Dialogues with the Dead Imagining Mesolithic mortuary rituals (original ) (raw )Thomas Meier/Petra Tillessen, Archaeological imaginations of religion: an introduction from an Anglo-German perspective. In: Thomas Meier/Petra Tillessen (eds.), Archaeological imaginations of religion (Budapest 2014) 11-247
Petra Tillessen , Thomas Meier
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Animism, ancestors and adjusted styles of communication: hidden art in Irish passage tombs. . In: T. Meier and P. Tillessen (eds) Archaeological Imaginations of Religion: 283-314. Budapest: Archaeolingua.
Robert Wallis
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Caspar David Friedrich's Medieval Burials
Karl Whittington
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Art Object presentation: Caspar David Friedrich, A Mountain Peak with Drifting Clouds, ca. 1835. Kimbell Art Museum, Fort Worth, Texas, January 30, 1984.
Erika Esau
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The Afterlife of the Dead in This World: Ghosts, Art, and Poetry in German Modernism
Georg Braungart
2018
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Friedrich’s Wanderer: Paradox of the Modern Subject
Julian Jason Haladyn
2016
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The Realm of the Spirit: Caspar David Friedrich's artwork in the context of romantic theology, with special reference to Friedrich Schleiermacher
Kristina van Prooyen
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Nature, Science and Self in Nineteenth-Century German Visual Culture
Marsha Morton
The German Quarterly, 2019
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"'Return to Your True Self!': Practicing Spiritual Therapy with the Spiegel der Vernunft in Munich," in The Primacy of the Image in Northern European Art, 1400-1700: Essays in Honor of Larry Silver, ed. Debra Cashion, Ashley West, and Henry Luttikhuizen (Leiden and Boston: Brill, 2017), 362-77.
Mitch Merback
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The Philosopher as Romantic Wanderer: An Ekphrastic Engagement with Caspar David Friedrich’s Paintings
Noelle Leslie Dela Cruz
Philosophia: International Journal of Philosophy, 2010
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Fantasy or a transcendent experience? Study of the painting Ascent into Heaven by Jheronimus Bosch from the Palazzo Ducale in Venice
Grzegorz Kubies
Roczniki Humanistyczne/ Annals of Arts, 66/4 (2018), pp. 87-120, 2018
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Special objects - special creatures: Shamanistic imagery and the Aurignacian art of south-west Germany
Martin Porr
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The Cultural Enframing of Nature: Environmental Histories during the Early German Romantic Period
Joan Steigerwald
Environment and History, 2000
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Intriguing Relationships: An Exploration of Early Modern German Prints of Relic Displays and Reliquaries
Betty Schlothan
2013
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Perceiving animals, perceiving humans. Animism and the Aurignacian mobiliary art of Southwest Germany
Martin Porr
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'See the Bridegroom Cometh; Go out and Meet Him': On Spiritual Progress and Mystical Union in Early Netherlandish Painting
Ingrid Falque
"Imago Exegetica. Visual Images as Exegetical Instruments, 1400-1700", edited by Walter S. Melion, James Clifton, and Michel Weemans, 2014
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2016. "An inhabited solitude. The Protestant cemetery as landscape." At the foot of the Pyramid: 300 years of the cemetery for foreigners in Rome. Bonn: Arbeitskreis selbständiger Kultur-Inst., 2016.
Mary K McGuigan , John F McGuigan Jr.
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Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting. Ingrid Falque. Brill's Studies in Intellectual History 299; Brill's Studies on Art, Art History, and Intellectual History 38. Leiden: Brill, 2019. xxiv + 310 pp. $149. - Devotional Portraiture and Spiritual Experienc...
Catherine Levesque
Renaissance Quarterly, 2022
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Out of the day, time and life. A phenomenological approach to cavescapes and anthropomorphic paintings
Hein B. Bjerck
After Discourse - Things, Affects, Ethics (Olsen, Burström, DeSilvey & Þóra Pétursdóttir, eds.) Routledge., 2021
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The Simplicity of the Sublime. A New Picturing of Nature in Caspar David Friedrich
Laure Cahen-Maurel
In: Dalia Nassar (ed.), "The Relevance of Romanticism: Essays on German Romantic Philosophy" (Oxford/New York, Oxford University Press, 2014), pp. 186-201, 2014
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Devotional Portraiture and Spiritual Experience in Early Netherlandish Painting
Ingrid Falque
2019
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Art, Death and the Interpretation of Mortuary Remains
Katheryn Linduff
Art, Ritual Ceremony, Religion: Material Culture and Spiritual Beliefs (藝術‧禮儀‧宗教:物質文化與精神信仰)(Chinese) Ancient Art and Primitive Worship, Artistica: Research Journal of Arts and Humanities, Inaugural Issue, 2010
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Europe: Prehistoric Rock Art
César González Sainz
Encyclopedia of Global Archaeology, 2014
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Imagery and Ritual in the Liminal Zone.
Margrete Syrstad Andås
IMAGERY AND RITUAL IN THE LIMINAL ZONE A STUDY OF TEXTS AND ARCHITECTURAL SCULPTURE FROM THE NIDAROS PROVINCE C.1100-1300, 2012
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“A Sacred Landscape: The Creation, Maintenance, and Destruction of Religious Space in Roman Germany.” Res: Anthropology and Aesthetics 27/28 (2010): 120-139.
Rachel Kousser
Res Anthropology and Aesthetics, 2010
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(19/02/21-22) Interaction of nature and man after Ernst Cassirer: Expressive phenomena as indicators, in: „Critical Zone“, Universität Hamburg, Warburg Haus
Dr. phil. Martina Sauer
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“Fire, Smoke and Vapour: Jan Brueghel’s ‘Poetic Hells’: ‘Ghespoock’ in Early Modern European Art,” in Spirits Unseen: The Representation of Subtle Bodies in Early Modern European Culture, ed. Christine Göttler and Wolfgang Neuber, Intersections, vol. 9 (Leiden: Brill, 2007), pp. 19-46.
Christine Göttler
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The Age of Figurative Theo-Humanism. German Aesthetics of Painting and Sculpture
Franco Cirulli
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In the outer fringe of the human world: phenomenological perspectives on anthropomorphic cave paintings in Norway
Hein B. Bjerck
2012
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Divine Landscapes: The Style of Albrecht Altdorfer
Brad Morosan
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Images and Imaginations: the Perception of German Landscape
Nils Büttner
Gabriele Dürbeck, Urte Stobbe, Hubert Zapf and Evi Zemanek (Eds.). Ecological Thought in German Literature and Culture, Lanham [a.o.] 2017., 2017
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‘The Office of the Dead’: a New Interpretation of the Spes Nostra Painting, in: Rijksmuseum Bulletin Jan 2013
Matthias Ubl
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“The Substance of Sacred Place – Kunsthistorisches Institut Florenz – Max Planck Institut”
Kristine Hess Larison , Jasmina S. Ciric
PATRIMONIUM (2014), 2014
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Treasure Hunting: A Hermeneutical Inquiry into the Final Painting of Liber Novus
Kiley Laughlin
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The Awakening of Endymion: Beauty, Time, and Eternity in Romanesque Sculpture, and Its Photographic Afterlife
Francisco Prado-Vilar
Codex Aqvilarensis 35, 2019
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