Case Studies in Hungary: Architecture of Totalitarian Regimes of the XXth Century in Urban Management (original) (raw)

The Importance of Tourism in Preserving of Architectonic Zones

A building can be a piece of art on the same level as pictures. This notion is argued by many scholars, yet a building designed in a way that can both satisfy practical needs and cause aesthetical pleasure is equal to a painting. The actual situation of the architectural culture, its incongruities and the quantity of architectural production which increases day by day, leads us according to Manfredo Tafuri in his book Theory and History of Architecture (Eco, 1989,00-33), to be facing an unconscious effort. This effort on one hand dictates the death of Architecture and on the other hand the discovery of a new dimension and conception of the architectural application in real life. As referred by Umberto Eco there must be a dialog between the subject and the object. (Eco, 1989) Tourism could give a push into the maintenance of architecture quality, and preserving of architectonic historical zones. So what is the purpose of the tourism realm in the 21st century?

Landscape, City and Monument: TRIAD GLOBAL

Despite wanting to convert trilogy, for example, in a set of 3 concatenated stories, the global reality imposed as triad the group consisting of landscape, city and monuments. A triad that globalization accentuates as objectification rather than as tripartite story. Contemporary cities have lost their connection with the history and the present come as a logical overall survival between the agglomeration and the search for competitive identity. In the dilemma between city and global city monumental heritage can emphasize or spaces of the generic city and help minimize the impact of space junk, contributing to quality of life, urban rebalancing, the revitalization of the landscape. What are the conditions that impact on the landscape and what the consequences of the triad in a globalized world? If the landscape is produced as a territory of the physical, social and symbolic construction that synthesized the notion of cultural landscape, Granada is a double example of the monumental city interaction with their environment. Being the tourist destination of Andalusia and Spain, the Monumental Complex of the Alhambra is the subject of the greatest landscape and territorial planning and pressure imaginable. But also as cultural and social pressures of the city and its scope, as both they are closely interlinked. Study and analyze project alternatives related to urban environments monument and its relationship with the City of Granada is inexcusable condition for establishing relations with different scales macro-relationships of globalization processes reduce or mitigate urban stress and harassment monumental, what it is clear that the city and the centre as equity are an excuse for thematic city and mass tourism. In Granada these relations are paradigmatic and serve to systematize mirror looks to other enclosures with cities like Medina Zahara in Cordoba, although these have a lower voltage. Borders Project, Access, Lookouts, Landscapes, Spaces and Mobility can promote or undermine the Monument of the Alhambra or on the contrary, accentuate the thematic character of the city of Granada, because both are part of the overall strategy of world tourism operators to compete with other destinations. At first it seems that architecture is at a disadvantage to counter massive flows trends and powerful. But this has not always been so. Since the enhancement of the Alhambra in the democratic city, we almost forty years of transformations, among which Manuel de Falla, because 1. Garcia de Paredes put the bar very high architectural innovation profile of a monument, 2. For the Auditorium was restored or 'remade' after the fire, confirming its mark and 3. Because the intent was probably less socially responded by establishing multiple scales orderly relationship between the monument, the city and landscape. Imagen Estudio JDS y ASV JDS studio image and ASV Other projects have not been so fortunate. This happened, among others, the Mosque, the Zaida Building, the Wall Nazari Alto Albaicin Antonio Jimenez Torrecillas, New Gate, or otherwise, with the AVE train station Rafael Moneo, pressure iconizar a portrait of city goes hand in hand with a tendency to emblematize transferable and untouchable image of the monument. The problem of mimesis and the aftermath of the nemesis is that the city is not renewed sclerotic. In cities, the heritage was-until recently-the territory and the central symbol of urban identity while their representation, but this balance is staggered in the jungle of technological mediation. The equivalent of gentrification of the historic centres of tourism is the saturation of monumental sites for each other suffer a problem that digests poorly architecture: the incessant human pressure without spaces / decay times II Taller internacional de paisaje Ciudad y Monumento. Granada 8-12 septiembre 2015. Tríada global. Carlos Hernández Pezzi

