Multimedia Exhibition in the Synagogue of Worms: "Galgal. Elements of Creation in Motion Computer-Animated Presentation of Ornamental-Figurative Micrography Taken from Medieval Bible Manuscripts and Displayed in a Cultic Space" (2017). (original) (raw)
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Medieval Epoch II: Visual Arts
Encyclopedia of the Bible and Its Reception, 2020
2020. ‘Medieval Epoch II. Visual Arts,’ in Encyclopedia of the Bible and Its Reception, vol. 18, ed. Constance M. Furey et al. Berlin and Boston: De Gruyter, cols. 384-92.
Image and Christianity: Visual Media in the Middle Ages - Intro
Péter Bokody (ed.). Image and Christianity: Visual Media in the Middle Ages. Exhibition catalog. Pannonhalma: Pannonhalma Abbey, 2014
In 2014 the Benedictine Archabbey of Pannonhalma hosts two intertwined exhibitions. Since March 2014 the exhibition "Icons and Relics: Veneration of Images between East and West" (March 21 – November 11, 2014) can be visited in the in the “old” exhibition hall of the monastery (inaugurated in 2001). In July 2014 opens the inaugural exhibition "Image and Christianity: Visual Media in the Middle Ages" (July 10 – September 30, 2014) in the new Abbey Manor Visitor Center. The aim of the exhibitions is to show to the viewer the various forms and media of image-worship in medieval Christianity. The two exhibitions are accompanied by a joint bilingual (Hungarian-English) catalog entitled Image and Christianity: Visual Media in the Middle Ages, which contains the reproductions and descriptions of the exhibited works and studies discussing the questions of mosaic technique, book illumination and the cult of relics. Table of Contents Várszegi Asztrik (Archabbot of Pannonhalma) Exhibition Halls of Pannonhalma Introduction Varga Mátyás (OSB, Pannonhalma) The Sacred Image: on the Gaining and the Loss of Images in Western Christianity Klaniczay Gábor (Central European University, Budapest) Cult of Relics in the Middle Ages Julia Bokody (Central European University, Budapest) The Fourth Crusade and the Looting of Constantinople Colum Hourihane (Index of Christian Art, Princeton) The Power of the Image in Prayer and Devotion Marina Vicelja – Matijašić (University of Rijeka, Rijeka) Mosaics and Church Decoration: The Cathedral in Poreč Endrődi Gábor (Eötvös Loránd Tudományegyetem, Budapest) De materialibus ad inmaterialia excitans: Commentary on the Stained Glass Windows by Suger, Abbot of Saint-Denis Bokody Péter (Plymouth University, Plymouth) Mural Painting as a Medium: Technique, Representation and Liturgy Szakács Béla Zsolt (Pázmány Péter Katolikus Egyetem, Budapest) Image and Liturgy in the Middle Ages Laura Cleaver (Trinity College, Dublin) Illuminated Prayer Books Catalog Icons and Relics: Veneration of Images between East and West Catalog Image and Christianity: Visual Media in the Middle Ages
Matthias Grawehr and Markus Kersten (eds), A Second Gaze. Intertextuality and Transient Meaning in Roman Texts and Objects, 2024
One of the key instruments in the process of the Christianization of the Roman Empire was the visual arts. Shining images of Christ, the Virgin Mary, the Apostles, and other biblical figures, martyr saints, and bishops, produced in mosaic and located at prominent places in early Christian churches, were frequently accompanied by impressive monumental inscriptions. Based on selected case studies from late antique Rome (4th-7th cent.), this interdisciplinary paper aims to delineate a path to a comprehensive understanding of such multimedia aesthetics, based on the multi-layered and synergic relationship between text-as-image and image-proper with an implicit bearing on the Word made flesh rhetoric (Jo. 1, 1-14). Combining theoretical perspectives from art history and classical philology, we wish to reveal how these visual schemes containing classical echoes in both form and content may convey different meanings depending on the cognitive background of those who are looking.