East in the West: Reflections of Japanese Haiku on the Imagist Poetry of Ezra Pound and Amy Lowell (original) (raw)
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Imagist Poetry of Twentieth Century American Poets Ezra Pound, Amy Lowell and Hilda Doolittle
UBT International Conference. 46., 2019
This article elaborates key aspects of the imagist poetry of twentieth century American poets E. Pound, A. Lowell and H. Doolittle. Twentieth century Imagism belongs to a literary movement in American modern era that is characterized by a tendency to break from the past of traditional literary styles, to a movement that reflects the simplicity, clarity and precision of reflective images. It covers a period from imagism to symbolism, a period of free expression, direct topics as well as images as an exact description. The study remains with highest relevance, despite that there is a wide range of articles, papers, analysis and books about American studies, yet it is a gap in specific topics and authors.
Imagism Status Rerum and a Note on Haiku
2015
Make It New: The Ezra Pound Society Magazine 2.1 (2015): 42-57. Largely but not only in review of Imagism: Essays on Its Initiation, Impact, and Influence, eds. John Gery, Daniel Kempton, and H. R. Stoneback. Available at http://makeitnew.ezrapoundsociety.org.
All rights reserved. University of New Orleans Press unopress.org Book and Cover Design: Allison Reu e Ezra Pound Center for Literature Book Series is a project dedicated to publishing a variety of scholarly and literary works relevant to Ezra Pound and Modernism, including new critical monographs on Pound and/or other Modernists, scholarly studies related to Pound and his legacy, edited collections of essays, volumes of original poetry, reissued books of importance to Pound scholarship, translations, and other works.
Imagism and Imagery in the Selected Poems of Major Imagist Poets
Koya University Journal of Humanities and Social Sciences
This paper explores imagism and studies the intrinsic literary features of some poems to show how the authors combine all the elements such as style, sentence structure, figures of speech and poetic diction to paint concrete and abstract images in the mind of the readers. Imagism was an early 20th century literary movement and a reaction against the Romantic and Victorian mainstreams. Imagism is known as an Anglo-American literary movement since it borrows from the English and American verse style of modern poetry. The leaders of the movement set some rules for writing imagist poems. The authors of the group believed that poets are like painters; what the painters can do with brush and dye, poets can do it with language i.e. painting pictures with words. The poems are descriptive; the poets capture the images they experience with one or more of the five senses. They believed that readers could see the realities from their eyes because the texts are like a painting. In this paper, si...
Literary Time and Literary Space in Imagism and Ezra Pound’s Poetry
Academic Journal of Interdisciplinary Studies, 2022
The relationship between literature and philosophy has led to the inflow of 'small' literature from 'big' literatures within the interaction between literary time and literary space with a propensity to emerge ‘big' again in another literary time and space. The most influential factor in ‘making it new' or 'from big to small, and big again' turns out to be time on account of the fact that the literary creator, namely the poet, is mortal. Since the existence of a poet as a creator turns out to be ‘temporal’, ‘making it new’ turns out to be vital for the next temporality. Therefore, this paper, using the document research method, examines Pound's poetry refracted through the time and literary space of his creative existence, as the urge for translation became an influential factor for Pound himself as a ‘new’ author. Thus, the paper analyses ‘temporal overlapping’ under the inspiring influence of Pound's poetic re-creation, either as a conversio...