IIC Colormen paper.pdf (original) (raw)

RHIANNON CLARRICOATES, HELEN DOWDING, and ALEXANDRA GENT, eds., COLOUR CHANGE IN PAINTINGS

Kristin DeGhetaldi

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Modern paints : archives versus analyses

Nathalie Balcar

8th MaSC Workshop and Meeting HERCULES Laboratory University of Évora, 2017

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Painting fights back: Karla Black and the return of the colourfield

Jemma Craig

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Histories of Selected Artists' Pigments

Brandi Lee MacDonald

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Sally Groom on the State of Painting

The real Savage

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The Many Lives of Painting: The Evolution Of Contemporary Painting in the Face of Claims of "The Death of Painting"

Nandita Mukand

The Evolution Of Contemporary Painting in the Face of Claims of "The Death of Painting", 2015

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The Condition of Painting: Reconsidering Medium Specificity (PhD Thesis)

Tom Palin

The Condition of Painting: Reconsidering Medium Specificity (PhD thesis), 2018

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The Death of Painting and Related Issues

Jana Gerzova

Talks about Painting. An Overview of Slovak Painting Through Oral History. Bratislava: Slovart a VŠVU 2009), 2009

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Towards an archaeology of modern painting

Andrea Kirsh

Art History, 2002

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Contemporary artists and colour: Meaning, organisation and understanding

judith mottram

Optics & Laser Technology, 2006

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The Revolutionary Colouring History

Rex Butler

2007

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The Truth Is Always Grey: A History of Modernist Painting

Frances Guerin

2018

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A Painter's thoughts on color and form

Roy Osborne

Color Research & Application, 1987

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INTRODUCTION The Truth Is Always Grey Book Subtitle: A History of Modernist Painting Book Author(s): FRANCES GUERIN Published by: University of Minnesota Press

Frances Guerin

The Truth is Always Grey: A History of Modernist Painting, 2018

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Any Coloured Thing: an interview

Jim Smyth

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Multiplying the associations: David Smith and modern paints

Richard Mulholland

ORA review team, 2011

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Creation and preservation: teaching colour theory

Madeleine Kelly

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Color rush: American color photography from Stieglitz to Sherman

Alissa Schapiro

Choice Reviews Online, 2013

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Colour and art: A brief history of pigments

şahika akçap

Optics and Laser Technology, 2006

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A Changing Art: Nineteenth-century Painting Practice and Conservation

Emma Jansson

Journal of the Institute of Conservation, 2019

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THE ART HISTORICAL MATERIALS COLLECTION AT MUNCH: COLOURS, BRANDS, LABELS

Irina C . A . Sandu

1st MUNCH2022 international conference, Volume 13, Special Issue 1 , 2022

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The Materiality of Color: The Production, Circulation, and Application of Dyes and Pigments, 1400–1800 Ed. by Andrea Feeser, Maureen Daly Goggin, and Beth Fowkes Tobin

Maureen daly Goggin

Early American Literature, 2015

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Contemporary art and colour thinking

judith mottram

2012

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The Curious Case of Contemporary Ink Painting

Joan Kee

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Enduring Characteristics and Unstable Hues: Men in Black in French Painting in the 1860s and 1870s Marcia Pointon

Marcia R Pointon

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The Rebellious Pigment

Salazar Quas

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The Picture So Far: 50 Years of Painting Conservation

Laura Hinde

Journal of the Institute of Conservation, 2018

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Technology, Time, and the Return of Abstract Painting

Graham MacPhee

… : Hybridity, Hegemony, Historicism, ed. Jonathan Harris …, 2003

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The French period in the history of environmental colour design

Verena M. Schindler, Yulia Griber

Proceedings of the International Color Association (AIC) Conference 2019, 2019

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The End of Painting

Douglas Crimp

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Intensive Work Sessions in Color and Form (1975–1981). Art as Vital Praxis

Lucia Cañada

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The Politics of Applied Color in Early Photography

Robert Machado

2010

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"Paint for Painters, a Gap in Italian turn-of-the-century Academic Training, and Artists’ Self-Taught ‘Compensation Strategies’. The case of Gino Severini", November 2016, Stuttgart, ATSR Conference

Margherita d'Ayala Valva

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New and Uncontrollable? How Two Concepts Dominated the Discourse on Colour Photography in the Twentieth Century

Caroline Fuchs

Looking at Photography Now. 40 Years ESHPh, 2019

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Introduction, How the Materiality of Paint is Intrinsic to the Work of Art: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory

Sharon Orleans Lawrence

How the Materiality of Paint is Intrinsic to the Work of Art: An Explanation of the Meaningful Placement of the Medium of Painting in Contemporary Art Theory, 2013

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