, derives by an analogy with human vision, with the advantage of being defined by strict principles deriving from both the descriptive geometry and geometrical optics. This analogy, moreover, allowed the development of several fast graphical processes quite consistent about a geometrical point of view, in some cases becoming intuitive applications, which are not always related to a common modus operandi, in order to provide a simulation about the perception of the geometric model. We have to say, however, that, related with the position of the picture plane, the burden in the calculations about certain methods has often dissuaded by the use of applications related to generic tilt angles in favor of some simplifications of the theoretical, for their usefulness and effectiveness in architectural applications. This obviously has often kept away from more detailed studies and investigations related to this rational perspective (as known in the Italian scientific literature), whose in-depth analysis is perhaps wrongly considered obsolete by the rise of digital techniques in 3D modeling and rendering. Its application merely concerns the domain of the inverse perspective for the definition of the geometry and size of entities in placed in the space and not to define the perspective of objects as displayed according generic points of view. Paying attention to this rational perspective, applied to geometric models for architecture, in this occasion a new methodological approach is going to be explained in order to define a relationship between geometric entities of an image belonging to a generic perspective picture plane and the ground plane of representation, proceeding indirectly from a consolidated and well known graphical method. What is going to be described is the chance to define an approach to perspective obtained through homological correspondences. These correspondences link the objects represented in the graphical methods that use parallel projection (orthographic and isometric projections) and their central projections. In particular, this framework is then set in an indirect process that starts from these projections by applying a several homologies between entities belonging to the ground plane, and also tries to define a single set of operations that can encompass the results obtained with several and different procedures by the simple variation of those elements - point of view and angle of the perspective plane - that characterize the method.

SUL PROGETTO ARCHITETTONICO O SULL'ORGANIZZAZIONE DELLO SPAZIO ANTROPICO

Thesis Bachelor's degree in "Environmental Architecture" of Riccardo Corona Thesis Supervisor: Prof. Gianluca Brunetti First version of theorical essay with an epistemological and phenomenological approach to some questions of architectural design, such as the relationship between object and user (already advocated by Gunther Anders in "Man is antiquated") and a theorization of a linguistic and / or aesthetic method of the project, from a conceptual point of view because from the practical point of view those of the Bauhaus and all the subsequent American schools have already thought of it. With attention to this last statement of mine: it is important never to foreclose the sociocultures of the world with their matured and assumed methods, functional and with values ​​for them. This is to raise awareness of common thinking (of designers and buyers) that the most widespread and adopted aesthetic cultures are not the only ones and the best, the most functional or the most economical. To doubt. Always doubt about the basic assumptions, when you get stuck on a problem. It allows to restructure the patterns and mental relationships and (perhaps) to find some solution. the writing is divided into four chapters: - Architecture and society - Physiological aspects of the architectural project - The language and the relationship in the architectural project - Ethics of architectural design Always with time, I will add a revision of this version, expanded and integrated with other chapters that include ecology, systemic vision and more (...)