Antonino Sorci, « Elements for a redefinition of narratology research. Analysis of the anti-Aristotelian model of Nietzsche’s Birth of Tragedy », « Narrative and Narratology : Metamorphosing the Structures », international conference, 15 September 2017, ENN5, Prague. (original) (raw)
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Narratology as a narrative philosophy
Context and Reflection: Philosophy of the World and Human Being, 2012
The article is dedicated to the phenomenon of narratology as one of the important modern schools of cross-disciplinary character. Having denoted one of the sides of anthropological turn in philosophical studies of the 20th century, narratology is a relative of semiotics, literary studies, mythocritisism, and linguistics. The author thinks that narratology as a general aesthetic discipline is appealed for sorting out the relations between eventful ranges of narrative and narrating, for investigating not only the character of the phenomenon but also its communicative characteristics. The main concept of narratology as a branch of philosophical knowledge is the confirmation of the narrative as a prototype of the epistemological matrix. The current state of narratology makes it possible to talk about formation of a science where the distinctive feature of its cognition object is the presence of the two eventful ranges – referential and discursive. The author considers the history of the science, detaches the periods of literary and humanitarian understanding and perception of narratology as the analysis methodology. The author also considers narrative in the context of rhetorical approach, in the case of eventfulness, chronotopical line-up and focalization.
“Narrative Sequence in Contemporary Narratology coheres very strongly as a series of explorations of current research from various perspectives on what narrative theory can tell us about sequence—mostly sequence of discourse, though occasionally sequence of story. People who do narrative theory and who teach narrative theory will want to read this book.”—David Richter, CUNY Graduate School Since Aristotle, there has been an assumption that narrative is a representation of actions or sequences of events, that this representation aims to elicit emotions, and that well-formed narratives constitute a whole, with a beginning, a middle, and an end. The nature, role, and relative importance of constituent notions like “sequence of events” and “plot” have been discussed repeatedly and, as a result, have become rather slippery. While recent developments in contemporary narrative theory, such as unnatural, transmedial, cognitive, and functionalist narratology, shed new light on these notions, Narrative Sequence in Contemporary Narratology goes beyond specific approaches to narrative, illuminating sequence and plot in all the diversity of their manifestations, forms, and functions. This volume, edited by Raphaël Baroni and Françoise Revaz, includes contributions from some of the most influential scholars in narrative studies: Alain Boillat, Peter Hühn, Emma Kafalenos, Franco Passalacqua, James Phelan, Federico Pianzola, John Pier, Gerald Prince, Brian Richardson, Marie-Laure Ryan, Eyal Segal, and Michael Toolan. Essays range in focus from musical narrativity and rhetorical narrative theory to comic strips and re-examinations of classical and postclassical narratology. All of the essays contribute fresh understandings of foundational concepts in the field of narratology.
This long conversation with Meir Sternberg focuses on some crucial points in narrative theory. Special attention is given, in the first part, to the historical evolution of narrative studies, as well as to the theoretical differences between different paradigms, form Aristotle, through French structuralism, to the present days; in the second part he centers on the explanation of his con-structivist ant anti-mimetic model and on the difference with other approaches to narrative studies. Providing two fundamental arguments against what he calls «objectivist approaches», he demonstrates the validity and the theoretical value of some of his most thought-provoking proposals , such as the Proteus Principle and the universals of narrative. Thanks to its explanatory power the interview constitutes a simple introduction to Sternberg's functional-rhetorical approach and a glimpse at the editorial policy of the journal «Poetics Today».
Garcia Landa J.A., Tataru L. The Evolution of Narratology // Enthymema, International journal of literary criticism, literary theory and philosophy of literature. IX, 2013. -http://riviste.unimi.it/index.php/enthymema.
Abstract: A discussion of current developments in the discipline of narratology, as seen in the 3rd conference of the European Narratology Network. The continuing relevance of the discipline's historical core grounded on structural poetics, semiotics, and aesthetics is acknowledged, even as new developments in cognitive science, complexity studies and evolutionary theory help reassess the aims of the discipline and the nature of narrative, further transforming the discipline, as the cultural turn had done from the 1990s. The discussion stresses the relevance of conceptual perspectives which help to integrate narratological analysis with the current ongoing understanding of culture as ecologically situated within a global dynamics ("Big history"). Number of Pages in PDF File: 9 Keywords: Big history, Narratology, Narrative, Disciplines, Cognitive science, Literary criticism, Semiotics