A. Ambrogi et Al., Sculture antiche nell’Abbazia di Grottaferrata, Roma 2008 (Comitato Naz. Celebrazioni Millenario Badia Grottaferata. ISBN/ISSN 978-88-89940-08-2) (original) (raw)
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Stratigraphic archaeological excavations carried out in the S. Maria in Castagnola Abbey’s cloister (Chiaravalle, AN), permitted us to reconstruct, though only partially, a new and unexpected history of this site, where, in the Middle Ages, one of the most important architectonic complexes of the region, but significant at a national level as well, has been erected. In this contribution we will discuss, at a preliminary level, the evidence that can be linked to the earliest occupation of a site whose later evolution spanned well into the post-medieval and modern eras. More precisely we will present the archaeological data concerning the phases of the Middle-Recent Bronze Age, consisting of layers rich with archaeological material, mostly objects of everyday use (pottery, bone, bronze), and structures preserved in negative (an artificial ditch, post-holes) which are indicative of permanent occupation. Although the interpretation of this evidence is rendered difficult by the numerous later interventions and by the limited extension of the excavations, the finds from Chiaravalle add significantly to the reconstruction of protohistoric occupation of the lower Esino valley.
A seguito dell’eccezionale rinvenimento della villa romana in località Vassarella – Casino Vezzani di Crecchio (Chieti), interessata fra 1988 e 1992 da ampi scavi archeologici condotti in stretta collaborazione fra Soprintendenza archeologica dell’Abruzzo, Archeoclub d’Italia – Sede di Crecchio, Comune di Crecchio, i preziosi reperti dall’interro della grande cisterna restituiscono un vivido panorama dell’Abruzzo adriatico fra fine del V ed inizi del VII secolo, connesso alla persistenza del controllo da parte dei Bizantini delle aree costiere dell’Abruzzo adriatico, in particolare della vera e propria capitale dell’Esarcato in Abruzzo, la città di Ortona. Dal grande rinvenimento viene organizzata la Mostra sui Bizantini in Abruzzo del 1993, che diventa nel 1995 Museo dell’Abruzzo Bizantino ed Altomedievale.
L’Ambra nell’Antichità. Le figure femminili alate e altri studi, 2021
The J. Paul Getty Museum’s collection of amber antiquities was formed between 1971 and 1984. Apart from the Roman Head of Medusa, which Mr. Getty acquired as part of a larger purchase of antiquities in 1971, all the other ancient amber objects were acquired as gifts. The collection mostly consists of Pre-Roman material, but also includes a small number of Roman-period carvings, of which the Head of Medusa is the most important. The Pre-Roman material includes a variety of jewelry elements that date from the seventh to the fourth centuries BC: fifty-six figured works and approximately twelve hundred non-figured beads, fibulae, and pendants, all gifts from sir Gordon McLendon in 1976. A winged female head in profile showing specific characteristics stands out in a particular way among the ambers of our interest, especially in the treatment of some anatomical details. These details call to mind the female protomes from Canosa and Melfese area, framed in the context of the production of the “Master of the Winged Warrior,” one of the workshops operating within the famous “Satyr and Maenad Group.” Particularly interesting is the rendering of the hair on the forehead, made out in clumps or in wavy bands, which brings in a clear manner this protome to a similar artifact from the tomb 164 of Banzi. The other two winged female heads of the Getty Museum are characterized by a high tutulus and diadem that cover all the hair, big eyes profiled by a deep, almost lozenge-shaped groove, big pyramid-shape nose, small mouth, and tight lips. These figures fully fall, from a stylistic point of view, within the group of female heads gathered under the so-called “Roccanova Group”, and in particular between the protomes of type B in the classification of Montanaro, widespread especially in Canosa area.