A Ceramic Panel from Ottoman Aleppo (original) (raw)

This paper examines a ceramic panel from Ottoman Aleppo, focusing on its artistic and cultural significance. Analyzing the iconography of St. George depicted in the work, the study highlights stylistic influences from Veneto-Cretan icon painting as well as local Levantine traditions. Additionally, the research emphasizes the connections between Islamic art and regional characteristics, exploring the creative diversity within Musa's works and the importance of understanding the non-registered artifacts of early-modern Aleppo.