Placemaking Revisited. Community Change, 1, 68-72, 2017 (original) (raw)
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Placemaking: The Power To Change
Journal of Biourbanism, 2017
Placemaking is an approach to designing and planning public spaces, including their management, which is becoming widespread not only in the United States but worldwide. The idea of placemaking is revolutionary because of its approach to urban issues that opens up new possibilities of participatory design. The focus of the practice is on the place, consequently on the community that uses and lives in it because public space symbolizes the “connective tissue” of communities, hence the importance of its care. This paper outlines the issues and major trends emerging from recent placemaking experiences.
2008
This pre-conference is intended to introduce participants to a unique, place-based approach to the planning and design of cities and towns and their public spaces, including libraries. Participants will be encouraged to think about their institutions and facilities in a new light and will be introduced to practical tools and techniques that they can use in applying these ideas. As the source of our province’s greatest potential for becoming a liveable, walkable community place, the civic centres of British Columbia’s cities, towns and villages, and the adjacent streets, parks, and neighbourhoods, will comprise the focus of the workshop. We will spend the day exploring the principles of making places through walking tours, presentations, case studies, a Place Performance Evaluation exercise, group discussions and the close examination of the public spaces proximate to some of Richmond’s key civic institutions, including the library and art museum. Through this “Placemaking” process, ...
The ‘Art of Place Making’ and Social Change'
„Landscape architecture is primarily fine art, and as such its most important function is to create beauty in the surroundings of human habitations, (…) but it is also concerned with promoting the comfort, convenience, and health of urban populations.” (Charles W. Eliot) The art of ‘place making’ in any scale is a complex task. The aesthetical part ‘creating beauty’ and the functional side are equally important. In the 18th and 19th century the appreciation of landscape architecture, was different from the profession’s nowadays reputation. The designers and the owners appreciated the parks as an artwork. Likachev in his essay about the parks of St Petersburg mentioned it as the ‘most effective art’ and the introductory quotation from the 19th century reinforce the same. At the turn of the 18th century as reply to the industrialization a new form appeared in the field of landscape gardening, the public park. These artworks accessible for everyone at every time are the first in the history of garden art which was invented for people from every level of society. The idea of them was to prove the people’s physical and psychological health. In the later case, the main aim was to educate the different social groups in many fields e.g. botany, history, and also in moral term, to change their bad habits. Another, philanthropical idea was to create ‘classless’ places, where different social groups can approach each other. The aim of the presentation is to examine the methods and influence of these artworks on social change in the time of their creation, and during the first half of the 20th century. The paper will also try to find answer for the questions: do we appreciate public parks as artworks nowadays, do these public spaces have the mentioned functions, and do they or could they play any role in social change.