‘Writing about music is like dancing about architecture’: integration of multimedia into linguistic and anthropological publications in Language, land and song: Studies in honour of Luise Hercus Edited by Peter K. Austin, Harold Koch and Jane Simpson, EL Publishing (original) (raw)

Music, Language, and Texts: Sound and Semiotic Ethnography

Paja Faudree

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Toner, P.G. Ethnomusicology, Anthroplogy of Music

Iztok Mervic

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Rethinking the Orality-Literacy Paradigm in Musicology

Francesca R. Sborgi Lawson

2010

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Review of Landscapes of indigenous performance: Music, song and dance of the Torres Strait and Arnhem Land edited by Fiona Magowan and Karl Neuenfeldt.

Myfany Turpin

2007

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Contemporary aboriginal songs and songwriters: post-colonialism, categorisation and orality

David Beniuk

1995

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Signifying Instruments: Reflections on the Magic of the Ethnographer’s Sound Recordings (Jonathan D. Hill, 2015)

Ekho Verlag

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Language Plots in Musical Spaces: A Response to Adams Bodomo and Manolete Mora

Daniel Avorgbedor

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Traditional Aboriginal songs: from digital files to living culture’

Myfany Turpin

Australasian Sound Archive 42, 2018

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Katelyn Barney (Hrsg.): Collaborative Ethnomusicology - New Approaches to Music Research between Indigenous and Non-Indigenous Australians

André Rottgeri

Journal of World Popular Music, 2016

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The language of central Australian Aboriginal songs

Myfany Turpin

In Claire Bowern, Bethwyn Evans and Luisa Miceli (eds). Morphology and Language History. In honour of Harold Koch. Amsterdam/Philadelphia: John Benajamins, pp167–183., 2008

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Repatriation of Song Materials to Support Intergenerational Transmission of Knowledge about Language in the Kimberley Region of Northwest Australia

Rona Charles

2013

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The Voice and Its Doubles: Media and Music in Northern Australia

whidden lynn

The Canadian journal of native studies, 2016

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Describing Orality: Performance and the Recuperation of Indigenous Voices

Helen Gilbert

De-scribing Empire: Colonialism and Textuality, 1994

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Ethnomusicology and Audiovisual Communication Selected Papers from the MusiCam 2014 Symposium

Enrique Cámara de Landa

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Multiple uses for old and new recordings: perspectives from the multilingual community of Warruwi

Jenny Manmurulu, Ruth Singer, Linda Barwick

FEL XXI ALCANENA 2017: communities in control. Proceedings of the 21st FEL conference, 19-21 October 2017, 2018

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The vocal performance text as historiography

Flloyd Kennedy

Capter L'essence Du Spectacle: Un Enjeu De Taille Pour Le Patrimoine Immatériel: Capturing the Essence of Performance: The Challenges of Intangible Heritage., 2010

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Merriam - The Anthropology of Music 1964

Humberto Sánchez

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Jyo nana wê! Coplan: an anthropologist's refuge in music

Lindelwa Dalamba

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Artfully hidden: Text and rhythm in a central Australian aboriginal song series

Myfany Turpin

Musicology Australia 29: 93-108, 2007

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The National Recording Project for Indigenous Performance in Australia: year one in review

Allan Marett

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The links between safeguarding language and safeguarding musical heritage

Catherine Grant

International Journal of Intangible Heritage, 2010

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Introduction: Language, Sound, and the Humanities

Julia Kursell

History of Humanities

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"Applications and implications of digital audio databases for the field of ethnomusicology: A discussion of the CNRS — Musée de l’Homme sound archives", First Monday, vol.19 n.10, 2014.

Stephanie Khoury

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Review of Collaborative Ethnomusicology: New Approaches to Music Research between Indigenous and Non-Indigenous Australians

Jared Mackley-Crump

Perfect Beat, 2016

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"'THE DEVELOPMENT OF MUSIC AROUND THE WORLD ' : ETHNOTEXT, SEMIOTIC DRIFT, AND THE POLITICS OF TIME." 41st Annual Meeting of the Semiotic Society of America, Delray Beach Marriott (Delray Beach, FL), September 28-October 1, 2016

Lee Chambers

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Singing with a Distinctive Voice: Comparative Musical Analysis and the Central Australian Musical Style in the Kimberley

Sally Treloyn

2017

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Recorded Music: Performance, Culture and Technology edited by Amanda Bayley. Cambridge: Cambridge University Press, 2010. 374 pp., hardback, £60.00. ISBN: 9780521863094

Simon Keegan-Phipps

British Journal of Music Education, 2011

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Oral History and Music and Culture

Chikukwango Cuxima-Zwa

The Sage International Encyclopedia of Music and Culture (edited by Janet Sturman), 2019

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Communities of Interest: Issues in Establishing a Digital Resource on Murrinh-patha Song at Wadeye (Port Keats), NT

lysbeth ford

Literary and linguistic computing, 2005

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Ethnomusicological collections in the Sound Archives in the face of globalisation

Véronique Ginouvès MMSH

2004

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Philology as a systematic method of documentation and its application to the study of Constança Capdeville’s musical works

Filipa Magalhães

Information Systems Management, 2020

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Alan P. Merriam - The anthropology of music

Jonathan Garcia Muriel

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FROM ETHNO-AESTHETICS TO INTER-TEXTUALITY: A SOCIO LINGUISTIC APPROACH TO THE INTERPRETATION OF PERFORMANCE CONTEXTS IN THE CRITICISM OF ORAL LITERATURE

francis m. ganyi, Jayne Ise-Owan

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The Impact of Cultural Studies on Musicology Within the Context of Word and Music Studies: Questions and Answers

Mats Arvidson

Ideology in Words and Music, 2014

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Transcending the Versification of Oraliture: Song- text as oral Performance among The Ilaje

Niyi Akingbe

Niyi Akingbe, 2013

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