Architectural Objects and Public Spaces Connected with Industry. A Contribution to the Discussion on Artistic and Aesthetic Values

Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica

The article presents the contemporary cultural landscape of the historical workers’ settlements, located within the current administrative boundaries of the city of Katowice. Selected building complexes are standardized in terms of typology and building design, but differ in terms of the conservation status and forms of protection. The aim of the discussion is to show the relationship between the artistic and architectural aesthetics and public spaces related to the industry. The subject matter is an attempt to draw attention to the problem of the conservation status of most parts of the historical complexes of residential buildings in Upper Silesia, their untapped potential and declining values.

THE GARDENS OF THE CENTRAL SCHOOL IN BUCHAREST - DISPLAY OF NATIONAL HISTORY AND OUTDOOR CULTURAL SPACES

A garden is more than vegetation; it is art, cultural memory, national patrimony and it is the sentimental expression of one's identity, capable to becoming a mnemonic for future generations to discover. The Central School in Bucharest, one charming piece of the national patrimony, was recently restored, but its gardens were ignored. The current state of the gardens alters the image of the entire ensemble and contradicts the original architectural style and composition of the monument. The study focuses on recovering both the image and the spirit of the school's remaining gardens, offering the necessary details for recomposing the images the school was identified throughout its history. To this end, our research was conducted on mineral and vegetal compositions and pattern displays, successive style transformations and historical layouts, text descriptions and also on " in situ " observations. The aim of the present study is thus, to demonstrate that the gardens are part of the Central School's history and identity and that they hold all the necessary attributes to becoming themselves recognized as landscape monuments. This must lead in the end to defying the Central School as a historical ensemble consisting in a mixture of both architectural and landscape creations alike.

Heroes’ Square, Budapest: a Historic Area and its Unsuccessful Modernization Attempt

Heroes’ Square in the capital of Hungary has a vivid more than hundred year long history, through which many attempts of temporary or permanent modifications have happened. These proposed changes clearly express the contemporary needs and views, but most of the time the square’s original set-up can be saved. Among others, the square witnessed event related major changes, such as the total clearance of the park area. In this paper, the above mentioned modernizing initiatives are presented as historical background for the main case study. The presentation would concentrate on the Hungarian Fine Arts Museum project to establish a modern construction on the square as its entrance and visitors’ area. Both the square with its group of statues and the museum were built in the end of 19th century, and understandably, the new needs and the lack of space required some kind of change in the setting. Many architectural plans were made and heavy discussions were conducted not just within the academic specialists and the museum people, but the debate became political and public as well. At the end, the project of establishing a modern building on the square, similar to the example in Paris, got cancelled. The long and at the end, unsuccessful project to create a modern adding to the otherwise uniform historical square is not just a success story for heritage management, but also provides a very good representation of the contemporary threats and possibilities of urban heritage management in Central Europe within the scope of UNESCO’s Historical Urban Landscape.

Rem Koolhaas'ın Parc de la Villette projesinde stratejik tasarım yaklaşım

2008

It is inevitable to observe that, in an urban field any architectural enterprise is subject to changing political, financial, technological and cultural demands. The pressure of these ever-changing forces attempts to modify and replace the initial program and the activities associated with the architectural product. The lifespan and the success of the resulting edifice depend on its ability to respond to such changes. Nevertheless, these ever-changing forces are naturally ambiguous and unpredictable so that architectural program becomes indeterminate. This thesis claims that in order to deal with the programmatic indeterminacy in an urban context, a strategic approach should be employed throughout the design process. Therefore, the thesis critically analyzes the strategic way of design to understand its working principles via examining the Parc de la Villette competition project of Rem Koolhaas/OMA. The mechanism of strategic way of design, how it works, and how it is constructed ar...